Here is the sixth studio album by American singer and songwriter Alicia Keys. It was released on November 4, 2016, by RCA Records. Keys recorded the album in 2014 at the New York–based Jungle City Studios and Oven Studios with producers Mark Batson, Swizz Beatz, Illangelo, Jimmy Napes, and Pharrell Williams. The singer had finished writing and recording material for the album before she found out she was pregnant, which put the record's release on hold.
Here received positive reviews from critics, who applauded the raw and urgent quality of the music and its exploration of social struggles and African-American life. It debuted at number two on the US Billboard 200 and became Keys' seventh album to top the Top R&B/Hip-Hop Albums chart. By May 2017, it had sold 131,000 copies worldwide. The album produced two singles–"In Common", included only on the international editions, and "Blended Family (What You Do for Love)".
Here was Keys' first album in four years, following Girl on Fire (2012). Keys said that she was not planning a hiatus, but after she finished recording material for the album, she found out she was pregnant which "put a different time spin on things".[4][5] On September 8, 2014, Keys uploaded the music video to a new song called "We Are Here" to her Facebook page, accompanied by a lengthy status update describing her motivation and inspiration to write the song.[6][7] It was released digitally the following week. Keys was also working with Pharrell Williams on then-untitled Here, first set for a 2015 release.[8][9] In an interview with Vibe, Keys described the sound of the album as "aggressive",[10] as one of the songs on the album was titled "Killing Your Mother" (later retitled "Kill Your Mama").[11][12]
Keys also played the piano on a Diplo-produced song "Living for Love" which was featured on Madonna's thirteenth studio album Rebel Heart (2015).[13] In November 2014, Keys announced that she would be releasing a series of children's books;[14] the first book released was entitled Blue Moon: From the Journals of MaMa Mae and LeeLee.[15] Keys gave birth to her second child, son Genesis Ali Dean, on December 27, 2014.[5] In June 2015, Keys performed at the BET Awards 2015 with The Weeknd. Keys played the character Skye Summers in the second season of Empire, first appearing in the episode "Sinned Against", which aired on November 25.[16]
Keys recorded Here in sessions at Jungle City Studios and Oven Studios in New York.[17] She spoke of the creative process for the album in an interview with Citizens of Humanity magazine:
"The music for this album was created so fast—the fastest I've ever created music before. It was like raining down every night, like storms of music was just coming out. It was crazy because I never experienced creating like that; I came in already knowing what I wanted to start to talk about. I knew the topics that I wanted to address and I knew who I wanted to assemble to help me create this very powerful sonic and lyrical journey. So everything I did was with so much intention that when the music began it made sense that it just came so fast. We did probably 30 songs in like 10 days."[4]
Here was met with generally positive reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 76, based on 14 reviews.[29]
Reviewing Here for The Independent, Andy Gill praised Keys' writing and musicality, regarding it to be "grounded in a melodic appeal that’s almost magnetic."[33] In Vice, Robert Christgau hailed the album as Keys' best record since her debut Songs in A Minor, deeming it "simultaneously raw and political", and crediting Swizz Beatz for defining "the funk her adventures in gospel grit demand, evoking Memphis thump while remaining so hip-hop that the samples stay in Nas-Wu-Tribe territory".[37]The Wall Street Journal's Jim Fusilli credited the singer for pursuing new and less-commercial sounds without discarding her classic-soul forte,[2] and Rolling Stone journalist Keith Harris said she exhibited more cruder R&B rather than the classical piano influences of her past work while suggesting a "hectic but coherent" atmosphere evocative of New York City, with influences from boom bap, Latin music, and 1970s soul.[36]Entertainment Weekly writer Nolan Feeney said Keys performed with a "fire in her voice and an almost rap-like cadence", the urgency and subject matter of which made the album her "most vital release in years — and a welcome addition to 2016's rich canon of albums ... that address black life in America.[31] Nick Levine from NME praised Keys' "looser and more youthful" approach, and appreciated that she "doesn't shy away from the personal here" while also looking outwards in explorations of social struggles.[34] According to Ludovic Hunter-Tilney of the Financial Times, Here was animated by "politically active music" such as Sam Cooke's 1964 Civil Rights anthem "A Change Is Gonna Come", and suggested that Keys' "powerful vocals carry the memory of Lauryn Hill in her prime."[38]
Some reviewers were less enthusiastic. Andy Kellman of AllMusic observed energy and conviction in Keys' performance, and a number of "career standouts" in "She Don't Really Care_1 Luv" and "Blended Family". He ultimately found the album's music hastily made, "hollow", and "crude", however, attributing this to "Keys' invigorated energy level and need to simply expel ideas, rather than refine them".[17] Vanessa Okoth-Obbo from Pitchfork applauded the singer's musical experimentation and range, but found the lyrics unadventurous and objected to her "inhabiting the personae of multiple characters" at the expense of personal revelation; in Okoth-Obbo's opinion, the album "does little to further our understanding of who Keys is".[35]
Here debuted at number two on the US Billboard 200 with 50,000 album-equivalent units, of which 42,000 were pure album sales.[40] It topped the US Top R&B/Hip-Hop Albums on November 26, 2016, becoming Keys' seventh number-one album on the chart.[41] By May 2017, the album had sold 131,000 copies worldwide.[42]
Internationally, Here became Keys' least commercially successful studio album to that point, reaching the top ten only in Canada and Switzerland, peaking at numbers ten and five, respectively.[43][44] However, it peaked within the top 20 in almost all countries it charted in. In the United Kingdom, it peaked at number 21 on the UK Albums Chart but became Keys' fourth number-one album on the UK R&B Albums.