Telly Bronson Tuita (born 1980, Tonga)[1] is an Australian and New Zealand interdisciplinary artist of Tongan descent notable for 2020 Molly Morpeth Canaday award for the work Three Graces – U'ufoasini, Akale'a, Ta'alea creating.[2] Later in 2021 becoming a finalist for the National Contemporary Art Award for work Diasporas Children Wellington.[3] Also notable for the creator of the fictional word[2] 'Tongpop' defined as a combination of Tuita's adoration for dazzling, distinct hues and traditional 'Tongan ngatu patterns and religious iconography.'[4]
Telly Tuita was born in 1980 in Tonga. At age nine, he migrated to Sydney, Australia, living in Australia for most of his life, now currently located in WellingtonNew Zealand.[1] 1999–2003 Tuita studied and completed a Bachelor of Fine Art at Western Sydney University before going to the University of New South Wales to pursue a Bachelor of Art Education in 2004.[4] Later in 2011, he completed a Master's in Special Education with the University of Sydney.[5] Tuita worked at Green Square School primary school and community centre from 2015 to 2017 as a High School art teacher, a Special Education teacher, and an Assistant Principal.[6]
Telly Tuita delves into his cultural identity through nostalgia, which is shaped by his childhood relocation from Tonga.[4] Tuita developed Tongpop, a distinct visual language, as a result of his exploration of his ethnic identity and complex relationship with his ancestral land.[7]
After the destructive Tonga tsunami in 2022 New Zealand based Tongan artists established an online art project named Peau Kula, to fundraise.[8] Tuita along with other artists such as Sione Monū and Dagmar Dyck donated works to this cause.[9][10] Peau Kula is a Tongan name that refers to the ferocity and power of a wave as expressed in red, also acknowledging Tongan enriched history with volcanic eruptions and the experience of the Peau kula.[10]
Tuita's Inaugural solo exhibition Tongpop Nostalgia was a pivotal point in his career.[11] Tuita ran a crowd funding campaign to allow the work to be presented in Ōtautahi.[11]
In 2021, Tuita’s work Diasporas Children[12] was part of a Wellington City Council the Creative Hoardings pilot programme.[13] Creative Hoardings have been developed in response to a growing number of construction sites around Wellington. Hoardings consist of plywood panels and simple framing structures and surround construction sites as temporary safety walls.[13]
2025 saw Tuita taken over Walsh Bay Arts Precinct as Sydney Festival's Visual Artist in Residence.[17] The Sydney Festival's major work is a 1920s steamship, the SS John Oxley, which was adorned with a massive ta'ovala manafau (dance skirt) and kiekie (Tongan dress) while it docks in the Walsh Bay in Sydney.[18]