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| The Snake | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 1994 | |||
| Genre | Rock | |||
| Label | ZTT | |||
| Producer | Dave Jordan | |||
| Shane MacGowan and the Popes chronology | ||||
| ||||
The Snake is the first album by Shane MacGowan and the Popes, released in 1994 by ZTT Records.[1][2] It peaked at No. 37 on the UK Albums Chart.[3] The band supported the album with a North American tour.[4]
The album was produced by Dave Jordan.[5] The guest musicians included Johnny Depp and members of the Dubliners and the Pogues.[6] "Her Father Didn't Like Me Anyway" is a cover of the Gerry Rafferty song.[7] Colm Ó Maonlaí contributed on tin whistles.[5] Like a number of songs recorded by MacGowan's previous band, traditional tunes are sometimes used as a base for a new song (for example, the melody for "The Song with No Name" is based on "The Homes of Donegal"). MacGowan wanted a less polished, more straightforward sound, likening the Popes to a bar band.[8]
An expanded edition was released in 1995.[9] It had a revised running order and added three additional tracks: the traditional songs "Nancy Whiskey" and "Roddy McCorley", which had been released as b-sides the previous year, as well as a duet with Sinéad O'Connor—a new recording of the Pogues song "Haunted". The song also appeared on the soundtrack for the romantic comedy film Two If by Sea. A third edition, first released on vinyl in 1995, adds another duet, "You're the One", this time with Clannad's Máire Brennan, from the soundtrack to the film Circle of Friends. A fourth, further-expanded release appeared as a limited edition CD remaster in Japan only in 2009, adding the 1997 b-side "A Man Called Horse" as a bonus track.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Calgary Herald | B+[11] |
| Chicago Tribune | |
| Robert Christgau | A−[12] |
| MusicHound Rock: The Essential Album Guide | |
| The Virgin Encyclopedia of Nineties Music | |
The Guardian said that "the brassy 'A Mexican Funeral in Paris' is passable, despite MacGowan's slurring and rasping reaching the level of parody."[14] The Independent concluded that "MacGowan abandons the more restless global influences which, for better or worse, infected the Pogues' later albums, returning to the rock'n'rebel-song Celtic-rock style of earlier years."[15] The Calgary Herald wrote that "The Snake shows that Shane has lost not an iota of his irascibility, eccentricity and ability to wring every emotion out of a song."[11]
Robert Christgau considered it to be MacGowan's second best work, after the Pogues' Rum Sodomy & the Lash.[12] Mark Lepage, of The Gazette, opined that "most of the time, MacGowan is a lampshade looking for a party... I'd pay money to see him and his band do all of this live, and risk the odds, but the recorded version is slapdash even for him."[16] The Los Angeles Times determined that MacGowan comes on "like the seedy, scrappy spawn of the Clancy Brothers and punk rock."[17]
All songs composed by Shane MacGowan; except where noted
Released by ZTT in 1994 on CD and cassette in 1994 in Europe, Canada, Australia and Japan, and on vinyl in Europe only. Re-released on vinyl in Europe in 2016 by Music on Vinyl/WEA.
Released in 1995 on CD and cassette in the US by Warner Bros. Records/ZTT, in Europe by ZTT, and in Poland by Warner Music Poland
Released by ZTT in 1995 on vinyl in France & Germany only, and on CD in Europe in 1998
Released by ZTT in 2009 as a limited edition remastered CD in Japan only.
with: