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Ciment was noted for his love for American film, somewhat unusual in his French cultural environment. He credited his Americophilia to his memories of the liberation of Paris by American soldiers in 1944, when he was a child.[3]
Although Ciment had written about cinema in a student publication,[12] his first mainstream film review (of The Trial[13]) was published in Positif magazine in 1963. He was made a board member at the influencal periodical in 1966 and went on to become its de factochief editor, later assuming the role of publishing director in 2004.[2][14][15] In 1972, Cimemt became a film critic on the France Inter radio programme Le Masque et la Plume, to which he contributed until a few weeks before his death.[16][17] From 1990 to 2016, he also hosted Projection privée on the radio station France Culture.[8] He was the author of reference works on the film directors John Boorman, Jane Campion, Elia Kazan, Stanley Kubrick, Joseph Losey, and Francesco Rosi, based on extensive interviews with his subjects.[18] An anthology of interviews, Film World, was published in English 2009.[3]
Ciment regarded cinema as a synthesis of all the arts, stating that he could not imagine being a film critic without a knowledge of theatre, literature, painting, and music. He preferred to know as little as possible about a film when viewing it for the first time, and avoided reading press releases in advance.[5]
Ciment, Michel (1985). Boorman: un visionnaire en son temps (in French). Paris: Calmann-Lévy. ISBN2702113486.
Ciment, Michel (1985). Conversations with Losey. London: Methuen. ISBN0416404707.
Ciment, Michel & Tierchant, Hélène (1989). Theo Angelopoulos. Filmo (in French). Vol. 21. Paris: Edilig. ISBN2856012086.
Ciment, Michel (1992). Le Crime à l'écran: Une histoire de l'Amérique. Découvertes Gallimard Cinéma (in French). Vol. 139. Paris: Gallimard. ISBN978-2070531950.
Ciment, Michel & Herpe, Noël, eds. (1999). Projections 9: French Film-makers on Film-making. Translated by Hodgeson, Pierre. London: Faber and Faber. ISBN0571193560.
Ciment, Michel (2001). Kubrick: The Definitive Edition. Translated by Adair, Gilbert & Bononno, Robert. New York: Faber & Faber. ISBN0571199860.
Ciment, Michel & Kardish, Laurence, eds. (2002). Positif 50 Years: Selections from the French Film Journal. New York: The Museum of Modern Art. ISBN978-0870706882.
Ciment, Michel (2003). Fritz Lang: Le meurtre et la loi. Découvertes Gallimard (in French). Vol. 442. Paris: Gallimard. ISBN2070532631.
Ciment, Michel (2003). Petite planète cinématographique (in French). Paris: Stock. ISBN978-2234055278.
Ciment, Michel (2009). Film World: Interviews with Cinema's Leading Directors. Oxford: Berg Publishers. ISBN978-1845204570.
Ciment, Michel (2015). Les conquérants d'un nouveau monde: Essais sur le cinéma hollywoodien [Conquerers of a New World: Essays on Hollywood Cinema] (in French) (Revised ed.). Paris: Gallimard. ISBN978-2070461622.
Ciment, Michel (2019). Une vie de cinéma (in French). Paris: Gallimard. ISBN978-2072799679.
Ciment, Michel (2023). Jane Campion on Jane Campion. New York: Abrams. ISBN979-8887070032.
^Prédal, René (2012). "La tradition de la cinéphile" [The tradition of the cinema fan]. In Cléder, Jean & Fiant, Anthony (eds.). Regard sur la critique et les revues de cinéma en France: 1. Cartographie. Études cinématographiques (in French). Vol. 72. Caen: Lettres Modernes Minard. pp. 31–50. ISBN978-2256911705.
^McGilligan, Patrick (January–February 1993). "Positif: The Little Magazine That Could". Film Comment. Vol. 29, no. 1. New York. pp. 62–65.
^Garcin, Jérôme & Garcia, Daniel (2005). Le Masque et la Plume (in French). Paris: Éditions des Arènes. pp. 82, 134. ISBN978-2912485939.
^Dussault, Serge (16 May 1994). "Un certain intérêt pour Atom Egoyan" [A positive reception for Atom Egoyan] (PDF). La Presse (in French). Vol. 110, no. 203. Montreal. p. A12. Retrieved 13 November 2024 – via BAnQ.