The Rock | |
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Directed by | Michael Bay |
Screenplay by |
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Story by |
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Produced by | |
Starring | |
Cinematography | John Schwartzman |
Edited by | Richard Francis-Bruce |
Music by | |
Production companies | |
Distributed by | Buena Vista Pictures Distribution |
Release date |
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Running time | 136 minutes[1] |
Country | United States |
Language | English |
Budget | $75 million[2] |
Box office | $335.6 million[2] |
The Rock is a 1996 American action thriller film directed by Michael Bay, produced by Don Simpson and Jerry Bruckheimer, and written by David Weisberg, Douglas S. Cook and Mark Rosner. It stars Sean Connery, Nicolas Cage and Ed Harris, with supporting roles played by Michael Biehn, William Forsythe, David Morse, and John Spencer. Connery plays a former SAS captain and Cage an FBI chemist, who must rescue hostages from a rogue group of Force Recon Marines on Alcatraz Island.
The Rock was dedicated to the memory of Simpson,[3] who died five months before its release. It was released by Buena Vista Pictures Distribution on June 7, 1996. It received positive reviews and was nominated for Best Sound at the 69th Academy Awards. It earned over $335 million at the box office on a production budget of $75 million, becoming the fourth highest-grossing film of 1996. The Rock was remade in India in 2003 as Qayamat: City Under Threat.[4][5]
The Rock was the basis for false descriptions of the Iraqi chemical weapons program. Britain's Secret Intelligence Service was led to believe Saddam Hussein was continuing to produce weapons of mass destruction by a false agent who based his reports on The Rock, according to the Chilcot Inquiry.
A rogue group of Force Recon Marines steal M55 rockets filled with lethal VX gas from an army facility. The next day, they seize control of Alcatraz Island, taking the tourists and guards hostage. Their leader, the disillusioned USMC Brigadier General Francis Hummel, threatens to launch the rockets at San Francisco unless the U.S. government pays him $100 million. He plans to distribute the money to his men and the families of Marines who died on covert missions under his command but whose sacrifices were not acknowledged or compensated.
The Department of Defense and the FBI plot to retake the island using a U.S. Navy SEAL team led by Commander Anderson, FBI chemical weapons specialist Dr. Stanley Goodspeed, and elderly former British SAS John Mason, the only man to escape Alcatraz. FBI Director James Womack deceives Mason with the offer of a pardon and acquiesces to his request to move to a hotel, from which Mason escapes. After Mason leads the FBI on a destructive car chase through San Francisco, Goodspeed finds him meeting with his estranged daughter, Jade. As the FBI arrives, Mason expresses his regret for not being in her life. At the mission command center, Mason negotiates to join the team on Alcatraz, while Goodspeed fails to convince his pregnant girlfriend, Carla, not to travel to San Francisco.
The team infiltrates Alcatraz, but Hummel's men are alerted to their presence and ambush them in a shower room. Hummel tries to convince Anderson to surrender, but his new allies, Captains Darrow and Frye, deliberately cause a shootout that kills Anderson's team, except for Mason and Goodspeed, who remain undetected. Believing the mission a failure, Mason prepares to leave until Goodspeed reveals the truth about the VX.
Mason and Goodspeed work together to disable twelve rockets and kill several Marines. After Hummel threatens to execute a hostage, Mason surrenders to stall him while Goodspeed disables another rocket before also being captured. After Mason frees himself and Goodspeed, he reveals that he was an MI6 operative who stole a microfilm created by J. Edgar Hoover containing classified U.S. information. Mason refused to reveal the microfilm's location after being captured, knowing he would be killed and was imprisoned without trial, with his existence concealed by the FBI. Having assessed Hummel as an honorable soldier who will not kill innocents, Mason leaves but returns to Goodspeed, not wanting his child to grow up without a father.
The ransom deadline passes. Darrow and Frye pressure Hummel into firing a rocket, but he redirects it to detonate harmlessly in the sea. Hummel explains the rockets were a bluff and he never intended to kill anyone, declaring the mission over. Realizing they will not be paid, Darrow and Frye kill Hummel's second in command, Major Tom Baxter, and mortally wound Hummel, who tells Goodspeed the location of the last rocket before dying. Meanwhile, an airstrike is initiated to destroy Alcatraz with experimental thermite plasma bombs, which will neutralize the gas but kill everyone on the island. Goodspeed and Mason kill the remaining Marines before signaling to abort the attack, but one plane drops its bombs. The blast throws Goodspeed into the bay, but Mason saves him.
