Underworld (2003 film)

Underworld
Theatrical release poster
Directed by	Len Wiseman
Screenplay by	Danny McBride
Story by	Kevin Grevioux Len Wiseman Danny McBride
Produced by	Tom Rosenberg Gary Lucchesi Richard Wright
Starring	Kate Beckinsale Scott Speedman Michael Sheen Shane Brolly Erwin Leder Bill Nighy
Cinematography	Tony Pierce-Roberts
Edited by	Martin Hunter
Music by	Paul Haslinger
Production companies	Screen Gems Lakeshore Entertainment
Distributed by	Sony Pictures Releasing (United States)[1] Entertainment Film Distributors (United Kingdom)[2][3][4] Concorde Filmverleih (Germany)[4] SPI International (Hungary)[4]
Release dates	September 15, 2003 (2003-09-15) (Grauman's Chinese Theatre) September 19, 2003 (2003-09-19) (United States and United Kingdom) January 29, 2004 (2004-01-29) (Germany) April 22, 2004 (2004-04-22) (Hungary)
Running time	121 minutes[2]
Countries	Germany[5] Hungary[5] United Kingdom[5] United States[5]
Language	English
Budget	$22 million[3]
Box office	$95.7 million[3]

Underworld is a 2003 action horror film directed by Len Wiseman in his feature film directorial debut, from a screenplay by Danny McBride, based on a story by Kevin Grevioux, Wiseman, and McBride. The film stars Kate Beckinsale, Scott Speedman, Michael Sheen, Shane Brolly, and Bill Nighy. The plot centers on the secret history of vampires and lycans (an abbreviated form of lycanthrope, which means werewolf). The main plot revolves around Selene (Beckinsale), a vampire Death Dealer hunting Lycans. She finds herself attracted to a human, Michael Corvin (Speedman), who is being targeted by the Lycans. After Michael is bitten by a Lycan, Selene must decide whether to do her duty and kill him or go against her clan and save him.

Underworld premiered at the Grauman's Chinese Theatre in Los Angeles, California on September 15, 2003, and was released in the United States on September 19, by Sony Pictures Releasing. The film received generally negative reviews from critics, but a smaller number of reviewers praised elements such as the film's Gothic visuals, Kate Beckinsale's performance, and the extensively worked-out vampire–werewolf mythology that serves as the film's backstory. A surprise hit, the film grossed over $95 million worldwide against a production budget of $22 million and originated a franchise.

The film was followed by Underworld: Evolution in 2006.

For generations, vampires and Lycans, an ancient species of werewolf, have secretly waged war. The vampires gain the upper hand when Lycan leader Lucian seemingly dies at the hands of vampire Kraven, who becomes the second-in-command to the vampires' leading elders. Selene, a member of an elite group of vampire assassins known as "Death Dealers", continues to pursue the extermination of the Lycans despite other vampires no longer perceiving them as a threat.

After a clash with the Lycans, Selene discovers that they are after Michael Corvin, a seemingly ordinary medical student. Disregarding Kraven’s insistence to ignore the situation, Selene privately investigates Michael. The pair is pursued by a group of Lycans led by Lucian, who manages to bite Michael during their escape. Since Kraven was the only witness to Lucian's supposed death, Selene begins to suspect that he lied about the death and may be working with the Lycans.

Selene prematurely awakens Viktor, a hibernating elder vampire and leaves to hide Michael in a safe house. Selene binds Michael, anticipating the Lycans' bite will transform him into a werewolf when the full moon rises. As the two of them bond, she gradually tells him more about her past, revealing that Viktor adopted her and turned her into a vampire after her family's death at the hands of Lycans, leading her to start a vengeful campaign against them, and that Michael's hallucinations are memories that Lucian passed down to him.

Selene returns to her coven's mansion. Furious about being woken early, Viktor refuses to believe Selene's warnings about Kraven's treachery and reminds her that his fellow elder Marcus was supposed to be awakened before him. Meanwhile, en route to the mansion to awaken Marcus, vampire elder Amelia, the coven's current ruler, is ambushed and killed by Lycans, who have tracked her with Kraven's assistance.

Selene escapes the mansion and abducts the Lycan scientist Singe, while the Lycans capture Michael. While held captive in the Lycans' lair, Michael soon learns that Lucian was once in love with Viktor's daughter Sonja. After he discovered their forbidden affair, Viktor murdered her. Lucian claims that Lycans were once slaves of vampires, and the war began when they rose up against them and fought for their freedom.

