Sekhar Das

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Sekhar Das (Bengali: শেখর দাশ; alternately spelled Shekhar Das)^[1] is a Bengali film/theatre director, scriptwriter/playwright, actor and producer. He has three award-winning feature films to his credit. Jogajog (Relationships) based on Nobel Laureate Rabindranath Tagore's classic novel has been his 11th feature film, of which four features were made for television release and others for theatre release.

After resigning from a corporate career in 1997, Sekhar began his professional career in films and television as a director. He directed mystery thrillers for a TV channel, and he adapted several works of Russian Playwright Anton Chekhov in Bengali for TV films. A globetrotter, Sekhar Das had been associated with a travelogue program for a TV Channel for nearly three years as presenter, writer and director. This program covered Europe, Asia and Australia.

He served on the juries for international film festivals, was also a jury member for India's national awards, and he was selected as one of the selection committee members for nominating Indian film to Oscar.

Graduating from the University of Calcutta in both science and English literature, Das then opted for film studies and appreciation in the Chitrabani (Communication center of St Xaviers college, Calcutta). Das took interest in the Art of Screenplay writing and acting. He learnt the art of scripting from the Master screen play writer Jean Claude Carrier.

While working for an insurance company, Sekhar Das lost interest in cinema and concentrated in theatre arts. He had the rare opportunity to meet and discuss theatre with directors of international repute like Peter Brook, Jerzy Grotowsky, Richard Secchner, Eugenio Barba, and with Indian theatre directors like Habib Tanvir and Badal Sarkar. He produced and directed plays which included Sophocles' Oedipus, Chekhov's Uncle Vanya, Tagore's 'Visarjan' (The sacrifice), Tasher Desh (The land of Cards), Rather Rashi (The rope of the Chariot), Jean-Paul Sartre's 'Condemned of Altona', Arrabal's 'Picnique in the Battlefield', Dario Foe's "Can't pay, Won't pay", Athol Fugard's Road to Mecca and Arnold Weskar's trilogy. He performed as an actor too and during those days he had the opportunity to meet Indian directors Satyajit Ray, Mrinal Sen and Buddhadeb Dasgupta.

From 1997 onwards Sekhar Das left his work in insurance to work in the television and cinema industry. From 1997 to 2000 he wrote for television programmes. and he also directed short films and long videos during that period. But in 2000 he decided to quit Television and concentrate on Films.

He adopted 4 plays of Anton Chekhov, (Three Sisters, Uncle Vanya, The Seagull, Cherry Orchard) for Television.

Following are the films he made for Theatre release:

Mahulbanir Sereng (Songs of Mahulbani) – script & direction Sekhar Das, His debut with the film 'Mahulbanir Sereng ( The Songs of Mahulbani ), based on the story by Tapan Bandyopadhyay, the film was marked as first ever Bengali film that dealt comprehensively with the lives in the forest (Jangolmohal). It featured songs, and its concept offered a view of the nature, the tribal people, their struggle, romance and agony. It was honored in the Indian Panorama and won 11 awards conferred upon by BFJA.

Krantikaal (Critical encounter) – script & direction. His second film 'Krantikaal' (Critical encounter) based on the story by Prafulla Roy, dealt with the secessionist problems of the North-Eastern part of India and its treatment. Government of India selected the film for international viewing in seven international languages. This low budget experimental film was also honored in the Indian Panorama, received two National awards, four International awards and six BFJA awards.^[2]

Kaler Rakhal (The Understudy) – script & direction. By his third film 'Kaler Rakhal' ( The Understudy), an operatic musical which portrayed lives of colorful 'Bahurupis' (The itinerant performers) Das added another entry to his 'outsiders' series, completing the trilogy on 'contemporary social issues'. Won the 'Best achievement of the year award from BFJA and international awards. By this Das completes his trilogy on contemporary India

Necklace: Film Necklace, Script and direction by Sekhar Das, a bitter-sweet comedy dedicated to the 50 year celebration of French new wave. Screened with good reviews in India, USA and Canada since last September 2011, this has been Das' 1st part of "Kolkata" trilogy.