Goodspeed confirms the mission's success but claims that Mason was vaporized in the blast. The pair part ways amicably after Mason recommends Goodspeed visit a church in Kansas. Goodspeed and Carla, now married, recover the microfilm from the church.
Uncredited members of the cast include Stuart Wilson as General Al Kramer; Chairman of the Joint Chiefs of Staff,[6][7] David Marshall Grant as White House Chief of Staff Hayden Sinclair,[8][7] Philip Baker Hall as the Chief Justice of the Supreme Court,[6][7] Xander Berkeley as FBI technician Lonner,[7] and Stanley Anderson as the President of the United States.[7][9]
Other actors in smaller roles include Todd Louiso as FBI agent Marvin Isherwood, David Bowe as Dr. Ling, Howard Platt as Louis Lindstrom, John Laughlin as General Peterson, Harry Humphries as Admiral Johansson, Willie Garson as Francis Reynolds, Anthony Clark as Paul the hairdresser, Tom Towles as an Alcatraz park ranger, and Anthony Guidera and Jim Caviezel as F-18 pilots.
Members of Hummel's USMC unit are played by Raymond Cruz (uncredited) as Sergeant Rojas,[7][10] Jim Maniaci as Private Scarpetti, Greg Collins as Private Gamble, Brendan Kelly as Private Cox, and Steve Harris as Private McCoy. Dennis Chalker (Dando) and Marshall R. Teague (Reigert) play members of Anderson’s SEAL team.
Jonathan Hensleigh participated in writing the script, which became the subject of a dispute with the Writers Guild of America. The spec script (by David Weisberg and Douglas Cook) was reworked by several writers, but other than the original team, Mark Rosner was the only one granted official credit by guild arbitration. The rule is that the credited writing team must contribute 50% of the final script (effectively limiting credits to the screenplay's initial authors, plus one re-write team). Despite his work on the script, Hensleigh was not credited in the film. Michael Bay wrote an open letter of protest, in which he criticized the arbitration procedure as a "sham" and a "travesty". He said Hensleigh had worked closely with him and should have received screen credit.[11]
British screenwriting team Dick Clement and Ian La Frenais were brought in at Connery's request to rewrite his lines, but ended up altering much of the film's dialogue.[12] Quentin Tarantino and Aaron Sorkin were also uncredited script doctors.[13]
At one point, Arnold Schwarzenegger was to have played the role of Goodspeed. Schwarzenegger turned the role down because he did not like the script.[14]
Most of The Rock was shot on location in the Alcatraz Prison on Alcatraz Island. As it is governed by the National Park Service, it was not possible to close Alcatraz, and much of the filming had to accommodate tour parties.[15] The scene in which FBI Director Womack is thrown off the balcony was filmed on location at the Fairmont Hotel in San Francisco. The filming led to numerous calls to the hotel by people who saw a man dangling from the balcony.[16] The closing scene was shot outside the Sacred Heart Mission Church in Saticoy, California.[17]
The Rock was Bay's first film shot in a widescreen 2.39:1 aspect ratio, via Super 35. On the commentary track for the Criterion Collection DVD of Armageddon, Bay recalls not liking the format, due to the quality of the release prints, and did not touch the format again until Bad Boys II, at which point the digital intermediate process was available.[18]
There were tensions during shooting between Bay and Walt Disney Studios executives who were supervising the production. On the commentary track for the Criterion Collection DVD, Bay recalls a time when he was preparing to leave the set for a meeting with the executives when he was approached by Connery in golfing attire.[19] Connery, who also produced the film, asked Bay where he was going, and when Bay explained he had a meeting with the executives, Connery asked if he could accompany him. When Bay arrived in the conference room, the executives were surprised when they saw Connery behind him. According to Bay, Connery stood up for Bay and insisted that he was doing a good job and should be left alone.[20]
The soundtrack to The Rock was released on the same day as the film, June 7, 1996, by Hollywood Records. Hans Zimmer and his longtime collaborator Nick Glennie-Smith were the principal composers, while Harry Gregson-Williams[21][22] was the score producer, with additional music composed by Don Harper, Steven M. Stern and Gregson-Williams.[23] The film represents the first collaboration between Zimmer and Bay, the composer would write and/or produce the scores for many of Bay’s films moving forward.
