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Phoenix Living Poets

From Wikipedia - Reading time: 3 min

The Phoenix Living Poets[1] was a series of slim books of poetry published from 1960 until 1983 by Chatto and Windus Ltd. The poets included in the series offer a cross-section of poets of the era, including some notable writers. Generally those writing were not producing the most experimental work of the era but, taken as a whole, the series covers a significant range of voices and styles.

The series had its origins in the Hogarth Press, which was founded in 1917 by Leonard and Virginia Woolf.[2] In 1946, Hogarth came under the control of Chatto and Windus, and in 1969 Chatto and Windus joined Jonathan Cape, becoming part of Random House in 1987.[3] One of the earliest books in the series was a second impression of Laurie Lee's "The Sun my Monument" originally published by the Hogarth Press in 1944 in its "New Hogarth Library" series[4] and other poets are represented in both series. The Phoenix Living Poets series was started by Chatto & Windus with some continuity of poets from the earlier series and this imprint was maintained throughout the years of publication. Typically the title pages of the Phoenix Living Poets series show both 'Chatto and Windus' and 'The Hogarth Press' together.

The series was edited but the editors are not named on the individual volumes. D J Enright was the editor in the early 1980s (at least), according to J. H. Williams in "The Salt."[5] Some of the covers were designed by Enid Marx,[6] known for her patterned textile and book jacket designs.[7] A typical volume has from 48 to 72 pages.

Authors

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References

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  1. ^ also P.L.P. or PLP
  2. ^ "Hogarth Press". Modernism.research.yale.edu. Archived from the original on 15 December 2009. Retrieved 11 January 2015.
  3. ^ "Chatto & Windus". Randomhouse.co.uk. Retrieved 11 January 2015.
  4. ^ "Hogarth Press Publications". Library.duke.edu. Retrieved 11 January 2015.
  5. ^ Williams, JH (2007) "The Ship" Cambridge, Salt
  6. ^ Enid Marx's name is shown on the inner dust jacket flap for the earlier ones she designed (in various colours with the multiple repeated phoenixes) and on the back for the later ones (with the yellow strips)
  7. ^ Fay Sweet (19 May 1998), Obituary: Enid Marx, The Independent, archived from the original on 26 May 2022, retrieved 11 January 2015

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