Pages is the second studio album by English singer-songwriter Shaznay Lewis, released through her independent record label 1.9.7.5 Recordings on 17 May 2024. It is Lewis' first album in 20 years and features collaborations with Self Esteem, Shola Ama and General Levy. Lewis launched the album with her first solo headlining show at The Jazz Cafe on 14 May 2024.
Lewis partnered with Absolute Label Services for the manufacturing and distribution of Pages.[2] On 29 January 2024, the album was made available for pre-order on CD, and limited edition white vinyl and cassette tape formats.[3][4] A CD with an art card signed by Lewis was made available exclusively on Amazon.[5] A signed test pressing, and various bundles with T-shirts and signed prints were sold on Lewis' webstore.[6] To promote Pages, Lewis appeared on Sunday Brunch on 4 February.[2] On 11 February, she performed "Kiss of Life" with the BBC Concert Orchestra in BBC Radio 2's Piano Room.[7] On 30 April, Lewis appeared on The One Show.[8] Lewis launched the album with a headlining show at The Jazz Cafe in Camden Town on 14 May.[2] She is scheduled to play Nocturne Live,[9] Mighty Hoopla and Glastonbury Festival in June,[2][10] and Party in the Park in September.[2]
The lead single "Miracle" was released on 12 January 2024.[11] It entered the UK Singles Downloads Chart at number 80.[12] "Kiss of Life" was released on 1 February as the second single, accompanied by a music video directed by Oscar J Ryan.[3] The single peaked at number 84 on UK Singles Downloads Chart.[13] On 12 April, "Good Mourning" featuring Shola Ama and General Levy was released as the third single alongside a music video directed by Ryan.[14] "Got to Let Go" was released as the fourth single on 3 May.[15]
In his review for The Line of Best Fit, Quentin Harrison praised Lewis' energetic singing technique and bravura, and believed Pages contained "strong songs rife with all sorts of compositional details worth discovering". Harrison applauded Lewis' observational songwriting, and the sociopolitical commentary in the songs "Peaches" and "Awake (Motu)" which he felt promoted unity among African diaspora.[1] John Earls of Classic Pop magazine said Lewis thrived as soloist on an album that exuded confidence and eclecticism, calling it "12 further reminders of her varied skills within most forms of pop."[16]The Observer's Tara Joshi wrote that although "a little clunky in places", the album is "a mostly sumptuous set of turn-of-the-millennium-style pop".[17]
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