In mathematics, a spiral is a curve which emanates from a point, moving further away as it revolves around the point.[1][2][3][4] It is a subtype of whorled patterns, a broad group that also includes concentric objects.
a curve on a plane that winds around a fixed center point at a continuously increasing or decreasing distance from the point.
a three-dimensional curve that turns around an axis at a constant or continuously varying distance while moving parallel to the axis; a helix.
The first definition describes a planar curve, that extends in both of the perpendicular directions within its plane; the groove on one side of a gramophone record closely approximates a plane spiral (and it is by the finite width and depth of the groove, but not by the wider spacing between than within tracks, that it falls short of being a perfect example); note that successive loops differ in diameter. In another example, the "center lines" of the arms of a spiral galaxy trace logarithmic spirals.
The second definition includes two kinds of 3-dimensional relatives of spirals:
A conical or volute spring (including the spring used to hold and make contact with the negative terminals of AA or AAA batteries in a battery box), and the vortex that is created when water is draining in a sink is often described as a spiral, or as a conical helix.
Quite explicitly, definition 2 also includes a cylindrical coil spring and a strand of DNA, both of which are fairly helical, so that "helix" is a more useful description than "spiral" for each of them. In general, "spiral" is seldom applied if successive "loops" of a curve have the same diameter.[5]
In the side picture, the black curve at the bottom is an Archimedean spiral, while the green curve is a helix. The curve shown in red is a conical spiral.
The involute of a circle (black) is not identical to the Archimedean spiral (red).
An Archimedean spiral is, for example, generated while coiling a carpet.[6]
A hyperbolic spiral appears as image of a helix with a special central projection (see diagram). A hyperbolic spiral is some times called reciproke spiral, because it is the image of an Archimedean spiral with a circle-inversion (see below).[7]
The name logarithmic spiral is due to the equation . Approximations of this are found in nature.
Spirals which do not fit into this scheme of the first 5 examples:
A Cornu spiral has two asymptotic points.
The spiral of Theodorus is a polygon.
The Fibonacci Spiral consists of a sequence of circle arcs.
The involute of a circle looks like an Archimedean, but is not: see Involute#Examples.
The following considerations are dealing with spirals, which can be described by a polar equation , especially for the cases (Archimedean, hyperbolic, Fermat's, lituus spirals) and the logarithmic spiral .
Polar slope angle
The angle between the spiral tangent and the corresponding polar circle (see diagram) is called angle of the polar slope and the polar slope.
The image of a spiral under the inversion at the unit circle is the spiral with polar equation . For example: The inverse of an Archimedean spiral is a hyperbolic spiral.
A logarithmic spiral is mapped onto the logarithmic spiral
The function of a spiral is usually strictly monotonic, continuous
and unbounded. For the standard spirals is either a power function or an exponential function. If one chooses for a bounded function, the spiral is bounded, too. A suitable bounded function is the arctan function:
Example 1
Setting and the choice gives a spiral, that starts at the origin (like an Archimedean spiral) and approaches the circle with radius (diagram, left).
Example 2
For and one gets a spiral, that approaches the origin (like a hyperbolic spiral) and approaches the circle with radius (diagram, right).
"Space spiral" redirects here. For the building, see Space Spiral.
Two well-known spiral space curves are conical spirals and spherical spirals, defined below.
Another instance of space spirals is the toroidal spiral.[8] A spiral wound around a helix,[9] also known as double-twisted helix,[10] represents objects such as coiled coil filaments.
Any cylindrical map projection can be used as the basis for a spherical spiral: draw a straight line on the map and find its inverse projection on the sphere, a kind of spherical curve.
One of the most basic families of spherical spirals is the Clelia curves, which project to straight lines on an equirectangular projection. These are curves for which longitude and colatitude are in a linear relationship, analogous to Archimedean spirals in the plane; under the azimuthal equidistant projection a Clelia curve projects to a planar Archimedean spiral.
then setting the linear dependency for the angle coordinates gives a parametric curve in terms of parameter ,[11]
Clelia curve
Loxodrome
Another family of spherical spirals is the rhumb lines or loxodromes, that project to straight lines on the Mercator projection. These are the trajectories traced by a ship traveling with constant bearing. Any loxodrome (except for the meridians and parallels) spirals infinitely around either pole, closer and closer each time, unlike a Clelia curve which maintains uniform spacing in colatitude. Under stereographic projection, a loxodrome projects to a logarithmic spiral in the plane.
