From Wikipedia - Reading time: 6 min
Book cover of In the Garden of Beasts | |
| Author | Erik Larson |
|---|---|
| Language | English |
| Genre | History |
| Publisher | Crown Publishers |
Publication date | 2011 |
| Publication place | United States |
| Media type | Print (hardcover and paperback) |
| Pages | 464 |
| ISBN | 0307408841 |
| LC Class | E748.D6 L37 2011 |
In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin is a 2011 non-fiction book by Erik Larson.[1]
Larson recounts the career of the American ambassador to Germany, William Dodd, particularly the years 1933 to 1937 when he and his family, including his daughter Martha, lived in Berlin. The ambassador, who had earned his PhD in Leipzig forty years earlier, and who, at the time of his appointment, was head of the History Department at the University of Chicago, initially hoped that Germany's new Nazi government would grow more moderate, including in its persecution of the Jews.[2] Martha, separated from her husband and in the process of divorce, became caught up in the glamor and excitement of Berlin's social scene and had a series of liaisons, most of them sexual, including among them Gestapo head Rudolf Diels and Soviet attaché and secret agent Boris Vinogradov. She defended the regime to her skeptical friends. Within months of their arrival, the family became aware of the evils of Nazi rule. Dodd periodically protested against it. President Roosevelt was pleased with Dodd's performance while most State Department officials, suspicious of his lack of background in their area of expertise, as well as his inability to finance embassy activities from his own wealth, found him undiplomatic and idiosyncratic.
The title of the work is a loose translation of Tiergarten, a zoo and park in the center of Berlin.
The other historical figures who appear in Larson's account include:
According to Book Marks, the book received a "rave" consensus, based on thirteen critics: ten "rave", one "positive", and two "mixed".[3] The BookScore assessed critical response as an aggregated score of 8.7 out of 10.[4] On The Omnivore, an aggregator of British press, the book received an "omniscore" of 3.5 out of 5.[5] In the July/August 2011 issue of Bookmarks, the book was scored four out of five. The magazine's critical summary reads: "Well known for his meticulous research, Larson draws on letters, diaries, and other primary sources to paint a vivid, richly detailed portrait of this critical era, immersing readers in the electrifying and decadent city of 1930s Berlin, perilously poised on the brink of ruin".[6]