The awards were founded in 1997 by The Irish Times. Awards were established in numerous categories, ranging from design, to acting, to overall production. The goal was to promote adventuresome theatre, both in the Republic and in Northern Ireland.[1]
In addition to the awards for specific excellence, the judges also present a special award for leadership in the overall community.[2]
The nominations are announced every January and the awards are presented the following month in a prominent invitation-only ceremony. In 2022, the nominations for 2021 will be announced in May and the ceremony will take place early in the summer.[3]
Tom Lane & Rob Moloney for Between Trees and Water
Best Costume Design
Peter O’Brien for An Ideal Husband
Catherine Fay for Breaking Dad and Our Few and Evil Days
Mike Britton for How Many Miles to Babylon
Niamh Lunny for Heartbreak House
Best Lighting Design
Chahine Yayrovan for The Vortex and Punk Rock
John Comiskey for Sive
Adam Silverman for Ballyturk
Ciaran Bagnall for Pentecost
Best Production
Landmark Productions for Ballyturk
Lyric Theatre for Punk Rock
Wildebeest Theatre Company for On the Wire
Abbey Theatre for Our Few and Evil Days
Best New Play
Dreamland by Jim Nolan
Conservatory by Michael West
The Mariner by Hugo Hamilton
Our Few and Evil Days by Mark O’Rowe
Petals by Gillian Greer
Best Opera
Der Vampyr by Heinrich Marschner, directed by Michael Barker-Caven and John O’Brien for Everyman and Cork Operatic Society
The Rape of Lucretia by Benjamin Britten, directed by Michael Barker-Caven for Irish Youth Opera and Wexford Festival Opera
Silent Night by Kevin Puts, directed by Tomer Zvulun for Wexford Festival Opera
Macbeth by William Shakespeare, directed by Oliver Mears for Northern Ireland Opera
Judges Special Award
Limerick City of Culture: Former programmers and the current administration for using the city in the most imaginative way to rebrand Limerick as a beacon of artistic endeavour
Lyric Theatre: For a consistently high standard of productions in a most welcoming venue
The Lir: For producing skilled graduates of a very high calibre
Stage managers and technicians: For keeping the show on the road after opening night and for loyal support to cast and creatives
Denis Conway for his role as Irish Man in the Gate Theatre production of Tom Murphy’s The Gigli Concert
Adrian Dunbar for his role as Tommy in the Dublin Theatre Festival and Lyric Theatre production of Conor McPherson’s The Night Alive
Mark O'Halloran for his role as Donal Davoren in the Abbey Theatre/ Lyric Theatre production of Sean O’Casey’s The Shadow of a Gunman
Marty Rea for his role as King Richard 11 in DruidShakespeare
Best Actress
Cathy Belton for her role as Sal in the Galway International Arts Festival production of The Matchbox by Frank McGuinness
Derbhle Crotty for her role as King Henry 1V in DruidShakespeare
Susan Lynch for her role as Hester Swane in the Abbey Theatre production of By theBog of Cats by Marina Carr
Aisling O'Sullivan for her roles as Hal/King Henry V in DruidShakespeare
Best Supporting Actor
Peter Campion for his role as Katurian in the Decadent, in association with the Lyric Theatre, production of Martin McDonagh’s The Pillowman
Brian Gleeson for his role as Sean in the Landmark Productions in association with MCD, production of Enda Walsh’s The Walworth Farce
Laurence Kinlan for his role as Doc in the Dublin Theatre Festival and Lyric Theatre production of The Night Alive by Conor McPherson
Rory Nolan for his role as Falstaff in DruidShakespeare
Best Supporting Actress
Clare Barrett for her role as Aoife/Margaret Gaj in the Rough Magic production of The Train by Arthur Riordan and Bill Whelan
Dawn Bradfield for her role as Mona in the Gate Theatre production of The Gigli Concert
Amy McAllister for her role as Minnie Powell in the Abbey Theatre and the Lyric Theatre production of Sean O’Casey’s The Shadow of a Gunman
Abigail McGibbon for her role as Sandra in the Rough Magic production of Everything Between Us by David Ireland.
