This is a list of musical compositions by Antonio Salieri (August 18, 1750 – May 7, 1825), organized by genre. Together, the opus consists of approximately 652 works.
"Addio carina bella" (Meng.) aria in G major for bass and orchestra, for?
"Affé questa sera grandissima" - "Una domina? Una nipote?" (Don Anchise) arie & recitative for bass and orchestra (1775?), for P. Anfossi's "La finta giardiniera"?
"Ah ciel che noja è questa" - fragment -
"Ah dove amici" recitative for soprano and orchestra, for?
"Ah non siete ogni si facile" (Tenast) aria for tenor and orchestra, for?
"Alla speranza" (Galatea) aria for soprano and Orchestra, for?
"All'idea del gran mistero" aria in A major for soprano, choir and orchestra, for?
"Anch'io nello specchio talora" aria in E major for soprano and orchestra (1771), for?
"Cedo l'intatto pegno" (Dely - Davidde) duet for soprano, tenor and orchestra, for?
"Che mi s'appresti?" (Capitano) aria in C major for bass and orchestra (1775), for?
"[...] che strane vicende" (Ros. - Fior. - Pasq. - Fulg.) fragmentary finale of an opera (Atto II), for A. Felici's "La novità"?
"Chi vuol la zingara" Duett für zwei Soprane und Orchester, für?
"Dall'uso parigino il bello, il sopraffino" aria in C major for soprano and orchestra (1773), for?
"Del morir le angoscie adesso" scene and aria for tenor and orchestra
"Denke nicht der Zeit der Schmerzen" duet for soprano, tenor and orchestra, for?
"Dico sol, che la padrona" (Lena) aria for soprano and orchestra, for "La Locandiera"?
"D'oro saranno i letti" (Fulg.) aria in D major for bass and orchestra (1775), for?
"Dottorini saputelli" (Clar.) arie for soprano and orchestra (1774), for?
"Eccomi al punto ch'io già tanta temei" fragmentary aria for soprano and orchestra, for?
"Fate largo al gran Pasquino" (Pasquino) aria in D major for bass and orchestra (1775), for A. Felici's "La novità"?
"Figlia mia diletta" trio for soprano, tenor, bass and orchestra, for?
"Fra tanto pietre brune" (Polidoro) recitative for bass and orchestra (1785?), für D. Cimarosa's "L'Italiana in Londra"?
"Goder lasciatemi" (Gianetta) aria for soprano and orchestra, for?
"Gran diavolo!" (Uberto) aria in F major for bass and orchestra, for?
"Guarda in quel volto" aria in E-flat major for soprano and orchestra, for?
"Ho perduto la mia pace" (Brettone) aria for tenor and orchestra (1775), for G. Paisiello's "L'innocenza fortunata"?
"Ho stampato libri in foglio" aria for tenor and orchestra, for?
"Il pargoletto amabile" aria in A major for tenor and orchestra, for?
"In tuo favore mi parla il core" duet for two sopranos and orchestra, for?
"Io contento", recitative, for?
"Io di nuovo vel ripeto" aria for soprano and orchestra (1777), for?
"Io lo dico e il posso dire" trio for alto, tenor, bass and orchestra, for?
"Io non so che pensare" recitative and cavatina for tenor and orchestra, for?
"La donna è sempre instabile" (Belfusio) aria for tenor and orchestra, for "La fiera di Venezia"?
"La mia morosa me l'ha fatta" (Sandrina) aria for soprano and orchestra, for "Il talismano"?
"L'amour est un dieu" Canzone for soprano and orchestra, for?
"La sposa se cedo" aria for soprano and orchestra, for?
"Le diras, che il campione" (Gusman) aria for bass and orchestra (1775), for?
"Le Inconvenienze teatrali" quartet for soprano, alto, tenor, bass and orchestra, for?
