Soft rock (also known as light rock) is a form of rock music that originated in the late 1960s in the United States and the United Kingdom which smoothed over the edges of singer-songwriter and pop rock,[1] relying on simple, melodic songs with big, lush productions. Soft rock was prevalent on the radio throughout the 1970s and eventually metamorphosed into a form of the synthesized music of adult contemporary in the 1980s.[1] The genre was pioneered by such artists as Fleetwood Mac, Elton John, James Taylor and Hall & Oates.
By 1968, hard rock had been established as a mainstream genre. From the end of the 1960s, it became common to divide mainstream rock music into soft and hard rock,[6] with both emerging as major radio formats in the US.[7] The Bee Gees were considered soft rock in the late 1960s.[8]
The Hot 100 and Easy Listening charts became more similar again toward the end of the 1960s and into the early and mid-1970s when the texture of much of the music played on top 40 radio once more began to soften. The adult contemporary format began evolving into the sound that later defined it, with rock-oriented acts as Chicago, the Eagles and Elton John becoming associated with the format. The Carpenters' hit version of "(They Long to Be) Close to You" was released in the summer of 1970, followed by Bread's "Make It with You", both early examples of a softer sound that was coming to dominate the charts.[12]
The soft rock album Tapestry by Carole King, released in February 1971, became one of the best-selling albums of all time. The lead double-sided single from the album, "It's Too Late"/"I Feel the Earth Move", spent five weeks at number one on the Billboard Hot 100 beginning in mid-June 1971.[13]
Los Angeles station KNX-FM, under program director Steve Marshall, introduced a "mellow rock" format in 1971.[14]
In the spring of 1972, Neil Young scored his only number-one single with "Heart of Gold", from the album Harvest. Topping the charts in both the U.S. and Canada, this soft rock ballad featured backing vocals from Linda Ronstadt and James Taylor, heard near the end of the song.[15]
In 1973, Paul McCartney and Wings had a U.S. number one with "My Love", which also reached No. 1 on the Adult Contemporary charts of both the U.S. and Canada.
Denver station KIMN-FM introduced a "mellow rock" album format in 1975. Program director Scott Kenyon told Billboard magazine, Michael Murphey's "Wildfire" is a perfect example; it feels like Colorado, you can tell it came from this part of the country. There's a sound of the Rockies... the best description is mellow rock. Take that kind of music and make it into a Colorado sounding station."[17]
By 1977, some radio stations, notably New York's WTFM and NBC-owned WYNY, had switched to an all-soft rock format.[18] Chicago's WBBM-FM adopted a soft rock/album rock hybrid format in 1977 and was known as "Soft Rock 96" presenting the "Mellow sound of Chicago". Five years later, they would flip to a "Hot Hits" top 40 format.[19]
By the 1980s, tastes had changed and radio formats reflected this change, including musical artists such as Journey.[20]
A prominent counterpart of soft rock in the late 1970s and early 1980s came to be known as yacht rock;[21] its name coined in 2005 by the makers of the online video series Yacht Rock. Originating from California's session musicians, yacht rock only partially overlapped with soft rock; it could include soft to mid-level (but rarely ever purely hard) rock.[22] Much of the "West Coast sound" of yacht rock bore similarity to some of the East Coast soft rockers of the era such as Rupert Holmes and Hall & Oates, leading to the conflation.[23]
In the early 1980s, the radio format evolved into what came to be known as "adult contemporary" or "adult album alternative", a format that has less overt rock bias than its forebear radio categorization.[24] In Los Angeles, KOST 103.5 FM, under program director Jhani Kaye, debuted its soft adult contemporary format in November 1982.[25]
Richard Marx's 1994 single "Now and Forever"[41] topped the Canadian adult contemporary chart[42] and peaked in the top ten of the national singles charts in that country,[43] Norway,[44] and the United States.[45] New bands and artists emerged such as the Danish band Michael Learns to Rock, who saw massive popularity in Asia, with many singles becoming commercially successful in the continent starting with their 1991 hit "The Actor",[46] and Australian band Southern Sons, who enjoyed success on the ARIA Charts with three top 10 singles.[47]
^J. M. Curtis, Rock Eras: Interpretations of Music and Society, 1954–1984 (Popular Press, 1987), p. 236.
^Simpson, 2011 Early 70s Radio, chap. 2 "Pillow Talk: MOR, Soft Rock, and the 'Feminization' of Hit Radio".
^Bronson, Fred, (2003). The Billboard Book of Number 1 Hits (5th ed.) New York: Billboard Books. p. 294. ISBN9780823076772
^"KNX FM 93.1". Socalradiohistory.com. Retrieved September 5, 2020.
^Fortenot, Robert. "Sound Familiar? 10 Famous Cameos That May Surprise You". about.com. Archived from the original on May 26, 2015. Retrieved May 31, 2020. #8 Neil Young's "Heart of Gold". "Musicians of the Los Angeles scene -- this time in the mellow '70s, when soft rock was king and El Lay was its epicenter."
^P. Buckley, The Rough Guide to Rock (Rough Guides, 3rd edn., 2003), p. 378.
^Smith, Chris (2006). The Greenwood Encyclopedia of Rock History: From Arenas to the Underground, 1974–1980. Greenwood Press. p. 102. ISBN0-313-32937-0.
^Gonçalves, Madalena (May 25, 1992). "Novas paradas de singles 25 de Maio de 1992" [New May 25, 1992 Single Charts]. Folha de S.Paulo (in Portuguese). Luiz Frias. This week's sales topper is 'Tears in Heaven' by Eric Clapton. With Platinum sales in only one week, the single went up to the top slot, where it will probably stay for the next couple of weeks.
^"Vinsældalisti íslands" [Iceland's popularity list]. DV (in Icelandic). Reykjavík, Iceland. March 27, 1992. Archived from the original on August 17, 2016. Retrieved November 12, 2015.