For its opening weekend, the film grossed $25 million, beating out Mission: Impossible to reach the number one spot.[24] Upon opening, it surpassed Dick Tracy to achieve the highest opening weekend for a live-action Disney film.[25] It would be overtaken by The Cable Guy during its second weekend.[26] Produced on a $75 million budget, The Rock grossed a total of $134 million in the U.S. and Canada and $201 million elsewhere, for a worldwide total of $335 million.[27] It was the seventh-highest-grossing film for the U.S. box office in 1996, and the fourth highest-grossing U.S. film worldwide that year.[2]
On Rotten Tomatoes, the film has an approval rating of 67% based on 72 reviews, with an average rating of 6.6/10. The website's critics consensus reads: "For visceral thrills, it can't be beat. Just don't expect The Rock to engage your brain."[28] On Metacritic, the film has a weighted average score of 58 out of 100, based on 24 critics, indicating "mixed or average reviews".[29] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[30]
Roger Ebert awarded the film 3.5 out of 4 stars, praising it as "a first-rate, slam-bang action thriller with a lot of style and no little humor".[31] Todd McCarthy of Variety gave the film a positive review, commenting "The yarn has its share of gaping holes and jaw-dropping improbabilities, but director Michael Bay sweeps them all aside with his never-take-a-breath pacing."[32] Richard Corliss, writing for Time, wrote: "Slick, brutal and almost human, this is the team-spirit action movie Mission: Impossible should have been."[33]
The Rock won several minor awards, including 'Best On-Screen Duo' for Connery and Cage at the MTV Movie Awards. It was also nominated for an Academy Award for Best Sound (Kevin O'Connell, Greg P. Russell and Keith A. Wester).[34]
The film was selected for a limited edition DVD release by the Criterion Collection, a distributor of primarily arthouse films it categorizes as "important classic and contemporary films" and "cinema at its finest". In an essay supporting the selection of The Rock, Roger Ebert, who was strongly critical of most of Bay's later films, gave the film 3 1/2 out of four stars, calling it "an action picture that rises to the top of the genre because of a literate, witty screenplay and skilled craftsmanship in the direction and special effects."[35]
In 2014, Time Out polled several film critics, directors, actors and stunt actors to list their top action films.[36] The Rock was listed at 74th place on the list.[37] In 2019, Tom Reimann from Collider ranked The Rock as Bay's best film and "a perfect snapshot of the height of 90s action movies".[38]
The Rock was the basis for false descriptions of the Iraqi chemical weapons program. Britain's Secret Intelligence Service was led to believe Saddam Hussein was continuing to produce weapons of mass destruction by a false agent who based his reports on The Rock, according to the Chilcot Inquiry.[39]
In September 2002, MI6 chief Sir Richard Dearlove said the agency had acquired information from a new source revealing that Iraq was stepping up production of chemical and biological warfare agents. The source, who was said to have "direct access", claimed senior staff were working seven days a week while the regime was concentrating a great deal of effort on the production of anthrax. Dearlove told the chairman of the Joint Intelligence Committee (JIC), Sir John Scarlett, that they were "on the edge of (a) significant intel breakthrough" which could be the "key to unlock" Iraq's weapons programme.
However, it was noticed that the agent's description of glass containers, not typically used for chemical munitions, resembled the nerve gas inaccurately depicted in glass beads or spheres in The Rock. By February 2003 – a month before the invasion of Iraq – MI6 concluded that their source had been lying "over a period of time" but failed to inform No 10 or others, even though Prime Minister Tony Blair had been briefed on this intelligence.[40][41][42] According to The Independent, the false claims of weapons of mass destruction were the justification for UK's entering the war.[42]
Weisberg said, "What was so amazing was anybody in the poison gas community would immediately know that this was total bullshit – such obvious bullshit". Weisberg said he was unsurprised a desperate agent might resort to films for inspiration, but dismayed that authorities "didn't do apparently the most basic fact-checking or vetting of the information. If you'd just asked a chemical weapons expert, it would have been immediately obvious it was ludicrous." Weisberg said he had had some "funny emails" after the report, but he felt "it's not a nice legacy for the film". "It's tragic that we went to war," he concluded.[43]
In June 2017, director Michael Bay discussed his idea for a follow-up to The Rock that never developed past the concept that Goodspeed and Mason are chased by the government after escaping, due to possession of the microfilm as shown in the ending.[44]