"L'introduco immantinente" - "Quando ho visto il dottorino" (Rosina) recitative and aria for soprano and orchestra (1776), for "La finta scema"
"Madame vezzosissima" (Zeffirina - Valerio) fragmentary recitative and duet, for?
"Ma quai mali intorno al core" aria for tenor and orchestra
"Ma quale agli occhi miei" (Conte) recitative, for?
"Mia vaga Dorilla" aria for Bass and orchestra (1775), for B. Galuppi's "Il marchese villano"
"Moriam, moriam mia vita" recitative and duet for soprano, tenor and orchestra, for?
"Nel mio seno" aria, for?
"Non per parlar d'amore" (Laurina) aria in E-flat major for soprano and orchestra, for N. Piccinni's "L'astretta"
"Non temer che d'altri" (Falsirena) aria for soprano and orchestra (1779), for "La fiera di Venezia"
"Non veste alla moda" (Aga.) aria for bass and orchestra (1774), for?
"Non vi fidate" aria for soprano and orchestra, for?
"Oh che donna che matta" (Peppino), recitative, for?
"Oh me infelice - Allor potrei" recitative and aria, for?
"Oh qual sorpasso giubilo" (Pilemone) aria in F major für bass and orchestra, for "Eraclito e Democrito"?
"Oh quanti veggarsi" (Cardano) aria for tenor and orchestra, for "Il talismano"?
"Oh sancte inviete" aria for soprano and orchestra (1775), for?
"Padrona stimatissima" (Pasquino) aria in D major for bass and orchestra, for A. Felici's "La novità"?
"Parlaste d'un cappone" aria for bass and orchestra (1776), for?
"Pasquino avrà quest'ora" recitative, for A. Felici's "La novità"?
"Paterio giudizio" aria for bass and orchestra, for?
"Per amore io già vancillo" (Perillo) aria for tenor and orchestra (1770), for?
"Perder sogetto amato" duet for two sopranos and orchestra, for?
"Per voi s'avanzi" aria for bass and orchestra, for?
"Qual densa notte" (Artalice - Chabri - Nehemia - Chor) finale of an opera, for?
"Quando sarà mia sposa" (Capitano) aria for bass and orchestra (1775), for?
"Quest'è un mar di confusione" quartet for sopran, alto, tenor, bass and orchestra, for?
"Rasserena nel tuo barbaro" fragmentary aria, for?
"Sans argent et sans crédit" (Boschetto - Pirati - Lauretta) scene with orchestra (1768), for?
"Scomodarmi da palazzo e trattarmi in questa guisa" aria in F major for soprano and orchestra (1775), for?
"Se amor m'ha dato in testa, se mi far delirare" aria for soprano and orchestra (1776), for?
"Se credessi di volare" (Peppino) aria in E-flat major for bass and orchestra (1774), for?
"Se Dio veder tu vuoi" (Achio - Azia) duet, for?
"Se tu vedessi il core" (Isabella) aria in G major for soprano and strings, for B. Galuppi's "Il villano geloso"
"Signor mio scrivete bene" (Pasquino) aria in F major for bass and orchestra (1775), for A. Felici's "La novità"?
"S'odo, o duce" (Epponina - Voadice - Sabino - Arminio - Annio) finale of an opera (1785?), for G. Sarti's "Giulio Sabino"
"Son dama, ma so l'arte ancor delle plebe" (Polissena) aria in B-flat major for soprano and orchestra (1774), for G. Paisiello's "Il tamburo (notturno)"
"Son nipote d'un togato" (Isabella) aria in F major for soprano and strings, for B. Galuppi's "Il villano geloso"
"Talor non si comprende" aria for bass and orchestra, for?
"Tenero cor" recitative and cavatina for soprano and orchestra (1780), for?
"Tu che ferita sei" aria for tenor and orchestra, for "Il barone di Rocca antica"?
"Tutte le furie unite in questo petto io sento" aria for soprano and orchestra (1776), for?
"Tutti dicon che la moglie" aria for bass and orchestra, for?
