Sunday | |
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Directed by | Rohit Shetty |
Written by | K. Subash Tushar Hiranandani Robin Bhatt Sajid-Farhad (dialogues) Chandra Sekhar Yeleti |
Based on | Anukokunda Oka Roju by Chandra Sekhar Yeleti |
Produced by | Kumar Mangat Pathak Sunil Lulla |
Starring | Ajay Devgn Ayesha Takia Arshad Warsi Irrfan Khan |
Cinematography | Aseem Bajaj |
Edited by | Steven H. Bernard |
Music by | Songs: Sandeep Chowta Shibani Kashyap Daler Mehndi Raghav Sachar M.Ali & Kami (Suroor - Pakistan Band) Amar Mohile Background Score: Sanjoy Chowdhury |
Production company | |
Distributed by | Eros International |
Release date |
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Running time | 130 minutes |
Country | India |
Language | Hindi |
Sunday is a 2008 Indian Hindi-language mystery comedy film directed by Rohit Shetty. The film stars Ajay Devgan, Ayesha Takia, Arshad Warsi and Irrfan Khan.[1] It is a remake of the 2005 Telugu film Anukokunda Oka Roju.[2]
The story takes place in the city of Delhi. The film begins when a girl is murdered by an unseen killer. It is learnt that the killer was her fiance and had acquired evidence about her infidelity. Then, the story shifts to the life of Sehar, a voiceover artist. Sehar, who lives alone in a flat, has a friend named Ritu, who is a fashion designer. Sehar has a rare disorder - her memory blanks out, leaving her clueless about events that took place in a certain time period. Hence, she rarely socialises. But Ritu forcefully takes her to a nightclub.
Sehar had previously met Assistant Commissioner of Police Rajveer Randhawa, a corrupt cop. Unknown to both, their mothers are old friends and want them to get married. Sehar has rejected Rajveer after knowing his truth, but he is smitten. Here, Sehar wakes up in her flat, and apparently nothing wrong has happened. But she soon learns that she has missed one whole day. Also, she is being followed by a stranger. She runs into two characters, Ballu, a taxi driver asking her a trip fare about which she knows nothing, and Kumar, a wannabe actor who mistakes her for a ghost.
But the plot thickens when Sehar hears some suspicious messages on her answering machine, making her realise that something sinister has happened during the missing Sunday, the day she recalls nothing about. Rajveer comes to rescue, but he comes to the same conclusion as hers. Tests show that Sehar was roofied - most probably in the nightclub, causing the whole problem. Ballu & Kumar turn out to be red herrings.
Rajveer finds the boys who roofied Sehar, but nothing concrete is found. Just as he is about to accept that Sehar might have killed someone, Sehar is attacked by some goons. The goons fail to kill her, but Rajveer realises that Sehar might have witnessed a murder. After reconstructing the events at the night out with Ritu, Rajveer finds out that Ballu had left her near a place where a youth was murdered.
Rajveer realises the implications and sets a trap for the goons. With the help of Ballu and Kumar, the goons are finally nabbed, and Rajveer learns the truth. He arrests the son of Khurana, a minister, for a double murder. An enraged Khurana demands an explanation. It is revealed that the girl murdered earlier was killed by Khurana's son. After killing her, he waited for a few days before killing his own friend, with whom the girl was cheating him. Unfortunately, Sehar was left nearby by Ballu. Khurana's son assumed that she saw the second murder; hence, he sent the goons to kill her.
Khurana's son protests until brought face to face with the goons. Khurana has his son arrested. With Sehar safe, the people are still clueless about Sehar's stalker - until the stalker shows himself. He reveals himself to be a taxi driver. It is revealed that after Khurana's son had seen Sehar, it was this taxi driver who saw Sehar. He realised that she was drugged and managed to get her back to her flat after finding her address. With this final mystery solved, Kumar narrates what happened with everybody: Rajveer and Sehar got married, Ballu now owns a car company, owning hundreds of cars and trucks, and Kumar has become a Bhojpuri superstar, showing that the story ended on a happy note.
The shooting began from 10 March 2007, the first few days of shooting happened in Mumbai and then a 30 days schedule in Delhi from 18 March. The second and last schedule started from 22 May 2007 in Delhi and then continued in Mumbai and later in Hyderabad. Lastly, a song was shot in Australia and the shooting was completed by 13 July 2007.
The film was shot at popular places in India like Pragati Maidan, Lal Qila, India Gate, Connaught Place.[3]
Song | Singer(s) | Duration | Music | Lyrics | Picturised on |
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Missing Sunday | Mahua Kamat, Earl Edgar | 3:54 | Sandeep Chowta | Sajid-Farhad | Ayesha Takia, Ajay Devgan, Arshad Warsi, Irrfan Khan, Anjana Sukhani |
Pyar To Hona Hi Hai | Kamran Bari, Mohammad Ali (Suroor Band) |
4:53 | Suroor Band | Kamran Bari | Ajay Devgan, Ayesha Takia |
Loot Liya | Daler Mehndi, Sunidhi Chauhan | 4:41 | Daler Mehndi | Sajid-Farhad, Daler Mehndi | Ayesha Takia, Irrfan Khan, Arshad Warsi |
Kashmakash | Shibani Kashyap | 5:31 | Shibani Kashyap | Virag Mishra | Esha Deol |
Manzar | Raghav Sachar | 3:50 | Raghav Sachar | Sajid-Farhad | Ayesha Takia, Anjana Sukhani, Tusshar Kapoor |
Sunday Theme | Joy-Clint | 3:50 | Amar Mohile | Joy |
Taran Adarsh of Bollywood Hungama gave the film 3.5 out of 5, writing, "On the whole, SUNDAY is a well-made entertainer that has the potential to click with moviegoers."[4]
Conversely, Sukanya Verma of Rediff.com gave the film 2.5 out of 5, writing, "Contrary to Shetty's hit comedy, Golmaal which was consistently funny, Sunday entertains as long as it tries to be funny but isn't sly enough to find a mention in the archive of whodunits."[5]