In 2013, Naomi Watts and Bryan Cranston were attached to star.[4][5]Errol Morris was originally announced as the director.[6] Le Grisbi Productions' John Lesher and Adam Kassan were reported as producers while Sean Murphy would be co-producer.[7] Production was expected to start in April.[8] The plans were abandoned by 2015, allowing Amazon Studios to secure the film rights in 2016, ultimately leading to its production with a new cast and crew in 2022.[2]
It was announced in June 2022 that Kidman would star in and produce the project with Per Saari for Blossom Films and Peter Dealbert for Pacific View Management & Productions.[9] Mimi Cave was onboard as director for Amazon Studios with a script by Andrew Sodroski which had topped the 2013 Blacklist survey of the "most liked" as yet unfilmed screenplays.[10][11] It was later reported that Kate Churchill of Churchill Films would be the producer, rather than the previously mentioned executive producer.[2]
Although the film was initially announced as Holland, Michigan, the title was changed to Holland when the film release was revealed.[12] Although the script was originally written in 2013 and set in the present day, Cave shifted the timeline to 2000. She felt that themes like Dave's sense of alienation resonated more strongly with that era. Additionally, Cave personally connected to the early 2000s, having left the Midwest around 2002, which added a layer of authenticity and relatability to the story.[13]
On the review aggregator website Rotten Tomatoes, 40% of 20 critics' reviews are positive, with an average rating of 4.9/10.[25]Metacritic, which uses a weighted average, assigned the film a score of 46 out of 100, based on 10 critics, indicating "mixed or average" reviews.[26]
Peter Debruge of Variety described Holland as a film that immerses viewers primarily in its protagonist's perspective, which, while not entirely believable, offers an entertaining experience for audiences who enjoy the tension of questioning whether the character is unstable or the sole voice of reason. The film thrives in that ambiguous, thrilling space, making it a compelling watch for fans of psychological intrigue.[27] Chase Hutchinson of The Wrap praised Kidman's performance by noting that she is one of the most versatile and daring performers in modern cinema, often underappreciated despite her immense talent. She effortlessly transitions between withering humor and raw emotional intensity, consistently taking on complex roles that demand a delicate balance. Her fearless commitment to challenging, multifaceted characters sets her apart as an exceptional actress.[28]
Glenn Garner of Deadline Hollywood praised the cast's performance. He said Kidman delivers a sharp, manic performance in the film, evoking the darkly comedic tone of Gus Van Sant's To Die For, complete with biting humor and a gripping mystery. Her portrayal reminds audiences why she has remained a captivating force in cinema for decades. Meanwhile, Gael García Bernal brings charm and intensity to his role as a man torn between his troubled past and his growing feelings for Kidman's character, Nancy. Their chemistry highlights the ever-increasing distance between Nancy and her husband, Fred, played by Matthew Macfadyen, who embodies the unsettling suburban dad, subtly manipulating his family while obsessing over his model train town. Together, the cast creates a tense, layered dynamic that drives the film's intrigue.[29]
Lovia Gyarkye of The Hollywood Reporter mentioned that the true standout of Holland is Cave's distinctive style, which masterfully crafts an unsettling vision of suburban discomfort. Teaming up again with cinematographer Pawel Pogorzelski, Cave employs claustrophobic framing, frenetic editing, and disorienting camera movements to create a fever-dream atmosphere. Alex Somers' haunting score, blending ethereal tones with ominous undertones, heightens the tension. These artistic choices immerse viewers in the protagonist Nancy's fractured psyche, challenging initial perceptions of her character. However, the film's compelling visual and emotional depth is somewhat undermined by a disjointed and confusing narrative.[30] In a similar view, Adrian Horton of The Guardian said that while Holland excels in its striking visuals and the eerie, unsettling atmosphere crafted by Cave, there's a noticeable disconnect between these strengths and the film's narrative, which feels as fragile and insubstantial as one of Nancy's delicate Dutch hats. The tension and artistry of the film's style ultimately outshine its underdeveloped story.[31]