L.P. Burstein has noted Haydn's use of the VII♯ chord and the VII♯ → V progression in the first movement.[3] A.P. Brown has noted how Haydn reworked material from the symphony's first movement into other compositions, including an overture in D and two other symphonies.[4]
^Heartz, Daniel, Haydn, Mozart, and the Viennese School, 1740-1780. W.W. Norton & Company (ISBN0393965333), p. 372 (1995).
^HC Robbins Landon, Haydn: Chronicle and Works, 5 vols, (Bloomington and London: Indiana University Press, 1976-) v. 2, Haydn at Eszterhaza, 1766-1790
^Burstein, L. Poundie (October 1998). "Surprising Returns: The VII♯ in Beethoven's Op. 18 No. 3, and Its Antecedents in Haydn". Music Analysis. 17 (3). Blackwell Publishing: 295–312. doi:10.2307/854418. JSTOR854418.
^Brown, A. Peter, The Symphonic Repertoire (Volume 2). Indiana University Press (ISBN025333487X), pp. 170–171 (2002).