The Chase (1994 film)

The Chase
Theatrical release poster
Directed by	Adam Rifkin
Written by	Adam Rifkin
Produced by	Cassian Elwes Brad Wyman
Starring	Charlie Sheen Kristy Swanson Henry Rollins Josh Mostel Ray Wise
Cinematography	Alan Jones
Edited by	Peter Schink
Music by	Richard Gibbs
Production companies	Capitol Films Elwes/Wyman Productions Hercules Films Ltd.
Distributed by	20th Century Fox[1]
Release date	March 4, 1994 (1994-03-04)
Running time	97 minutes[1]
Country	United States[1]
Language	English
Box office	$7.9 million

The Chase is a 1994 American action comedy film written and directed by Adam Rifkin and starring Charlie Sheen and Kristy Swanson. Set in California, the film follows a wrongfully convicted man who kidnaps a wealthy heiress and leads police on a lengthy car chase in an attempt to escape prison, while the news media dramatize the chase to absurd extents. It features Henry Rollins, Josh Mostel, and Ray Wise in supporting roles, with cameo appearances by Anthony Kiedis and Flea of the rock band Red Hot Chili Peppers.

The Chase was conceived as a direct response to Rifkin's 1991 comedy The Dark Backward, which performed extremely poorly at the box office. The film was shot in Houston, Texas and its soundtrack features alternative artists such as Bad Religion, NOFX, and Rollins Band. Although the film received mixed reviews from critics, it was considered a commercial success. Journalists generally criticized its forced script and subpar characters, but praised the film's use of satire to criticize the television news industry. According to Rollins, the film has attracted a cult following.

Convict Jack Hammond stops at a gas station in Newport Beach, California, where he encounters two police officers and a young woman. When the officers receive a radio call indicating that the car Jack is driving is stolen, he panics and uses a candy bar (Butterfinger) as a makeshift gun to kidnap the woman and escape. Fleeing in her car, Jack learns that his hostage is Natalie Voss, daughter of a billionaire industrialist, Dalton Voss. Two police officers pursue them in a squad car with a television crew filming a reality show. The car chase moves onto southbound Interstate 5 as Jack decides to flee to Mexico.

The news media dramatize the car chase, going to such lengths as having a reporter hang out of the side of a van alongside the speeding car. Jack explains to Natalie that, while working as a clown performing at children's birthday parties in Sonoma, he was mistaken for the "red-nosed robber", a criminal who had robbed several banks while wearing a clown costume. A blood test sample improperly collected at one of the crime scenes proved Jack's innocence but its inadmissibility led to his conviction and sentence to 25 years' incarceration. While transferring to prison, he escaped the guards and stole a car, leading to their present situation. Jack's lawyer explains Jack's predicament to the media and tries to convince him to surrender to the police, but Jack believes escape is his only option.

Natalie sympathizes with Jack. She shares with him her hate for her stepmother and that she seeks to escape from her dysfunctional family. As the chase continues, she suggests feigning being his hostage so that they can flee together to Mexico. They reach the San Ysidro Port of Entry and find it heavily blockaded. Jack continues to evade the police but eventually stops, telling Natalie that he cannot ruin her life. He releases her reluctantly to her father. After considering going out in a blaze of glory, Jack surrenders. As he is being arrested, Natalie takes a television producer hostage at gunpoint and demands Jack's release. The two steal a news helicopter and escape to Mexico, where they relax on a beach.

The Chase was written and directed by Adam Rifkin,^[2] who at the time was best known for directing cult and independent films like the 1991 comedy The Dark Backward.^[3] Rifkin conceived The Chase as a direct response to The Dark Backward's extremely poor performance at the box office. According to him, "I needed to make something that studio executives could watch and see money-making potential from. So, I wrote and directed, purposely, a really brightly lit, simplistic car crash movie that I wanted to be the polar opposite of The Dark Backward."^[4] Although the film was released by 20th Century Fox, it was made with a relatively small budget of "a few million dollars".^[5] As a result, Rifkin considers it an independent film rather than a studio film.^[5]

Although the film is set in California, it was actually shot in the Houston metropolitan area, Texas.^[6] Rifkin explained that shutting down a freeway in Los Angeles for a long period of time would have been too expensive.^[7] The opening scene, where Jack kidnaps Natalie, was filmed at a convenience store in Kemah, while most of the chase scenes were shot on a section of the Hardy Toll Road.^[8] Other film locations include the Mecom Fountain and the Houston Police Department headquarters at 61 Riesner.^[8] To reduce costs, part of the car chase was filmed in the middle of a traffic stream during an actual Houston rush hour without clearance and with no stunt drivers filling in for actors Charlie Sheen and Henry Rollins.^[8] During the film's production, Sheen was also training for his role in Major League II.^[8]

