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Isidor Ascheim (Hebrew: איזידור אשהיים; 1891–1968) was a German-born Israeli painter and printmaker. He is known for his work within the German Expressionist movement and his later contributions to Israeli art. Born in Margonin (present-day Poland), he studied in Breslau and was influenced by artists of the Die Brücke group. In 1940, he immigrated to Mandate Palestine, where he became an important figure in the Jerusalem art scene, notably teaching and later directing the Bezalel School of Arts and Crafts. His artistic output reflects a connection to nature and the human form, often executed with a dark palette characteristic of his German Expressionist roots
Isidor Ascheim was born in Margonin (present-day Poland) in 1891. He was raised in an Orthodox Jewish family and served during World War I. In 1919–23, Ascheim studied under the German Expressionist Otto Mueller in Breslau[1] and was influenced by Erich Heckel of the Die Brücke (The Bridge) group.[2] He immigrated to Mandate Palestine in 1940 and settled in Jerusalem. He was married to the Israeli painter Margot Lange-Ascheim.
He taught at the Bezalel School of Art and served as its director for several years. Ascheim's art is based on a direct impression of nature, life and the human form. His oeuvre represents a continuous connection with nature and the human figure, usually executed with a dark palette, the legacy of his German Expressionist roots.[3]
After serving in the First World War, he studied under the German Expressionist Otto Mueller in Breslau (1919-23) and was influenced by Erich Heckel of the Die Brücke (The Bridge) group. In 1934 three of Ascheim's works were included in the 'Exhibition of German-Jewish Artists' Work: Painting, Sculpture, Architecture' (5-15 June 1934) organised at the Parsons Gallery, London by German-Jewish emigre dealer, Carl Braunschweig (later Charles Brunswick), which included in total 221 artworks by 86 artists suffering persecution under the Nazi regime