'Nayanchampar dinratri' (The tale of Nayanchampa): Story, script, direction by Sekhar Das, is a compassionate human document connecting two poles of our contemporary society -Rural and Urban. It records a day of a Maid's life. The story revolves around 'Nayanchampa'(Roopa Ganguly), a middle-aged lady representing thousands of women of rural India like her. They start their journey in the early dawn and travel around 8 hours a day to reach the city, serve different households to earn their livelihood and return home in the night when they again work hard to feed their family. Through 'Nayanchampa' not only we get to see the suppressed sorrows and secret aspirations of different representatives of urban society in the present sociopolitical situation, but we also watch the hapless condition of women of rural India, although very often they remain as the sole bread earners of their family . Film was shot in the documentary style during monsoon, in the rain-soaked city of Kolkata and around different suburb locations with a handheld camera. This has been Das' 2nd part of "Kolkata" trilogy.

ESP: Ekti Rohoshshyo Golpo (ESP: A film fantastic): Script and Direction by Sekhar Das. The film is on Paula and her nocturnal hallucinations around her loving husband, Spandan. Their physician dismisses her symptoms as relating to insomnia. Their charming, young paying guest, Banya, is a student of psychology. Banya, discovers that Paula has an uncanny ability to predict the future. She connects her condition to that of Extra Sensory Perception (ESP), which her professor of para-psychology, Dr. Maity confirms when Paula undergoes Zener card tests. Further findings indicate that Paula is under severe trauma due to her past. At the time of her puberty, a temple priest (who was a dwarf) had physically abused her. He now visits her every night in her hallucinations. Further strange developments compound the investigations.

Jogajog The film is a contemporary interpretation of Rabindranath Tagore's classic novel (written on 1927 and later adopted to drama, 1930's). The plot revolves around the underlying rivalry between two families — the Chatterjees (Biprodas), aristocrats now on the decline and the Ghosals (Madhusudan), representing neo-bourgeoisie and arrogance. Biprodas Chatterjee is a vociferous supporter of equal dignity and rights for women. Kumudini, Biprodas' sister, is caught between the two as she is married off to Madhusudan. She was brought up in a sheltered home where she had followed the traditional way of life and observed all the religious rituals. Her mental image of the husband is as someone who embodies all the qualities of the God (Lord Krishna) she worships. Now, she is rudely shaken by the crude display of wealth and power by Madhusudan. Although brought up to be a good and submissive wife, she resents at the idea of sharing the conjugal bed. But for Madhusudan money means power and marriage means sex, he repeatedly tries to use this to jeer at Kumudini's family; his natural vulgarity, the coarseness of his speech, his arrogant discourtesy made Kumudini's whole being shrank every moment. Soon Kumudini retreated to her shell of spirituality. But a time finally comes when Kumudini cannot take it anymore and she returns to her brother's house, only to realize that she is pregnant. Eventually an unwilling Kumudini is persuaded to return to the Ghoshals. The film also highlights marital rape. Kumudini is subjected to marital rape by Madhusudan. There is also a sexual liaison between Madhusudan and Shyamasundari, the widow of Madhusudan's elder brother.

• 4 great Chekhov Plays (2001)

• Tin Bon (Three sisters)
• Bhola Mama (Uncle Vanya)
• Balaka (The Seagul)
• Golap Kutir (Cherry Orchard)

• Mahulbanir Sereng [Songs of Mahulbani] (2004)
• Krantikaal [Critical encounter] (2005)
• Kaaler Rakhal [The Understudy] (2008)
• Bishnu Dey [documentary film] (2010)
• Necklace (2011)^[3][4]
• E S P (unreleased, 2012)
• Nayan Chapar Dinratri (The tale of Nayanchampa) (unreleased, 2013)
• Jogajog (Relationships) (2015)

• "Chekhov Plays" (2001) for television
• Mahulbanir Sereng (Songs Of Mahulbani) 2004
• Krantikaal (Critical Encounter) 2005
• Kaler Rakhal (The Understudy) 2008
• Necklace (2010)
• E S P-A film fantastic (2012)
• Nayanchampar dinratri (The tale of Nayanchampa) 2013
• Jogajog (Relationships) 2015

• Mahulbanir Sereng: Best film, best director, best screenplay, best art director, best character actor, best story from BFJA, in Indian Panoama 2003
• Krantikaal: Best regional film National award (2005), best character actor, National award. Best Director in 9th Dhaka International Film Festival. Best actor (Roopa Ganguly) in 9th Dhaka International Film Festival, Best film from Signis award (Belgium), special jury, Osien cinefan. Indian Panorama 2005
• Kaler Rakhal: Best achievement of the year (2008) from BFJA, Best sound design from Ahmedabad international

• Mahulbanir Sereng
• Krantikaal