The Neo Naturists were started by Christine Binnie, Jennifer Binnie, and Wilma Johnson in 1981 in London. Grayson Perry appeared in many performances. Their performance at the Hayward Gallery in June 2012 was the first time the three main founders had performed together since 1986. There were many performances in the interim years.[1][2] They had a major retrospective exhibition in 2016.[3]
In the world of urban Thatcherism The Neo Naturists were seen as unfashionable hippies. With an enthusiastic spirit of anarchy, they used this unfashionability to enact a challenge. They challenged the highly fashionable Blitz Kids of the early 1980s by creating performances which brought smudged body paint, nudity, cooking, fish fingers, pancakes, calor gas, modern hunter gatherercarrier bags, bosoms, patchouli, sweat and messy exuberance into the heart of the self-conscious New Romantic club scene. Their work brought the aesthetics and vision of William Blake and Samuel Palmer, Cecil Collins and neo-romanticism of the 1940s into direct collision with the slick gesturing of New Image painting and neo-expressionism.[4][5][6]
The Neo Naturists subtextually, used their own female bodies in the context of the, often gay and exquisitely dandyesque, club scene, such as The Blitz, to play with feminist sexuality issues and sexual politics. As living, naked paintings they performed ancient and modern rituals, everyday actions and rituals on stages lit like kitchens. They juxtaposed ritual action with ‘common sense’ to create messy exuberant happenings.[7][8]
The Neo Naturists have an intention to become Neo Naturist octogenarians and to continue performing with body paint on, into their 80s.[1]
^Bracewell, Michael (2010). An Evening of Fun in the Metropolis of your Dreams, Be Nice, Share Everything, Have Fun. Koln: Verlag de BUSHhandlung. pp. Essay Insert. ISBN978-3-86560-771-3.
^Miles, Barry (2010). London Calling. London: Atlantic Books. p. 384. ISBN978 184354 6139.