The Invasion | |
---|---|
Directed by | Oliver Hirschbiegel |
Screenplay by | David Kajganich |
Based on | The Body Snatchers 1954 stories in Collier's by Jack Finney |
Produced by | Joel Silver |
Starring | |
Cinematography | Rainer Klausmann |
Edited by | Joel Negron Hans Funck |
Music by | John Ottman |
Production companies | |
Distributed by | Warner Bros. Pictures |
Release date |
|
Running time | 99 minutes |
Country | United States |
Languages | English Russian |
Budget | $65–80 million[1][2] |
Box office | $40.2 million[2] |
The Invasion is a 2007 American science fiction thriller film directed by Oliver Hirschbiegel, written by David Kajganich, and starring Nicole Kidman and Daniel Craig. Unhappy with the original cut of the film, the studio hired The Wachowskis for additional writing and James McTeigue to re-shoot some scenes.[1] The plot follows a psychiatrist (Kidman) in Washington, D.C. who finds those around her turning into emotionless beings shortly after a Space Shuttle crashes to Earth, bringing with it mysterious alien spores.
Development of the film began in 2004. Warner Bros. hired David Kajganich to write what was intended to be a relatively straight-forward remake of the 1956 film Invasion of the Body Snatchers, but Kajganich amended the story to reflect contemporary times. Principal photography began in September 2005. Released on August 17, 2007, the film was a critical and commercial failure and received generally negative reviews from critics.
The Invasion is the fourth film adaptation of the 1955 novel The Body Snatchers by Jack Finney following Don Siegel's 1956 film Invasion of the Body Snatchers, Philip Kaufman's 1978 remake of the same name, and Abel Ferrara's 1993 film Body Snatchers.
After a Space Shuttle crashes on Earth, an intelligent fungus-like lifeform is discovered on shuttle remnants scattered widely over the United States. Once people are infected by the organism and REM sleep occurs, the organism takes control of its host and reprograms its genetic expression. One of the first people infected is Tucker Kaufman, a CDC director investigating the crash. Tucker's ex-wife, the psychiatrist Carol Bennell, begins to feel people have "changed". Her patient, Wendy Lenk, says her husband "is not (her) husband", and one of Carol's son's friends acts detached and emotionless.
At a neighborhood Halloween party, Carol's son Oliver finds an unusual patch of "skin" on a partier, which is initially believed to be costume makeup. Carol speculates that the skin may be connected to reports of a fast-spreading flu. Carol takes the sample to her friend Dr. Ben Driscoll to have it analyzed. Carol and Oliver witness a car accident where a troubled woman is killed. Carol approaches the crash scene to give a witness statement, but an emotionless cop takes down her plates and orders her back to her car. Carol drops Oliver off at Tucker's house for the weekend.
That night, Ben and Carol attend a friendly dinner meeting between Russian diplomat Yorish and Czech diplomat Belicec (along with his wife Luddie). Carol and Yorish debate the violent nature of humans. Tucker uses the CDC to spread the disease further, disguising the spores as flu vaccine. Carol, upon returning home, is attacked by a "census department" worker who tries to break into her house.
Ben and Dr. Stephen Galeano, a biologist, discover the spore takes over the brain during REM sleep. Luddie calls Ben, worried about Yorish's behavior. Ben and Galeano also find that people who had brain-affecting illnesses, such as encephalitis or ADEM, are immune to the spore because their previous illnesses prevent the spore from "latching on" to the brain matter. Oliver is immune to the spore because of the ADEM he had as a young child. Carol decides to retrieve Oliver, who might show a way to a cure. Before she drives to Tucker's house, she joins Ben's team at the Belicecs' house, in a case of emergency. There they witness the transformation of Yorish and the Belicecs' friend.
When Carol arrives at Tucker's house, he and several colleagues close in on her. He explains that the changed humans, devoid of irrational emotions, offer a better world, and asks her to join them. When Carol resists, Tucker infects her by spitting on her. She escapes and returns to Ben at the Belicecs' house. They flee when Belicec returns with more transformed people intent on infecting anyone in the house.
Galeano and one of his assistants head to Fort Detrick in Frederick, Maryland, where they and other scientists will attempt to find a cure for the virus. Carol and Ben separate to find Oliver, who texts his location, the apartment of Tucker's mother, to Carol. Carol goes there and spirits Oliver away, but is again pursued by Tucker, whom she has to kill to stop.
Carol arranges to meet up with Ben. Carol almost falls asleep waiting for Ben, but Oliver saves her. Ben arrives, but has 'converted'. He attempts to seduce Carol into the new society that has no crime or violence, but also frankly states that there is no room for people like Oliver who are immune. Carol shoots Ben in the leg and flees with Oliver. They are pursued, but she and Oliver are picked up by helicopter, and flown to the medical center. A vaccine is created, inoculations are made worldwide, and within a year, the alien virus is eliminated. People have no memory of the events that occurred while they were infected. Carol and Ben reunite, and society reverts to its emotional and violent ways.
