Hex | ||||
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Studio album by | ||||
Released | 14 February 1994 | |||
Recorded | March–November 1993 | |||
Genre | ||||
Length | 51:11 | |||
Label | Circa | |||
Producer | Bark Psychosis | |||
Bark Psychosis chronology | ||||
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Singles from Hex | ||||
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Hex is the debut studio album by English post-rock band Bark Psychosis. It was released on 14 February 1994 by Circa Records in the United Kingdom and on 11 March 1994 by Caroline Records in the United States. The term "post-rock" was coined by music journalist Simon Reynolds in his review of the album for Mojo magazine.[1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
Mojo | [3] |
NME | 8/10[4] |
Pitchfork | 9.0/10[5] |
Record Collector | [6] |
Select | 4/5[7] |
Uncut | 10/10[8] |
Reception to Hex was generally positive. Melody Maker described Hex as "the work of a band nourished by constant evolution and is unquestionably divine" and "a gorgeously intense 50 minutes".[9] The NME referred to the band as "nothing less than completely captivating" and called the album "a thoroughly marvelous record".[4]
Writing about Hex for its 30th anniversary, Mark Lager, in Under the Radar, described Hex as "an aptly named album as it casts a spellbinding hypnosis on the listener. Hex could be considered ahead of its time but more accurately it still sounds lost out of time. It followed in the footsteps of Talk Talk’s Spirit of Eden and The Verve’s A Storm in Heaven and is one of the most experimental records of the 1990s. Hex is a melancholy and wintry song cycle, deeply textured and cinematic, for those lonely moments in the middle of the night."[10]
All tracks are written by Bark Psychosis, except where noted
No. | Title | Length |
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1. | "The Loom" | 5:16 |
2. | "A Street Scene" | 5:36 |
3. | "Absent Friend" | 8:20 |
4. | "Big Shot" (Sutton, Ling, Simnett) | 5:21 |
5. | "Fingerspit" | 8:21 |
6. | "Eyes & Smiles" | 8:31 |
7. | "Pendulum Man" | 9:54 |
Bark Psychosis
Other Musicians
Technical personnel
Chart (2017) | Peak position |
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UK Independent Albums (OCC)[11] | 48 |