Roman à clef

Roman à clef (French pronunciation: [ʁɔmɑ̃n‿a kle], anglicised as /roʊˌmɒn ə ˈkleɪ/),^[1] French for novel with a key, is a novel about real-life events that is overlaid with a façade of fiction.^[2] The fictitious names in the novel represent real people, and the "key" is the relationship between the non-fiction and the fiction.^[3] This metaphorical key may be produced separately—typically as an explicit guide to the text by the author—or implied, through the use of epigraphs or other literary techniques.^[4]

Madeleine de Scudéry created the roman à clef in the 17th century to provide a forum for her thinly veiled fiction featuring political and public figures.^[4]

The reasons an author might choose the roman à clef format include satire; writing about controversial topics; reporting inside information on scandals without giving rise to charges of libel; the opportunity to turn the tale the way the author would like it to have gone; the opportunity to portray personal, autobiographical experiences without having to expose the author as the subject; avoiding self-incrimination or incrimination of others that could be used as evidence in civil, criminal, or disciplinary proceedings; the ability to change the background and personalities of key participants; and the settling of scores.^{[citation needed]}

Biographically inspired works have also appeared in other literary genres and art forms, notably the film à clef.^[5]

• Amos, William (1985). The Originals: Who's Really Who in Fiction. London: Cape. ISBN 0-7221-1069-3.
• Busby, Brian (2003). Character Parts: Who's Really Who in CanLit. Toronto: Knopf Canada. ISBN 0-676-97579-8.
• Rintoul, M.C. (2014). Dictionary of Real People and Places in Fiction