Peerzada Ghulam Ahmad Mahjoor | |
---|---|
Native name | مَہجوٗر |
Born | Mitrigam, Kashmir and Jammu | 11 August 1885
Died | 9 April 1952 Mitrigam, India Administered Jammu and Kashmir | (aged 66)
Resting place | Mitrigam (exhumed) then Athwajan, Jammu–Srinagar National Highway, Kashmir |
Pen name | Mahjoor |
Occupation | Regional administrator, Poet |
Notable works | Poshe-mati – Janano,[1] Bage Nishat Ke Gulo,[1] Sahibo sath cham |
Peerzada Ghulam Ahmad (August 1885 − 9 April 1952), known by his pen name as Mahjoor, was a poet of the Kashmir Valley, along with contemporaries, Zinda Kaul, Abdul Ahad Azad, and Dinanath Nadim.[2][3][4] He is especially noted for introducing a new style into Kashmiri poetry and for expanding Kashmiri poetry into previously unexplored thematic realms.[5] Mahjoor is recognized as father of Kashmiri language.
Mahjoor was born in the village of Mitrigam (Urdu pronunciation: [mɪt̪ɾiːɡɑːm], Kashmiri pronunciation: [mitɨrʲɡoːm]), Pulwama, 25 miles (40 km) from Srinagar.[6] He got his pen name Mahjoor when he visited Punjab and started writing poetry under the influence of great Urdu poet, Shibli Nomani. He followed in the academic footsteps of his father, who was a scholar of Persian language.[7] He received the primary education from the Maktab of Aashiq Trali (a renowned poet) in Tral. After passing the middle school examination from Nusrat-ul-Islam School, Srinagar, he went to Punjab where he came in contact with Urdu poets like Bismil Amritsari and Moulana Shibli Nomani. He returned to Srinagar in 1908 and started writing in Persian and then in Urdu.[citation needed] Determined to write in his native language, Mahjoor used the simple diction of traditional folk storytellers in his writing.
Mahjoor worked as a Patwari (Regional Administrator in Department of Revenue). He was posted at Handwara which is one of the oldest tehsils of Kashmir. Along with his official duties, he spent his free time writing poetry, and his first Kashmiri poem 'Vanta hay vesy' was published in 1918.[citation needed] His poems explored a variety of subjects including love, fostering unity among communities, advocating for social change, and shedding light on the struggles faced by the people of Kashmir.[8]
Mahjoor is recognized by one commentator as a poet who revolutionized the traditional forms of nazm and ghazal.[9]
In 1972, a bilingual film named Shayar-e-Kashmir Mahjoor was released with the Hindi version starring Balraj Sahni. A square in Srinagar is named after him.[10] He is buried near the poet Habba Khatoon at a site near Athwajan on the Jammu-Srinagar national highway.[11]
A song featured in Coke Studio Explorer, "Ha Gulo" is written by Mahjoor and was sung by Kashmiri regional band Qasamir.[12]
One of his renowned poetic compositions is 'Bage Nishat ke Gulo,' which stirs excitement and emotions within the readers. He possessed a profound fascination with the natural beauty of Kashmir, and his poetry consistently portrays the picturesque gardens, meadows, forests, waterfalls, rivers, lush green fields, and majestic mountains. Through these mesmerizing descriptions, he effectively conveys his heartfelt emotions and impassioned messages, urging his fellow countrymen to stand up against various forms of injustice. His verses not only celebrate the scenic bounty of Kashmir but also ignite a sense of pride and patriotism, motivating the people to become catalysts for positive change in their society.[13] Rabindranath Tagore called Mehjoor 'Wordsworth of Kashmir,' acknowledging the romantic elements in his poetry.[14]
It is at this stage that the poet Mahjoor swam into the poetical firmament to redeem Kashmiri poetry from this plight. His contribution and that of other major poets of the modern era like Zinda Kaul, Abdul Ahad Azad, Dina Nath Nadim
Famous writers of this era were: Pirzada Ghulam Ahmad 'Mahjoor' (Poet), Abdul Ahad Azad and Master Zinda Koul.
The literary figures who dominated Kashmiri in this period are Zinda Kaul (1884–1965), the universally respected poet of the Bhakti tradition; AA. Azad (1903–68), Dinanath Nadim (1916–88) and of course Mahjoor (1885–1952), who broke the long monotony of mystic poets with a distinctly new personal voice and at the same time created a body of poetry of public protest.