Rollins, a former vocalist of the punk rock band Black Flag, was cast as an attention-seeking cop due to his muscled physique. The role proved to be exciting for Rollins, who used to sing about police brutality.^[8] Musicians Anthony Kiedis and Flea of the rock band Red Hot Chili Peppers had cameo roles in the film. Flea commented positively on his experience in creating their characters. According to him, "We were making up lines the whole time. I remember we said something about Geraldo Rivera and we called him Jeraldo. We thought that was so funny."^[9] Pornographic actor Ron Jeremy also had a cameo appearance as a cameraman.^[10] The film's soundtrack features alternative artists such as Bad Religion, Rancid, The Offspring, Down by Law, NOFX, Rollins Band, Suede, and One Dove.^[11] A soundtrack album by Epitaph Records was originally intended to be released in March 1994.^[11]

The Chase performed well^{[citation needed]} when it opened on March 4, 1994, in 1,633 theaters,^[12] finishing fifth and grossing $3.4 million at the US weekend box office, behind Ace Ventura: Pet Detective, Greedy, On Deadly Ground, and Sugar Hill.^[13] During its second weekend, the film grossed an estimated $1.7 million, finishing in 13th place.^[12] Overall, The Chase went on to make $7.9 million in the US.^[12] Considering its limited budget, Rifkin felt the film was a commercial success, stating that it made "a huge profit" for 20th Century Fox.^[5] The Chase was released on VHS in the United States by Fox Video on August 3, 1994,^[14] and on DVD on September 6, 2005.^[15] The DVD's only supplemental material is the film's original theatrical trailer.^[15]

According to review aggregator Rotten Tomatoes, The Chase has a 43% approval rating based on 21 reviews.^[16] Although the film was generally criticized for its forced script and subpar characters,^[17][18] several critics praised the film's use of satire to criticize the television news industry.^{[19][20][21][22][23]} The film also criticizes millionaire businessmen like the character of Dalton Voss, who uses the kidnapping of his daughter as a political advantage while he runs for the government of California.^[24] Chicago Sun-Times critic Roger Ebert, who gave the film two-and-a-half out of four stars, felt that The Chase was "slick, charming, and with moments of real wit".^[22] He also praised Swanson's "unaffected charm and Sheen's ability to play an almost impossible role in a fairly straight style".^[22] Film critic James Berardinelli agreed, stating that Sheen develops "a surprisingly effective chemistry" with Swanson, and noted that Rifkin's use of satire is "far more perceptive than one might expect from a piece of cartoon fluff like this".^[23]

Writing for the Chicago Tribune, editor John Petrakis noted the film's numerous gags and political and socio-economic commentary, stating that they parody films such as Smokey and the Bandit and Convoy, but said that its simplistic premise does not allow for an effective love story.^[25] Stephen Holden of The New York Times, while criticizing the film's superficial characters, remarked that The Chase "still detonates laughs".^[19] Although Swanson's performance was highlighted,^[21][22] Variety writer Brian Lowry felt that the "whining Valley girl aspects of her role" does not contribute to her characterization.^[21] He also described Sheen's performance as the same "Jack Nicholson-wannabe pose he's employed with varying degrees of success" in films such as Major League and Navy SEALs.^[21] Marc Savlov of The Austin Chronicle agreed, but noted that Sheen's "familial transparency serves him well" in the film. He concluded that, while The Chase is "nobody's idea of excellence in cinema", "Rifkin's skewed world view suits this rollicking, stupid slab of celluloid just fine. It's big, it's dumb, it's fun."^[20] In December 1994, The Palm Beach Post included the film in its list of the worst films of the year.^[26]

Retrospectively, The Chase was considered ahead of its time because it was released before O. J. Simpson's infamous White Bronco chase in June 1994.^[27] The film was highlighted for "taking a look at the growing infatuation that the media had with tabloid journalism, and specifically the need for TV news crews to capture and speculate upon every minor freeway chase that happened in California."^[27] The film was released at a time when road movies were popular, hence the film's tagline reads: "Getting there is twice the fun."^[28] In 2015, Rollins stated that The Chase had attracted a cult following and that he had always received mail about it when the film airs on TV.^[8]

Wikiquote has quotations related to The Chase (1994 film).

• The Chase at IMDb
• The Chase at AllMovie
• The Chase at the TCM Movie Database
• The Chase at the AFI Catalog of Feature Films