The Highwayman | |
---|---|
Directed by | Lesley Selander |
Written by | Jack DeWitt (story) Duncan Renaldo (story) Henry Blankfort (screenplay, as Jan Jeffries) |
Based on | The Highwayman by Alfred Noyes |
Produced by | Hal E. Chester Jack Dietz |
Starring | Philip Friend Wanda Hendrix Cecil Kellaway |
Narrated by | Brian Aherne |
Cinematography | Harry Neumann |
Edited by | Bernard W. Burton |
Music by | Herschel Burke Gilbert |
Production company | Jack Dietz Productions |
Distributed by | Allied Artists |
Release date |
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Running time | 82 minutes |
Country | United States |
Language | English |
The Highwayman is a 1951 American historical adventure film directed by Lesley Selander and starring Philip Friend, Wanda Hendrix and Cecil Kellaway. The film was shot in Cinecolor and distributed by Allied Artists, the prestige subsidiary of Monogram Pictures. It was based on the poem of the same name by Alfred Noyes.
The Highwayman is an aristocrat who leads a band of criminals who steal from the wealthy to distribute to the needy. Their campaign is broadened when they discover that innocents are being kidnapped and sold into slavery in the colonies. The Highwayman is betrayed to the authorities, soldiers march to set an ambush, his lover Bess sacrifices herself to give warning and he is shot down on the highway as he tries to take revenge. At the end of the film, as the last two stanzas of the poem are read, the Highwayman's ghost is seen riding up to the window of the old inn, where he and the ghost of Bess happily greet each other.
The film was based on a poem by Alfred Noyes written in 1906. Film rights were owned by James Burkett, who sold them to Monogram Pictures in 1946. Monogram announced that Noyes would collaborate on the script with Jack De Witt and Renautt Duncan and the budget was to be one million dollars.[1][2]
Noyes said that the poem would be the last act, and that there would be a parallel storyline set in the present day about a woman who works at the tavern and has problems with her love life. Noyes wanted to do this to keep the tragic ending of the poem but also have a happy ending in the present day.[3] He arrived in Hollywood in April 1947 to inspect the script.[4]
In July 1947, the film was officially added to Monogram's production schedule,[5] but filming was delayed. In April 1950, Monogram announced that it would likely film in June with Florence Marley and Rory Calhoun starring.[6] In July 1950, Louis Hayward said that he would star in Dick Turpin's Ride based on the poem and a script by Robert Libot and Frank Burt, with Harry Joe Brown to produce. Filming was to start in September.[7]
Filming continued to be pushed back. In January 1951, Monogram announced that Hal Chester and Bernard Burton would produce and Charles Coburn would be the film's star, with the script written by Henry Blankfort (who used the pseudonym Jan Jeffries because he had been blacklisted). Filming would start on February 19 under the direction of Lesley Selander at the Motion Picture Center.[8] Wanda Hendrix then joined the cast,[9] followed by Philip Friend shortly before rehearsals and filming started.[10]
Noyes wrote in his autobiography that he was pleasantly surprised by "the fact that in this picture, produced in Hollywood, the poem itself is used and followed with the most artistic care."[11] The film was released in the same year as Columbia Pictures' Dick Turpin's Ride (reissued as The Lady and the Bandit), also based on a poem by Noyes. Portions of the film were shot at the Corriganville Movie Ranch.
Burkett went on to buy the film rights to several other Noyes titles: Midnight Express, The Walking Shadows, Beyond the Desert, River of Stars and The Last Voyage.[12]
The Los Angeles Times called the film "competent but undistinguished."[13]