Prelude and Sonata | ||||
---|---|---|---|---|
Studio album by | ||||
Released | November 1995 | |||
Recorded | November 26–27, 1994 | |||
Studio | Clinton Recording Studio, New York City | |||
Genre | Jazz | |||
Length | 63:42 | |||
Label | Key'stone, Milestone | |||
Producer | Makoto Kimata, Todd Barkan | |||
McCoy Tyner chronology | ||||
|
Prelude and Sonata is an album by McCoy Tyner released on Key'stone and Milestone label in 1995. It was recorded in November 1994 and has performances of classical and contemporary music by Tyner with the alto saxophonist Antonio Hart, tenor saxophonist Joshua Redman, double bass player Christian McBride and drummer Marvin "Smitty" Smith.
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
Los Angeles Times | [2] |
The Penguin Guide to Jazz Recordings | [3] |
The Rolling Stone Jazz & Blues Album Guide | [4] |
The Virgin Encyclopedia of Jazz | [5] |
Peter Watrous of The New York Times included the recording in his list of the top ten jazz albums of 1995, calling it "one of [Tyner's] best albums in years."[6]
The San Diego Union-Tribune's George Varga featured the album in his list of "five of the more memorable albums in [Tyner's] extensive discography," praising both his "eclectic musical choices" and "his talent-rich young band."[7]
In a review for the Los Angeles Times, Don Heckman called the album "impressive," noting that "although the dynamic between Tyner and Redman is very different from that of the classic Tyner-John Coltrane affiliation, each musician seems powerfully (and understandably) stimulated by the responses of the other." However, he described the inclusion of the Beethoven excerpt as a "noticeable misstep... absurdly misconceived."[2]
Writing for AllMusic, Ken Dryden stated that the album "adds a different twist from what one typically expects of the pianist," and commented: "This release is definitely off the beaten path for McCoy Tyner, but it is well worth acquiring."[1]
The authors of The Penguin Guide to Jazz Recordings remarked: "The saxophonists play well, but this kind of session has become a commonplace which Tyner doesn't especially respond to. He plays professionally... without ever getting into his top gear."[3]