In March 2004, Warner Bros. hired David Kajganich to write a script that would serve as a remake of the 1956 science fiction film Invasion of the Body Snatchers.[3] In July 2005, Oliver Hirschbiegel was attached to direct, with production to begin in Edgemere, Maryland.[4] The following August, Nicole Kidman was cast to star in the film, then titled Invasion, receiving a salary of close to $17 million. Invasion was based on the script by Kajganich, originally intended as a remake of Invasion of the Body Snatchers, but Kajganich crafted a different enough story for the studio to see the project as an original conception.[5] Despite this, the end credits of the film still state "Based on the novel The Body Snatchers by Jack Finney". Kajganich described the story to reflect contemporary times, saying, "You just have to look around our world today to see that power inspires nothing more than the desire to retain it and to eliminate anything that threatens it." The screenwriter said that the story was set in Washington, D.C. to reflect the theme.[6] In August, Daniel Craig was cast opposite Kidman in the lead.[7] The film, whose original title Invasion of the Body Snatchers was shortened to Invasion due to Kajganich's different concept, was changed once more to The Visiting so it would not be confused with ABC's TV series Invasion.[8] In October 2006, the title was changed from The Visiting to The Invasion, due to the cancellation of the ABC TV series.[9]
Filming began on September 26, 2005, in Baltimore and lasted 45 days.[10] Filming also took place in Washington, D.C., including in the Cleveland Park Metro station,[11] outside the Foggy Bottom–GWU Metro station, and in Dupont Circle.[12] The film had minimal visual effects, with no need for greenscreen work. Instead, the director shot from odd camera angles and claustrophobic spaces to increase tension in the film.[13] The studio, however, was unhappy with Hirschbiegel's results and hired The Wachowskis to rewrite the film and assist with additional shooting.[1] The studio later hired director James McTeigue to perform re-shoots that would cost $10 million[14] and for which McTeigue would not be credited.[15] After 13 months of inactivity, re-shoots took place in January 2007 to increase action scenes and add a twist ending.[16] The re-shoot lasted for 17 days in Los Angeles.[1] During the re-shooting, Kidman was involved in an accident, while in a Jaguar that was being towed by a stunt driver and was taken to a hospital briefly.[17] Kidman broke several ribs, but she was able to get back to work soon after being hospitalized.[18]
In May 2007, composer John Ottman recorded the musical score for The Invasion, using heavy synthesizers combined with a 77-piece orchestra intended to create "otherworldly foreboding and tension". The music was also designed to have an avant-garde postmodern style, with atmospheric and thrilling action elements.[19]
The Invasion was originally intended to be released in June 2006,[20] but it was postponed to 2007.[9] The film was released on August 17, 2007, in the United States and Canada in 2,776 theaters.
The music in the trailer is called "Untitled 8 (a.k.a. "Popplagið")" by Sigur Rós.
The film grossed $5,951,409 over the opening weekend. The Invasion grossed $15,074,191 in the United States and Canada and $24,727,542 in other territories for a worldwide gross of $40,170,558 as of 9 March 2008[update].[2]
On review aggregator Rotten Tomatoes, The Invasion holds an approval rating of 20% based on 164 reviews, with an average rating of 4.40/10. The critical consensus reads: "The Invasion is slickly made, but it lacks psychological insight and thrills."[21] On review aggregator Metacritic, The Invasion received an average score of 45 out of 100.[22] Audiences polled by CinemaScore gave the film an average grade of "C" on an A+ to F scale.
Roger Ebert of the Chicago Sun-Times called it "the fourth, and the least, of the movies made from Jack Finney's classic science fiction novel."[23] Owen Gleiberman of Entertainment Weekly wrote that it was "a soulless rehash...The movie isn't terrible; it's just low-rent and reductive."[24] Joanne Kaufman of The Wall Street Journal added, "With all the shoot-outs, the screaming, the chases, collisions and fireballs, there isn't much time for storytelling."[25]
Manohla Dargis of The New York Times criticized the film, writing: "The latest and lamest version of Invasion of the Body Snatchers might have been an accidental camp classic if its politics weren't so abhorrent and the movie didn't try to hide its ineptitude behind a veil of pomposity."[26] Paul Arendt of the BBC wrote: "Having established an effectively creepy mood in the first half, the film eventually degenerates into a muddled mess, with Nicole and Daniel Craig dodging zombies while popping amphetamines in a desperate effort to stay awake. We know how they feel."[27] Maitland McDonagh of TV Guide called the film "a frantic mess that opens with a scene plucked from the film's third act that smacks of having been moved up to pacify audiences too restless for a slow build."[28]