Hermes, the messenger of the gods, as standing for the communication that takes place between science and the arts[2]
Michel Serres (French:[miʃɛlsɛʁ]; 1 September 1930 – 1 June 2019) was a French philosopher, theorist and writer. His works explore themes of science, time and death, and later incorporated prose.
As a child, Serres witnessed firsthand the violence and devastation of war. "I was six for my first dead bodies," he told Bruno Latour.[5] These formative experiences led him consistently to eschew scholarship based upon models of war, suspicion, and criticism.
Serres served as a professor of French at Stanford University.[6][7] He earned a reputation as a spell-binding lecturer and as the author of remarkably beautiful and enigmatic prose so reliant on the sonorities of French that it is considered practically untranslatable.[citation needed] He took as his subjects such diverse topics as the mythical Northwest Passage, the concept of the parasite, and the explosion of the Space Shuttle Challenger. More generally Serres was interested in developing a philosophy of science which does not rely on a metalanguage in which a single account of science is privileged and regarded as accurate. To do this he relied on the concept of translation between accounts rather than settling on one as authoritative. For this reason, Serres has relied on the figure of Hermes (in his earlier works) and angels (in more recent studies) as messengers who translate (or map) back and forth between domains (i.e., between maps).[citation needed]
He was an influence on intellectuals such as Bruno Latour, Robert Pogue Harrison, and Jonathan Bate. Perhaps his most enduring book is Le contrat naturel (1990), a prescient work addressing the need for philosophy to address the climate crisis.
In an interview with Hans Ulrich Obrist, Serres expressed interest in the emergence of a new political philosophy that addresses the digital context of the 21st century, "I think that out of this place of no law that is the Internet there will soon emerge a new law, completely different from that which organized our old metric space."[8]
1989: Éléments d'histoire des sciences, (in collaboration), Bordas
1990: Le Contrat naturel, François Bourin, Paris (The Natural Contract (1995), University of Michigan Press (English translation by Elizabeth MacArthur and William Paulson)[11]
1991: Le Tiers-instruit, François Bourin
1991: Discours de réception de Michel Serres à l'Académie française et réponse de Bertrand Poirot-Delpech, François Bourin
1992: Éclaircissements, (interviews with Bruno Latour), François Bourin
1993: La Légende des Anges, Flammarion
1993: Les Origines de la géométrie, Flammarion
1994: Atlas, Julliard
1995: Éloge de la philosophie en langue française, Fayard
1997: Nouvelles du monde, Flammarion
1997: Le trésor. Dictionnaire des sciences, (in collaboration), Flammarion, Paris
1997: À visage différent, (in collaboration), Hermann
1999: Paysages des sciences, (in collaboration), Le Pommier
^032c.com. "MICHEL SERRES". Archived from the original on 23 July 2014. Retrieved 17 July 2014.{{cite web}}: CS1 maint: numeric names: authors list (link)
Interview by Hari Kunzru at harikunzru.com (Error: unknown archive URL) (archived (Date missing)) Includes a brief exchange on the relationship of Serres to Deleuze.