Chinese musical instruments are traditionally grouped into eight categories (classified by the material from which the instruments were made) known as ‹See RfD›bā yīn (八音).[1] The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups. The grouping of instruments in material categories in China is one of the first musical groupings ever devised.
Silk (絲) instruments are mostly stringed instruments (including those that are plucked, bowed, and struck). Since ancient times, the Chinese have used twisted silk for strings, though today metal or nylon are more frequently used. Instruments in the silk category include:
‹See RfD›Huleiqin (忽雷琴) - pear-shaped lute slightly smaller than the ‹See RfD›pipa, with 2 strings and body covered with snakeskin; it was used during the Tang Dynasty but is no longer used
‹See RfD›Pipa (琵琶) – pear-shaped fretted lute with 4 or 5 strings
‹See RfD›Liuqin (柳琴) – small plucked, fretted lute with a pear-shaped body and four and five strings
‹See RfD›Yueqin (月琴) – plucked lute with a wooden body, a short fretted neck, and four strings tuned in pairs
‹See RfD›Qinqin (秦琴) – plucked lute with a wooden body and fretted neck; also called ‹See RfD›meihuaqin (梅花琴, literally "plum blossom instrument", from its flower-shaped body)
‹See RfD›Sanxian (三弦) – plucked lute with body covered with snakeskin and long fretless neck; the ancestor of the Japanese ‹See RfD›shamisen
‹See RfD›Wanqin (弯琴: shaped like a dragon boat. Its shape is very similar to Myanmar's ‹See RfD›saung-gauk. Another variation of the ‹See RfD›wanqin held in the form of a harp with four strings was found in a painting of Feitian in Mogao caves, Dunhuang province.
Re-enactment of an ancient traditional music performanceA mural from the tomb of Xu Xianxiu in Taiyuan, Shanxi province, dated 571 AD during the Northern Qi Dynasty, showing male court musicians playing stringed instruments, either the ‹See RfD›liuqin or ‹See RfD›pipa, and a woman playing a ‹See RfD›konghou (harp)
‹See RfD›Erxian (二弦) – two-stringed fiddle, used in Cantonese, Chaozhou, and nanguan music
‹See RfD›Tiqin (提琴) – two-stringed fiddle, used in ‹See RfD›kunqu, Chaozhou, Cantonese, Fujian, and Taiwanese music
‹See RfD›Yehu (椰胡) – two-stringed fiddle with coconut body, used primarily in Cantonese and Chaozhou music
‹See RfD›Daguangxian (大广弦) – two-stringed fiddle used in Taiwan and Fujian, primarily by Min Nan and Hakka people; also called ‹See RfD›datongxian (大筒弦), ‹See RfD›guangxian (广弦), and ‹See RfD›daguanxian (大管弦)
‹See RfD›Datong (大筒) – two-stringed fiddle used in the traditional music of Hunan
‹See RfD›Liujiaoxian (六角弦) – two-stringed fiddle with hexagonal body, similar to the ‹See RfD›jing erhu; used primarily in Taiwan
‹See RfD›Tiexianzai (鐵弦仔) – a two-stringed fiddle with metal amplifying horn at the end of its neck, used in Taiwan; also called ‹See RfD›guchuixian (鼓吹弦)
‹See RfD›Hexian (和弦) – large fiddle used primarily among the Hakka of Taiwan
‹See RfD›Sataer (萨塔尔 or 萨它尔) – long-necked bowed lute with 13 strings used in Uyghur traditional music of Xinjiang. 1 playing string and 12 sympathetic strings.
‹See RfD›Khushtar (胡西它尔) – a four-stringed bowed instrument used in Uyghur traditional music of Xinjiang.
‹See RfD›Zhu (筑) – a zither similar to a ‹See RfD›guzheng, played with a bamboo mallet
‹See RfD›Niujinqin (牛筋琴) – a zither used to accompany traditional narrative singing in Wenzhou, Zhejiang province. Similar to a ‹See RfD›se but played with a bamboo mallet.
A half-section of the Song Dynasty (960–1279) version of the Night Revels of Han Xizai, original by Gu Hongzhong;[3] the female musicians in the center of the image are playing transverse bamboo flutes and ‹See RfD›guan, and the male musician is playing a wooden clapper called ‹See RfD›paiban.A ‹See RfD›bawu in the key of F
Bamboo (竹) mainly refers to woodwind instruments, which includes;
‹See RfD›Shuangguan (雙管) - literally "double ‹See RfD›guan," an instrument consisting of two ‹See RfD›guanzi (cylindrical double reed pipes) of equal length, joined together along their length
A set of ‹See RfD›muyu, or Chinese wooden slit drums. The sound produced is affected by the instrument's size, type of wood, and how hollow it is.
