| Title |
Director |
Cast |
Genre |
Notes
|
| 1990
|
| A Maldição do Marialva |
António de Macedo |
|
|
|
| Filha da Mãe (Lovely Child) |
João Canijo |
|
|
|
| Non, ou a Vã Glória de Mandar |
Manoel de Oliveira |
|
|
Screened at the 1990 Cannes Film Festival
|
| O Processo do Rei (The King's Trial) |
João Mário Grilo |
|
|
|
| 1991
|
| A Divina Comédia (The Divine Comedy) |
Manoel de Oliveira |
|
|
|
| Um Crime de Luxo (A Luxury Crime) |
Artur Semedo |
|
|
|
| Os Cornos de Cronos |
José Fonseca e Costa |
|
|
|
| A Idade Maior |
Teresa Villaverde |
|
|
|
| 1992
|
| O Último Mergulho |
João César Monteiro |
|
|
|
| The End of the World |
João Mário Grilo |
|
|
Screened at the 1993 Cannes Film Festival
|
| Retrato de Família |
Luís Galvão Teles |
|
|
|
| Rosa Negra |
Margarida Gil |
|
|
|
| Udju Azul di Yonta (The Blue Eyes of Yonta) |
Flora Gomes |
|
|
Co-production with Guinea-Bissau and France
|
| Xavier |
Manuel Mozos |
|
|
|
| 1993
|
| Amor e Dedinhos de Pé |
Luís Filipe Rocha |
|
|
Co-production with France and Spain
|
| Coitado do Jorge (Poor Jorge) |
Jorge Silva Melo |
|
|
|
| Vale Abraão (Abraham's Valley) |
Manoel de Oliveira |
|
|
|
| 1994
|
| Lisbon Story |
Wim Wenders |
|
|
Screened at the 1995 Cannes Film Festival
|
| Passagem por Lisboa |
Eduardo Geada |
|
|
|
| A Caixa (The Box) |
Manoel de Oliveira |
|
|
|
| Casa de Lava (Down to Earth) |
Pedro Costa |
|
|
Screened at the 1994 Cannes Film Festival
|
| Três Irmãos |
Teresa Villaverde |
|
|
|
| 1995
|
| Adão e Eva |
Joaquim Leitão |
|
|
|
| A Comédia de Deus (God's Comedy) |
João César Monteiro |
|
|
|
| Corte de Cabelo |
Joaquim Sapinho |
|
|
|
| O Convento (The Convent) |
Manoel de Oliveira |
|
|
Entered into the 1995 Cannes Film Festival
|
| Sinais de Fogo |
Luís Filipe Rocha |
|
|
|
| 1996
|
| Adeus, Pai (Bye, Father) |
Luis Felipe Rocha |
|
|
|
| Cinco Dias, Cinco Noites (Five Days, Five Nights) |
José Fonseca e Costa |
|
|
|
| Mortinho por chegar a casa (Dying to go Home) |
Carlos da Silva / George Sluizer |
|
|
|
| Os Olhos da Ásia (The Eyes of Asia) |
João Mário Grilo |
|
|
|
| Terra Estrangeira (Foreign Land) |
Walter Salles and Daniela Thomas |
|
|
Co-production with Brazil
|
| Party |
Manoel de Oliveira |
|
|
|
| 1997
|
| Le Bassin de J.W. |
João César Monteiro |
|
|
|
| Ossos (Bones) |
Pedro Costa |
|
|
|
| Tentação (Temptation) |
Joaquim Leitão |
|
|
|
| Viagem ao Princípio do Mundo (Journey to the Beginning of the World) |
Manoel de Oliveira |
|
|
|
| 1998
|
| Fintar o Destino |
Fernando Vendrell |
|
|
Screened at the 1998 Berlin Film Festival
|
| Os Mutantes (The Mutants) |
Teresa Villaverde |
|
|
Screened at the 1998 Cannes Film Festival
|
| Pesadelo Cor de Rosa (Sweet Nightmare) |
Fernando Fragata |
|
Romantic comedy |
|
| River of Gold |
Paulo Rocha |
|
|
Screened at the 1998 Cannes Film Festival
|
| Sapatos Pretos |
João Canijo |
|
|
|
| Zona J (Zone J) |
Leonel Vieira |
|
|
|
| Inquietude |
Manoel de Oliveira |
|
|
Screened at the 1998 Cannes Film Festival
|
| 1999
|
| As Bodas de Deus (God's Wedding) |
João César Monteiro |
|
|
Screened at the 1999 Cannes Film Festival
|
| Glória |
Manuela Viegas |
|
|
Entered into the 49th Berlin International Film Festival
|
| Inferno (Hell) |
Joaquim Leitão |
|
|
|
| Jaime (Jaime) |
António-Pedro Vasconcellos |
|
|
|
| La Lettre |
Manoel de Oliveira |
|
|
Won the Jury Prize at Cannes
|
From Wikipedia - Reading time: 5 min
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