I think hitting 70 was a big part of it. Having the last 15 years to put together songs and wanting to make something that was better than anything I’d done before was involved. Mostly, the timing really worked out. I went into lockdown right around when I needed or wanted to start thinking about this. I had no plans until I looked up at my write board and realized I had 15 songs I was pleased with, and one unfinished. I started listening to what Randy Leago had done with “Resist,” and I began working with Viktor Krauss on “Better Times…”
I had originally intended to do an all-solo acoustic album, but it became clear that I really wanted a blend of it to serve the songs. There wasn’t a sudden, “Gee, I’ll make an album now” decision. There was more a talking to people and seeing where Randy and Viktor’s schedules were. Seeing where John Whelan was. Whether we could get Nuala Kennedy to do her parts from Ireland. Finding a studio where I live, which is near Bradenton, so there’s not a huge amount of studios available. Then just winnowing down the songs and going, “Well, I think this is actually an album.”
—Janis Ian on recording her first studio album of original material in 15 years[1]
The Light at the End of the Line is a 2022 studio album by American folk musicianJanis Ian, billed as her final solo studio album.[2][3] The album has received positive reviews from critics and was intended to be paired with a farewell tour which Ian had to cancel most of due to laryngitis.[4] Ian intended to continue with other creative pursuits, including writing after retiring as a musician.[5] The music was mostly composed in the three years prior to the album being published and was released on Ian's Rude Girl label.[6]
Liz Thomson of The Arts Desk rated The Light at the End of the Line five out of five stars, praising Ian's songwriting and "striking lyrics", continuing that "the album contains the tenderest of ballads".[7] The site included this among their best albums of 2022, with Thomson encouraging readers to start with this entry in Ian's discography.[8] In Hot Press, Jackie Hayden gave this album a 7.5 out of 10, stating that "Ian's voice belies her age" and he also praised the session musicians.[9] In No Depression, John Amen characterized this release as "Janis Ian moves seamlessly between activistic declarations and descriptive verse, her melodies crystalline, her voice imbued with hard-won wisdom".[10] William Dart of Radio New Zealand's New Horizons called this album one of "unflinching gravitas [which] emanates the glow of a life well lived".[11] In Record Collector, Charles Waring scored this release 4 out of 5 stars, calling it "a sublime epitaph to an extraordinary career".[12]Uncut's Terry Staunton gave this album a 7 out of 10 for combining "senior wisdom" with "headstrong youthfulness".[13]
In 2022, PopMatters published a ranking of Ian's best albums, with The Light at the End of the Line placing eighth and Charles Donovan writing "The Light at the End of the Line is not just a good one – it says goodbye by linking the different phases of Ian’s career. There’s the clever, caustic political bent of her earliest work, the reflective, sophisticated pop of her CBS years, the folk-orientated styles of her 1990s Nashville comeback, and where she stands today. It’s all here."[14]