"Una domina? una nipote?" - see: aria "Affé questa saria grandissima" -
"Un bel marito" aria for soprano and orchestra, for?
"Un pescatore mi pare amore" aria for bass and orchestra, for?
"Vedi ben che queste scene" trio for soprano, alto, bass and orchestra, for?
"Venga su la finestra" aria for tenor, choir and orchestra, for?
"Venissi cari, l'affare è serio" (Patenio) aria for bass and orchestra (1777), for?
"Verdammter Streich" (Mauser) aria for tenor and orchestra, for?
"[...] vicino a perdere l'amato ben" fragmentary aria, for?
"Villottino mio bellino" (Lisetta) aria for alto and orchestra (1775), for?
aria (Polissena) for soprano and orchestra (1774), for G. Paisiello's "Il tamburo (notturno)"
finale of an opera for three sopranos, two tenors, bass and orchester (1779), for "La scuola de'gelosi"?
"An den erwünschten Frieden im Jahr 1814" for choir and orchestra (1814)
"An die Religion" for choir a cappella (1814) - there is also a version for SATB choir with basso continuo. This work was intended for choir and orchestra, but in manuscript, only 1st Violin part is noted occasionally.
"Bei Gelegenheit des Friedens" for soprano solo, tenor, bass and orchestra (1800)
"Beide reichen Dir die Hand" for choir - fragment -
"Del redentore lo scempio" for choir and orchestra (ca. 1805)
"Der Vorsicht Gunst beschütze, beglücktes Österreich, dich" for choir and orchestra (1813) - new version of the final movement of "Der Tyroler Landsturm" (1799) -
"Dio serva Francesco" for choir and orchestra
"Do re mi fa" for choir a cappella (1818)
"Es schallen die Töne" for choir and orchestra
"Herzliche Empfindung bey dem so lange ersehnten und nun hergestellten Frieden im Jahr 1814" for choir and orchestra (1814)
"O Friede, reich am Heil des Herrn" - see: "Herzliche Empfindung bey dem so lange ersehnten und nun hergestellten Frieden im Jahr 1814" -
"Hinab in den Schoß der Amphitrite" for choir and orchestra (from "Danaus"?)
"Il piacer la gioia" for choir and orchestra
"Ogni bosco, ogni pendice" for choir and orchestra
"Religion, Du Himmelstochter" - see: "An die Religion" -
"Schweb herab, o holder Seraph Friede" - see: "An den erwünschten Frieden im Jahr 1814" -
"Schwer lag auf unserem Vaterlande" - see: "Rückerinnerung der Deutschen nell'anno 1813" -
"Rückerinnerung der Deutschen nell'anno 1813" for choir and orchestra (1813/14)
Songs, ensembles and canons with or without piano - approximately 340 works -
Piccola Serenata in B-flat major for 2 oboes, 2 horns and bassoon (1778)
Serenade in B-flat major for 2 clarinets, 2 bassoons, 2 horns and double-bass
Serenade in C major for 2 flutes, 2 oboes, 2 bassoons, 2 horns and double-bass (alternative version of the serenade in B-flat major for seven instruments)
Serenade in F major for 2 flutes, 2 oboes, 2 bassoons, 2 horns and double-bass
Cassation in C major for 2 oboes, 2 English horns, 2 bassoons and 2 horns
Three trios in G major, E-flat major and C major for 2 Oboes and bassoon
Armonia per un tempio della notte in E-flat major for 2 oboes, 2 clarinets, 2 bassoons and 2 horns (ca. 1795)
"La Betulia liberata" by Florian Leopold Gassmann: abridgements in recitatives and arias, and additional choirs taken from other compositions of Gassmann's (1820)
"Il Talismano": joint composition by Salieri (first act) and Giacomo Rust (second and third act) (1779)
"Requiem" by Niccolò Jommelli: additional instrumentation of two oboes, two bassoons and two trombones (for Christoph Willibald Gluck's solemn requiem on April 8, 1788)