Mitch Easter

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Mitch Easter
Easter in 1988 producing Game Theory's Two Steps from the Middle Ages
Background information
Birth name	Mitchell Blake Easter
Born	(1954-11-15) November 15, 1954 (age 70) Winston-Salem, North Carolina, U.S.
Genres	Power pop, jangle pop
Occupation(s)	Record producer, musician, songwriter
Instrument(s)	Guitar, vocals
Years active	1970–present
Website	Official website (via archive.org)

Mitchell Blake Easter (born November 15, 1954) is a musician, songwriter, and record producer. Frequently associated with the jangle pop style of guitar music, he is known as producer of R.E.M.'s early albums from 1981 through 1984, and as frontman of the 1980s band Let's Active.

Easter was born in Winston-Salem, North Carolina, to Ken and Elizabeth (Lib),^[1] and became deeply involved in music from an early age. He attended the University of North Carolina from 1974 until his graduation in 1978.^[2] He played in a number of school bands, including the Loyal Opposition, the Imperturbable Teutonic Gryphon and Sacred Irony,^[3] some of them with his childhood friend Chris Stamey (later of The dB's).

In 1980, Easter started Drive-In Studio, a professional recording studio located in what was originally his parents' garage.^[4][5] One of his earliest recording sessions was the debut single by R.E.M., "Radio Free Europe".^[4] Drive-In Studio became an integral part of the local indie-rock scene of Winston-Salem, recording a number of bands at low "knock-down" rates. Easter closed the Drive-In Studio in 1994, and moved from Winston-Salem to Kernersville, North Carolina, where he opened his current recording studio, Fidelitorium Recordings.^[2]

As a record producer, Easter is probably best known for his work with R.E.M. from 1981 through 1984. Since 1981, he has produced, engineered, and often made musical contributions to albums from many other recording artists, including Donna the Buffalo, Mary Prankster, Ex Hex, Ben Folds Five, Pylon, Helium, Pavement, Suzanne Vega, Richard Barone, Game Theory, The Loud Family, Marshall Crenshaw, The Connells, Velvet Crush, Ken Stringfellow (of The Posies), and Birds of Avalon.

Asked in 1999 about his favorite projects as a producer, Easter cited R.E.M.'s Chronic Town and Game Theory's records – Real Nighttime (1984), The Big Shot Chronicles (1985), Lolita Nation (1987), and Two Steps from the Middle Ages (1988) – which Easter called "a lot of fun, because of the variety in the way they approached recording".^[6]

At the age of 15, in 1970, Easter joined the band Rittenhouse Square which included friends Chris Stamey, Peter Holsapple, and Bobby Locke. Membership in the band changed frequently. The group released an independent album in 1972 but broke up in 1973, after its various members went off to college.^[7]

In 1978, Easter joined Stamey's Sneakers, a band that Easter characterized as "pre-punk transitional".^[8] Prior to Easter, the Sneakers released a self-titled 7-inch EP (with original guitarist Rob Slater) and one album with Easter replacing Slater, In the Red (1978). When the Sneakers disbanded in the late 1970s, Stamey and bandmate Will Rigby formed the dB's and moved to New York. Easter did likewise, but soon returned to Winston-Salem.

In January 2006, the Sneakers played a reunion show in New York.^[8] In the Red has been reissued on CD by East Side Digital and Collectors' Choice Music,^[8] and in September 2015, Omnivore Recordings reissued the Sneakers EP as a CD with five bonus tracks.^[9]

In 1981, Easter formed Let's Active with then-girlfriend Faye Hunter and drummer Sara Romweber. Around the same time, Easter worked with R.E.M. to record their debut single, "Radio Free Europe".^[10] This initial work led to a number of collaborations with the band, with Easter producing their debut EP and (with Don Dixon) their first two albums. Let's Active toured with R.E.M., which led to a recording contract with I.R.S. Records. Although Let's Active was not commercially successful, Easter's offbeat style of guitar-based pop music, which came to be known as jangle pop, was considered a major influence on groups such as R.E.M.

