La maison du docteur (The Physician's House), opéra comique, 1 act, (H. Boisseaux; composed either in 1852 or 1855; unperformed)
Le docteur Miracle (Doctor Miracle, opérette, 1 act, (L. Battu & L. Halévy, after R.B. Sheridan; composed 1856; first performance: Paris, Bouffes-Parisiens, 9 April 1857)
Don Procopio, opéra bouffe, 2 acts, (C. Cambiaggio, after L. Prividali; composed 1858–59; first performance: Monte Carlo, 10 March 1906)
La prêtresse (The Priestess), opérette, 1 act, (P. Gille; composed ca. 1861; unperformed)
La guzla de l'émir (The Guzla of the Amir), opéra comique, (J. Barbier & M. Carré; composed ca. 1862; unperformed)
Ivan IV, opéra, 5 acts, (F.-H. Leroy & H. Trianon; composed ca. 1862–65; first performance: Württemberg, Mühringen Castle, 1946)
Les pêcheurs de perles (The Pearl Fishers), opéra, 3 acts, (E. Cormon & M. Carré; composed 1863; first performance: Paris, Théâtre Lyrique, 30 September 1863)
La jolie fille de Perth (The Fair Maid of Perth), opéra, 4 acts, (J.-H. Vernoy de Saint-Georges & J. Adenis, after W. Scott); composed 1866; first performance: Paris, Théâtre Lyrique, 26 December 1867)
Marlbrough s'en va-t-en guerre (Marlbrough Goes to War), opérette, 4 acts, (P. Siraudin & W. Busnach; composed 1867, Act I only, lost; first performance: Paris, Théâtre de l'Athénée, 13 December 1867; the title was taken from the popular song "Marlbrough s'en va-t-en guerre")
La coupe du roi de Thulé (The Cup of the King of Thule), opéra, 3 acts, (L. Gallet & E. Blau; composed 1868–69, after his death the autograph full score was mutilated by various hands[2] and only fragments remain; first performance: (excerpts) BBC Radio, 12 July 1955)
Clarisse Harlowe, opéra comique, 3 acts, (Gille & A. Jaime, after S. Richardson; composed 1870–71, incomplete; unperformed)
Djamileh, opéra comique, 1 act, (Gallet, after A. de Musset; composed 1871; first performance: Paris, Opéra-Comique (Favart), 22 May 1872)
Don Rodrigue, opéra, 5 acts, (Gallet & Blau, after G. de Castro y Bellvis; composed 1872, incomplete draft; unperformed)
Carmen, opéra comique, 4 acts, (H. Meilhac & L. Halévy, after P. Mérimée; composed 1873–74; first performance: Paris, Opéra-Comique (Favart), 3 March 1875)
Incidental music:
L'Arlésienne (The Girl from Arles), incidental music, 3 acts (A. Daudet; composed 1872; first performance: Paris, Théâtre Vaudeville, 1 October 1872)
Petite suite (five movements orchestrated from Jeux d'enfants)
Overture Patrie, 1872
He compiled an orchestral suite using some pieces from his incidental music for L'Arlesienne; after his death, Ernest Guiraud put together a second L'Arlésienne suite, although it also included music from La jolie fille de Perth
Feuilles d'album (1866): "À une fleur" (de Musset), "Adieux à Suzon" (de Musset), "Sonnet" (Ronsard), "Guitare" (Hugo), "Rose d'amour" (Millevoye), "Le grillon" (Lamartine)
Pastorale (Regnard, 1868)
Rêve de la bien-aimée (de Courmont, 1868; dedicated to Léontine de Maësen)
Voyage, Aubade, La nuit, Conte, Aimons, rêvons!, La chanson de la rose, Le Gascon, N'oublions pas!, Si vous aimez!, Pastel, l'abandonnée (these songs are from unidentified unfinished dramatic works)
Fromental Halévy – Noé, opéra, 3 acts (Saint-Georges; composed 1858–62 and left unfinished at Halévy's death; completed by Bizet; first performance Karlsruhe, 5 April 1885)
^ abCD ADW7515, Pavane Records, 2007. Souvenir de l'Arlésienne is the Intermezzo from L'Arlésienne ; Venise is the air "Je crois entendre encore" from Les pêcheurs de perles