A medallion is a round or oval ornament[1] that frames a sculptural or pictorial decoration in any context, but typically a façade, an interior, a monument, or a piece of furniture or equipment.
Ancient Roman round versions are called an imago clipeata, from the clipeus or Roman round shield.
This was a popular form of decoration in neoclassical architecture. The frame and portrait were carved as one, in marble for interiors, and in stone for exterior walls.
It is also the name of a scene that is inset into a larger stained glass window.
The following gallery shows how medallions changed over time, from style to style, and how decorated or simple they were. Sometimes they were one of the key ornaments of a style, like the Louis XVI style of the 18th century and the Beaux Arts architecture of the Belle Époque. They also came in different shapes, not just circles and ovals. Many Art Deco medallions are octagonal, showing the use of angular and stylized shapes that characterize the style, inspired by Cubism. They also had different reliefs inside over time. For example, some medieval Moldavian churches are decorated with colourful medallions that feature animals and mythological creatures, while many oval Neoclassical ones feature profiles, inspired by Romancameos.
Baroque medallion on a ceiling in the high hall of the chapel of the Palace of Versailles, Versailles, France, unknown architect or sculptor, 17th century
Medallion on a Neoclassical stove in the principals' house of the Central Girls' School, Bucharest, unknown designer, 1890
Beaux Arts medallions on the 2nd floor meeting room of the Commerce and Industry Chamber Building (Rue Notre-Dame-des-Victoires), Paris, by Juste Lisch, 1891
Neo-Louis XVI style medallion above a door in Strada Arthur Verona no. 15, Bucharest, unknown architect, c.1910
Neo-Louis XVI style medallion on a stair railing of the Nicolae T. Filitti/Nae Filitis House (Calea Dorobanților no. 18), Bucharest, by Ernest Doneaud, c.1910[18]
Art Deco octagon-shaped medallion on a makeup cabinet, medallion by Alfred Janniot and cabinet by Jacques-Émile Ruhlmann, c.1929, varnished American walnut, gilded bronze and light oak interior, in a temporary exhibition called "1925, quand l'Art Déco séduit le monde" at the Architecture and Heritage City, Paris