On the I.R.S. label, Let's Active released the EP Afoot (1983), and the albums Cypress (1984), Big Plans for Everybody (1986), and Every Dog Has His Day (1988). A compilation CD, Cypress/Afoot, was released in 1989. After weathering several line-up changes, Let's Active was disbanded by Easter in 1990.^[2]

In August 2014, Easter and Sara Romweber reunited Let's Active for a benefit performance, inviting former Game Theory bassist Suzi Ziegler to join the group.^[11] Easter had previously worked with Ziegler when he produced Game Theory's 1986 album The Big Shot Chronicles.^[12]

By 1990, Easter had become known primarily as a producer and engineer. During the 1990s, Easter rarely performed or recorded his own music, although he did join Velvet Crush as a touring guitarist for a time in the mid-1990s.

In 2000, Easter re-teamed with Let's Active member Eric Marshall and with Shalini Chatterjee (who married Easter in 2003), to form the trio Shalini. The three also briefly played under the name The Fiendish Minstrels, which featured Easter's lead vocals, as well as a selection of Let's Active tunes in its repertoire. With Easter as guitarist for the band Shalini, as well as its producer, Shalini released the albums We Want Jelly Donuts (2000),^[13] Metal Corner (2004), and The Surface and the Shine (2007).^[14]

Mitch Easter released his first solo album, Dynamico, on March 13, 2007. The record was the first on his own imprint, Electric Devil Records, and was initially distributed by 125 Records.^[4] Dynamico marked Easter's first work as frontman of a band in the 18 years since he disbanded Let's Active. Easter formed a combo that toured with him in 2007 in support of the album, with the group Shalini as the opening act, to promote Dynamico and Shalini's 2007 album The Surface and the Shine.^[2][15]

Easter dismissed Chatterjee from his band in January 2010, and the two had divorced by 2011.^[15] Their "recording relationship" was dissolved prior to the release of Shalini's 2010 album Magnetic North, which was produced by Easter, but on which he did not perform.^[15][16]

In December 2010, Easter teamed with Chris Stamey, R.E.M. bassist Mike Mills, and drummer Jody Stephens of Big Star, along with a string section, to perform a live tribute performance of Big Star's album Third/Sister Lovers in Chapel Hill, North Carolina.^[17] Joined by additional performers such as Matthew Sweet, the group performed a similar tribute concert in New York City on March 26, 2011,^[17] at the Barbican in London on May 28, 2012,^[18] The ongoing project has continued with concerts in Chicago and New York in 2013, a January 2014 concert in Sydney, Australia, and a series of five U.S. shows later in 2014 that included Seattle's Bumbershoot festival^[19][20] and a festival in Athens, Georgia.^[21] Performances in 2015 included a September show in Minneapolis and two October dates in San Francisco.^[22]

• 2007: Dynamico (Electric Devil Records)

• 1997: Assorted Creams (Half a Cow)
• 2001: Humblin' (Across America) (Half a Cow)
• 2015: Depressing Beauty (Citadel)

• 1983: Afoot (I.R.S. Records)
• 1984: Cypress (I.R.S.)
• 1986: Big Plans for Everybody (I.R.S.)
• 1988: Every Dog Has His Day (I.R.S.)