Best Director
Grace Dyas for the THEATREclub production of The Game
Garry Hynes for DruidShakespeare
Wayne Jordan for the Abbey Theatre and Lyric Theatre production of Sean O’Casey’s The Shadow of a Gunman and for the Abbey Theatre production of a new version of Oedipus by Sophocles
Pat Kiernan for the Corcadorca and Eat My Noise production of Gentrification by Enda Walsh
Best Set Design
Sarah Bacon for the Abbey Theatre production of The Shadow of a Gunman
Aedín Cosgrove for the Abbey Theatre production of A Midsummer Night's Dream
Francis O'Connor for DruidShakespeaqre
Ciaran O'Melia for the Gate Theatre production of Shakespeare’s Romeo and Juliet
Best Sound Design
Denis Clohessy for the Brokentalkers and junk ensemble production of It Folds
Gregory Clarke and Conor Linehan for DruidShakespeare
Jimmy Eadie for the Dead Centre production of Chekov’s First Play
Tom Lane for the Abbey Theatre production of Oedipus by Sophocles in a new version by Wayne Jordan
Best Costume Design
Sarah Bacon the Abbey Theatre production of The Shadow of a Gunman
Catherine Fay for the Gate Theatre production of Romeo and Juliet
Monica Frawley for the Abbey Theatre production of By the Bog of Cats
Doreen McKenna and Francis O'Connor for DruidShakespeare
Best Lighting Design
Aedín Cosgrove for the Abbey Theatre production of A Midsummer Night's Dream
Sinéad Wallace for the Abbey Theatre production of Oedipus
Sarah Jane Shiels for the Brokentalkers and junk ensemble production of It Folds and ANU Production of PALS – The Irish at Gallipoli
Adam Silverman for the Landmark Productions and Wide Open Opera production of The LastHotel
Best Production
Chekhov's First Play: a Dead Centre production of Chekhov’s First Play by Anton Chekhov
The Gigli Concert: a Gate Theatre Production
PALS – The Irish at Gallipoli: ANU Production in association with the National Museum of Ireland and Department of Arts, Heritage and the Gaeltacht with the National Archives of Ireland and ICTU
DruidShakespeare: a co-production with Lincoln Center Festival NYC of Richard 11 ( Parts 1 & 2 ) and Henry V by William Shakespeare in a new adaptation by Mark O’Rowe,
Best New Play
Scorch by Stacey Gregg produced by Prime Cut Productions in association with The MAC and Outburst Arts
The Night Alive by Conor McPherson produced by Dublin Theatre Festival and Lyric Theatre, Belfast
The Matchbox by Frank McGuinness produced by the Galway International Arts Festival
Luck Just Kissed You Hello by Amy Conroy produced by HotForTheatre and Galway International Arts Festival
Best Opera
Agrippina: the Irish Youth Opera’s production of Handel’s Agrippina, a co-production with Northern Ireland Opera in association with the Irish Chamber Orchestra and the Lime Tree Theatre Limerick
Faust: The Everyman and Cork Operatic Society production of Gounod’s Faust
Gugliemo Ratcliff: the Wexford Festival Opera production of Guglielmo Ratcliff in association with the Italian Institute of Culture
The Last Hotel: the Landmark Productions and Wide Open Opera production of The Last Hotel by Donnacha Dennehy and Enda Walsh
Judges Special Award
Druid Shakespeare for the way in which the company has assembled and enabled a group of actors to work together as a true ensemble, the pinnacle of this rare achievement being its 2015 Druid Shakespeare production
Blue Raincoat Theatre Company, Sligo, for its imaginative restoration of the theatre of W B Yeats as part of its A Country Under Wave programme
Lian Bell for leading the wakingthefeminists movement with courage and conviction, highlighting the inequalities in Irish theatre and advocating for sustainable change.
Galway International Arts Festival for its consistently supportive role as co-producer to the independent theatre sector