Most wood (木) instruments are of the ancient variety:
‹See RfD›Zhu (Chinese: 柷; pinyin: zhù) – a wooden box that tapers from the top to the bottom, played by hitting a stick on the inside, used to mark the beginning of music in ancient ritual music
‹See RfD›Yu (Chinese: 敔; pinyin: yǔ) – a wooden percussion instrument carved in the shape of a tiger with a serrated back, played by hitting a stick with an end made of approximately 15 stalks of bamboo on its head three times and across the serrated back once to mark the end of the music
‹See RfD›Paiban (拍板) – a clapper made from several flat pieces of wood; also called ‹See RfD›bǎn (板), ‹See RfD›tánbǎn (檀板), ‹See RfD›mùbǎn (木板), or ‹See RfD›shūbǎn (书板); when used together with a drum the two instruments are referred to collectively as ‹See RfD›guban (鼓板)
Qing (磬) – a cup-shaped bell used in Buddhist and Daoist ritual music
Daqing (大磬) – large qing
Pengling (碰铃; pinyin: pènglíng) – a pair of small bowl-shaped finger cymbals or bells connected by a length of cord, which are struck together
Dangzi (铛子) – a small, round, flat, tuned gong suspended by being tied with silk string in a round metal frame that is mounted on a thin wooden handlephoto; also called dangdang (铛铛)
Yinqing (引磬) – an inverted small bell affixed to the end of a thin wooden handlephoto
Yunzheng (云铮) – a small flat gong used in the traditional music of Fujian [2]
Sheng (Chinese: 笙; pinyin: shēng) – free reed mouth organ consisting of varying number of bamboo pipes inserted into a metal (formerly gourd or hardwood) chamber with finger holes
Baosheng (抱笙) – larger version of the Sheng
Yu (Chinese: 竽; pinyin: yú) – ancient free reed mouth organ similar to the sheng but generally larger
Hulusi (simplified Chinese: 葫芦丝; traditional Chinese: 葫蘆絲; pinyin: húlúsī) – free-reed wind instrument with three bamboo pipes which pass through a gourd wind chest; one pipe has finger holes and the other two are drone pipes; used primarily in Yunnan province
Diangu (点鼓; also called huaigu, 怀鼓) – a double-headed frame drum played with a single wooden beater; used in the Shifangu ensemble music of Jiangsu province and to accompany to kunqu opera
Lilie (唎咧) – reed wind instrument with a conical bore played by the Li people of Hainan
Lusheng (simplified Chinese: 芦笙; traditional Chinese: 蘆笙; pinyin: lúshēng) – free-reed mouth organ with five or six pipes, played by various ethnic groups in southwest China and neighboring countries
Chinese instruments are either played solo, collectively in large orchestras (as in the former imperial court) or in smaller ensembles (in teahouses or public gatherings). Normally, there is no conductor in traditional Chinese music, nor any use of musical scores or tablature in performance. Music was generally learned aurally and memorized by the musician(s) beforehand, then played without aid. As of the 20th century, musical scores have become more common, as has the use of conductors in larger orchestral-type ensembles.
^"Archived copy". www.chinamedley.com. Archived from the original on 12 December 2006. Retrieved 11 January 2022.{{cite web}}: CS1 maint: archived copy as title (link)
^Patricia Ebrey (1999), Cambridge Illustrated History of China, Cambridge: Cambridge University Press, p. 148.
Lee, Yuan-Yuan and Shen, Sinyan. Chinese Musical Instruments (Chinese Music Monograph Series). 1999. Chinese Music Society of North America Press. ISBN1-880464-03-9
Shen, Sinyan. Chinese Music in the 20th Century (Chinese Music Monograph Series). 2001. Chinese Music Society of North America Press. ISBN1-880464-04-7
Yuan, Bingchang, and Jizeng Mao (1986). Zhongguo Shao Shu Min Zu Yue Qi Zhi. Beijing: Xin Shi Jie Chu Ban She/Xin Hua Shu Dian Beijing Fa Xing Suo Fa Xing. ISBN7-80005-017-3.