• 1982: R.E.M. – Chronic Town (I.R.S. Records) with R.E.M.
• 1983: R.E.M. – Murmur (I.R.S. Records) with Don Dixon
• 1983: Richard Barone and James Mastro – Nuts And Bolts (Passport) with James Mastro and Richard Barone
• 1983: X-Teens – X-Teens (Dolphin)
• 1984: R.E.M. – Reckoning (I.R.S. Records) with Don Dixon
• 1985: Game Theory – Real Nighttime (Enigma)
• 1986: Game Theory – The Big Shot Chronicles (Enigma)
• 1986: Waxing Poetics – Hermitage (Emergo) with Mike Mills
• 1987: Game Theory – Lolita Nation (Enigma)
• 1987: The Connells – Boylan Heights (TVT)
• 1987: Bobby Sutliff – Only Ghosts Remain (PVC)
• 1987: Hyaa! – Get Yer Hyaa-Hyaa`s Out! (no label)
• 1987: Washington Squares – The Washington Squares (Gold Castle)
• 1988: Velvet Elvis – Velvet Elvis (Enigma) with Tom Laune
• 1988: Even the Odd – self titled (Wanga)
• 1988: Mambo-X – Whirled (Wanga records)
• 1988: Love Tractor – Themes from Venus (DB)
• 1989: The Hummingbirds – loveBUZZ (RooArt)
• 1990: Lava Love – Whole Lava Love (Sky)
• 1993: Two Pound Planet – Songs From The Hydrogen Jukebox (Alternative)
• 1994: Motocaster – Stay Loaded (Interscope)
• 1994: The Loud Family – The Tape of Only Linda (Alias)
• 1994: Velvet Crush – Teenage Symphonies to God (Creation / Sony)
• 1995: Grover – My Wild Life (Zero Hour)
• 1996: The Drag – Satellites Beaming Back At You (Island Records)
• 1996: DM3 – Road To Rome (Citadel) with DM3
• 1997: Pavement – Brighten the Corners (Matador Records)
• 1997: Helium – The Magic City (Matador Records) with Helium
• 2001: Velvet Crush – A Single Odessey (Action Musik)
• 2002: Coronet Blue – Coronet Blue (Laughing Outlaw)
• 2002: d Henry Fenton – Autumn Sweet (Laughing Outlaw)
• 2002: Glory Fountain – The Beauty of 23 (Undertow)
• 2003: Mary Prankster – Tell Your Friends (Palace Coup / Orchard)
• 2004: Tim Lee – No Discretion (Paisley Pop)
• 2004: Shalini – Metal Corner (Dalloway)
• 2005: The Mockers – The Lonesome Death of Electric Campfire (Zebra)
• 2005: Jeffrey Dean Foster – Million Star Hotel (Angel Skull)
• 2006: Honor by August – Drowning out the Television (Low Watt)
• 2006: Velvet – The Juggernaut (Double Decker Bus)
• 2007: Angel and the Love Mongers – The Humanist Queen (Rock Snob)
• 2008: Baskervilles – Twilight (Secret Crush)
• 2008: Spank – Get Bent (self-released)
• 2009: Western Civ – Shower the People You Love with Gold (Nomorefakelabels)
• 2011: Birds of Avalon – Birds of Avalon (Gigantic / Bladen County)
• 2011: Big Troubles – Romantic Comedy (Slumberland)
• 2012: A Fragile Tomorrow – Be Nice Be Careful (Piewillie)
• 2015: The Old Ceremony – Sprinter (Yep Roc)
• 2016: Waiting for Henry – "Town Called Patience" (Mighty Hudson Music)

• 1985: Marshall Crenshaw – Downtown (Warner Bros.)
• 1985: Marti Jones – Unsophisticated Time (A&M)
• 1986: Marti Jones – Match Game (A&M)
• 1987: Chris Stamey – It's Alright (A&M)
• 1987: Don Dixon – Romeo At Juilliard (Enigma Records)
• 1987: Marshall Crenshaw – Mary Jean & 9 Others (Warner Bros.)
• 1995: The 6ths – Wasps' Nests (Factory)
• 1995: Stephen Duffy – Duffy (Indolent)
• 1998: Steve Almaas - Human All Too Human (Lonesome Whippoorwill Sweden)
• 2000: Steve Almaas - Kingo A Wild One (Parasol Records USA / Lonesome Whippoorwill Sweden)
• 2001: Alejandro Escovedo – A Man Under the Influence (Bloodshot)
• 2002: Caitlin Cary – While You Weren't Looking (Yep Roc)
• 2002: Gerty – Sweets From the Minibar (Eskimo Kiss)
• 2003: Madison Smartt Bell – Forty Words For Fear (Gaff Music)
• 2003: Thad Cockrell – Warmth & Beauty (Yep Roc)
• 2006: Drive-By Truckers – A Blessing and a Curse (New West)
• 2006: Little Diesel – No Lie (Telstar)
• 2006: Steve Almaas – You Showed Me (Parasol)
• 2011: The Parson Red Heads – Yearling (Second Motion)
• 2012: The dB's – Falling Off the Sky (BarNone)
• 2012: Steve Almaas - Trailer Songs (Lonesome Whippoorwill Sweden)
• 2013: Chris Stamey – Lovesick Blues (Yep Roc)
• 2013: Polvo – Siberia (Merge)
• 2014: Dwight Twilley – Always (Big Oak)
• 2014: Karen Haglof – Western Holiday (self-released)
• 2015: Chris Stamey – Euphoria (Yep Roc)
• 2021: Steve Almaas - Everywhere You've Been (Lonesome Whippoorwill Sweden)

Easter's mother, Lib, was credited with "party crowd vocals" on The Cosmopolitans' 1980 single "(How To Keep Your) Husband Happy".^[23][24] She died in 2002.^[25] Easter's father, Ken, followed five years later, aged 76.^[26]

• Fidelitorium Recordings
• Mitch Easter at AllMusic