Katsu Nakai was born in Tokyo. After her father's pawn-shop business failed, she worked as an apprentice at a tempura shop belonging to then-famous magician Ten'ichi Shokyokusai (1853-1912), of whom she later became an assistant.[1] From 1901[2] to 1903, they performed on tour in the United States, where teenaged Tenkatsu was described as a "dainty Japanese beauty"[3] and as a geisha.[4] She was sometimes referred to as Tenichi Shokyokusai's wife or widow,[5] or as his stepdaughter, perhaps because of the difference in their ages.[6]
Shokyokusai became a well-known magician in her own right.[5] She headed her own troupe of performers, Tenkatsu Ichiza. The company staged adaptations of Western plays, including Shakespeare's The Tempest and Oscar Wilde's Salome, with herself in the title role.[7][8] "Madame Tenkatsu" toured with her company in the United States in 1924 and 1925,[9][10][6] including shows in Hawaii[11] and at the Hippodrome in New York.[12] She is said to have introduced American jazz to Japan in 1925, when she brought a group of Chicago-based musicians home to tour with her.[13][14]
Shokyokusai appeared in several films, including Tenkatsujo no Hagoromai (Feather Cloak Dance of Miss Tenkatsu, 1906).[15] She was said to have a diamond embedded in one of her teeth.[16]
Shokyokusai retired from the stage in 1936, and she died in 1944, aged 58 years. A biography of Shokyokusai appeared in Japanese in 1968, by Gashō Ishikawa.[17]
^Oshima, Hisao. "The Tempest and Japanese Theatrical Traditions: Noh, Kabuki, and Bunraku" in Tobias Döring and Virginia Mason Vaughan, eds., Critical and Cultural Transformations: Shakespeare's The Tempest, 1611-Present, Yearbook of Research in English and American Literature 29 (2013): 151-152.
^Cucullu, Lois (September 2011). "Wilde and Wilder Salomés: Modernizing the Nubile Princess from Sarah Bernhardt to Norma Desmond". Modernism/Modernity. 18 (3): 495–524. doi:10.1353/mod.2011.0057. S2CID144435685.