A model for the pattern of florets in the head of a sunflower[13] was proposed by H. Vogel. This has the form
where n is the index number of the floret and c is a constant scaling factor, and is a form of Fermat's spiral. The angle 137.5° is the golden angle which is related to the golden ratio and gives a close packing of florets.[14]
Spirals in plants and animals are frequently described as whorls. This is also the name given to spiral shaped fingerprints.
An artist's rendering of a spiral galaxy.
Sunflower head displaying florets in spirals of 34 and 55 around the outside.
A spiral like form has been found in Mezine, Ukraine, as part of a decorative object dated to 10,000 BCE.[citation needed]
Spiral and triple spiral motifs served as Neolithic symbols in Europe (Megalithic Temples of Malta). The Celtic triple-spiral is in fact a pre-Celtic symbol.[15] It is carved into the rock of a stone lozenge near the main entrance of the prehistoric Newgrange monument in County Meath, Ireland. Newgrange was built around 3200 BCE, predating the Celts; triple spirals were carved at least 2,500 years before the Celts reached Ireland, but have long since become part of Celtic culture.[16] The triskelion symbol, consisting of three interlocked spirals or three bent human legs, appears in many early cultures: examples include Mycenaean vessels, coinage from Lycia, staters of Pamphylia (at Aspendos, 370–333 BC) and Pisidia, as well as the heraldic emblem on warriors' shields depicted on Greek pottery.[17]
Spirals occur commonly in pre-Columbian art in Latin and Central America. The more than 1,400 petroglyphs (rock engravings) in Las Plazuelas, GuanajuatoMexico, dating 750-1200 AD, predominantly depict spirals, dot figures and scale models.[18] In Colombia, monkeys, frog and lizard-like figures depicted in petroglyphs or as gold offering-figures frequently include spirals, for example on the palms of hands.[19] In Lower Central America, spirals along with circles, wavy lines, crosses and points are universal petroglyph characters.[20] Spirals also appear among the Nazca Lines in the coastal desert of Peru, dating from 200 BC to 500 AD. The geoglyphs number in the thousands and depict animals, plants and geometric motifs, including spirals.[21]
Spirals are also a symbol of hypnosis, stemming from the cliché of people and cartoon characters being hypnotized by staring into a spinning spiral (one example being Kaa in Disney's The Jungle Book). They are also used as a symbol of dizziness, where the eyes of a cartoon character, especially in anime and manga, will turn into spirals to suggest that they are dizzy or dazed. The spiral is also found in structures as small as the double helix of DNA and as large as a galaxy. Due to this frequent natural occurrence, the spiral is the official symbol of the World Pantheist Movement.[22]
The spiral is also a symbol of the dialectic process and of Dialectical monism.
The spiral is a frequent symbol for spiritual purification, both within Christianity and beyond (one thinks of the spiral as the neo-Platonist symbol for prayer and contemplation, circling around a subject and ascending at the same time, and as a Buddhist symbol for the gradual process on the Path to Enlightenment). [...] while a helix is repetitive, a spiral expands and thus epitomizes growth - conceptually ad infinitum.[23]
The spiral has inspired artists throughout the ages. Among the most famous of spiral-inspired art is Robert Smithson's earthwork, "Spiral Jetty", at the Great Salt Lake in Utah.[24] The spiral theme is also present in David Wood's Spiral Resonance Field at the Balloon Museum in Albuquerque, as well as in the critically acclaimed Nine Inch Nails 1994 concept album The Downward Spiral. The Spiral is also a prominent theme in the anime Gurren Lagann, where it represents a philosophy and way of life. It also central in Mario Merz and Andy Goldsworthy's work. The spiral is the central theme of the horror manga Uzumaki by Junji Ito, where a small coastal town is afflicted by a curse involving spirals. 2012 A Piece of Mind By Wayne A Beale also depicts a large spiral in this book of dreams and images.[25][full citation needed][26][verification needed] The coiled spiral is a central image in Australian artist Tanja Stark's Suburban Gothic iconography, that incorporates spiral electric stove top elements as symbols of domestic alchemy and spirituality.[27][28]
^Anthony Murphy and Richard Moore, Island of the Setting Sun: In Search of Ireland's Ancient Astronomers, 2nd ed., Dublin: The Liffey Press, 2008, pp. 168-169
^For example, the trislele on Achilles' round shield on an Attic late sixth-century hydria at the Boston Museum of Fine Arts, illustrated in John Boardman, Jasper Griffin and Oswyn Murray, Greece and the Hellenistic World (Oxford History of the Classical World) vol. I (1988), p. 50.
^Israel, Nico (2015). Spirals : the whirled image in twentieth-century literature and art. New York Columbia University Press. pp. 161–186. ISBN978-0-231-15302-7.
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