Music and fashion have long been closely linked. Artistic movements in music have often been associated with distinct fashions.[1][2] Both industries have also had considerable influence on each other. Many famous musicians have also had notable styles and influenced fashion.[3][4]
Punk fashion is the clothing, hairstyles, cosmetics, jewellery, and body modifications of the punk counterculture. Punk fashion varies widely, ranging from Vivienne Westwood designs to styles modeled on bands like The Exploited to the dressed-down look of North American hardcore. The distinct social dress of other subcultures and art movements, including glam rock, skinheads, greasers, and mods have influenced punk fashion. Punk fashion has likewise influenced the styles of these groups, as well as those of popular culture. Many punks use clothing as a way of making a statement.[9]
The early, pre-fame work of designer Vivienne Westwood helped pioneer the look of early British punk with her scene-establishing clothing shops Sex and Seditionaries in the mid-1970s, co-run with Malcolm McLaren who managed the Sex Pistols. Westwood was asked by then-partner McLaren to outfit the Sex Pistols, and Westwood's designs found a canvas on Johnny Rotten and Sid Vicious.[10] Her early work with Sex and the Sex Pistols helped to establish her as one of the most influential British designers of the 20th century.[11]
Punk fashion has long been commercialized,[12] with well-established fashion designers like Zandra Rhodes,[13][14][15] Thierry Mugler,[16][17] Jean Paul Gaultier,[18][19] Stephen Sprouse,[20][21] and Anna Sui[22][23] using punk elements in their production and the first punk-influenced fashion spreads appearing in mainstream fashion magazines as early as 1976.[24]...[P]unk...has inspired the huge trash cans with shoulder ropes being sold...as trendy carryalls at New York's Fiorucci.
1977: Rhodes presented a 'punk' collection of ripped, zipped and safety-pinned jersey evening dress...
The French are not the first to exploit punk fashion. British fashion designer Zandra Rhodes incorporated rips and tears and safety pins into $600 silk crepe dresses a season back [spring 1977]. Stores like Sakowitz in Houston sold them 'rather well,' according to Robert Sakowitz, the store owner.
...Zandra Rhodes, the British designer who transcribed the punk rock image into the idiom of high fashion....Zandra Rhodes...catapulted 'punk rock' to the fashion world's attention....The style is characterized by cutouts, safety pins and chains...In Miss Rhode's versions, there was not much of the aggressive, sadistic punk rock flavor.
There is punk influence at Thierry Mugler, including a punk model with fluorescent yellow hair...
At Thierry Mugler, black leather and safety-pin jewelry showed up on the runway worn by the cool, blonde [French punk icon] Edwige.
...Jean-Paul Gaultier fused the showmanship of a couture training...with the design anarchy borrowed from London's streets...
Jean Paul Gaultier...defines the neo-punk yuppies.
Stephen Sprouse...continues to manipulate...the Sixties hippie and Seventies punk influences...
Stephen Sprouse...T-shirts printed with safety pins, skulls, and barbed wire; eleven-inch micro-skirts in...camouflage patterns;...dresses covered with gold safety pins...
1976: The punk image began to be covered in Italian Vogue, which featured page after page of black clothing worn with aggressive accessories: low-slung, studded belts, leather knuckle-dusters, dog chains, and wrap-around sunglasses. Hair was dishevelled and tied with black lace ribbons.