At the vampires' mansion, a captive Singe reveals that Selene was being honest about Kraven's betrayal, and he reveals why the Lycans want Michael: vampires and Lycans actually have a common ancestor, which Michael is a direct descendant of. As an heir to the legendary "Corvinus" bloodline, he carries a unique genetic strain that could allow him to become a vampire-werewolf hybrid, which Singe predicts will lack the weaknesses of both species. An angered Viktor then kills Singe and mobilizes the Death Dealers to raid the Lycan’s lair to kill the remaining Lycans, including Michael.

In the ensuing showdown between vampires and Lycans, Selene breaks into the Lycans' lair to rescue Michael. Kraven and Lucian turn on each other, and the former tells Selene that Viktor was the one who really murdered her family and only spared and mentored her due to being reminded of his daughter. Selene is forced to bite a fatally injured Michael, hoping to make him a vampire-werewolf hybrid, while Kraven shoots Lucian, killing him.

When Viktor arrives at the Lycans' lair after the battle, he admits to murdering Selene's parents and killing his daughter. He also insists that he killed Sonja for the good of his people and reveals she was pregnant with Lucian's child, an abomination in the eyes of the two species. Lastly, he claims that he made Selene immortal because he loved her and proceeds to fight the hybrid Michael. Initially overwhelmed by Michael’s strength, Viktor eventually gets the upper hand and attempts to strangle him. Selene rouses from her disorientation and kills Viktor by beheading him with his sword. Now enemies of both vampires and Lycans, Selene and Michael flee the Lycans' lair together.

Back at the vampires' mansion, Marcus, now the sole surviving vampire elder, awakens after Singe's blood seeps into his sarcophagus.

In 2000, Danny McBride met Len Wiseman through Nick Reed, who was the agent for both of them with intent for them to work together on a script the former wrote. While the plans for that film fizzled out, they did set out a plan to work together. Kevin Grevioux had graduated from Howard University with a degree in microbiology, but he developed a desire to study film in cinematography and screenwriting. He dropped out of graduate studies and moved to Los Angeles, where he became an actor. He came up with the original concept for the film and wrote the original screenplay, which was inspired by Romeo and Juliet alongside his college studies, which based vampirism and lycanthropy on a viral mutagen rather than mythology. McBride and Wiseman soon stepped in to work on the script, which they soon set out to make a trilogy of films. Each received credit for their work on the film, and Grevioux also appeared in the film as an actor.^[6][7]

The film was the subject of a copyright infringement lawsuit filed by White Wolf, Inc. and Nancy A. Collins, claiming the setting was too similar to the Vampire: The Masquerade and Werewolf: The Apocalypse games, both set in the World of Darkness setting, and to the Sonja Blue vampire novels. White Wolf filed 17 counts of copyright infringement, and claimed over 80 points of unique similarity between White Wolf's gaming systems and the film. These included some general plot points like vampires having superhuman speed or being able to disappear, and more specific similarities like a vampire/werewolf hybrid being referred to as an “Abomination”. White Wolf, Inc. also said the script was very similar to a story entitled The Love of Monsters (1994), which they published, written by Nancy A. Collins.^[8][9] In September 2003, a judge granted White Wolf an expedited hearing. The lawsuit ended in a confidential settlement.^[10]

Professional ratings

Review scores
Source	Rating
Allmusic	[11]

The film's soundtrack was produced by Danny Lohner and distributed via Roadrunner Records. Lohner (born 1970), a bass guitarist, guitarist, and keyboardist who has recorded with Nine Inch Nails and Marilyn Manson, contributed several songs to the soundtrack under the pseudonym Renholdër. Lohner included a song by Skinny Puppy, a Canadian industrial band; a song by The Dillinger Escape Plan, a US band which performs an aggressive, technical style of hardcore punk called mathcore; a song by US alternative rock/post-hardcore band Finch entitled "Worms of the Earth"; a song by The Icarus Line, a band known for its abrasive form of rock music; and Lisa Germano, an American singer/songwriter and multi-instrumentalist who specializes in alternative rock and dream pop.^{[citation needed]}

Music critic Bill Aicher noted that the "soundtrack follow[s] in a similar gothic vein" to the visuals, and stated that it "does an excellent job setting the dark mood" by using "a veritable who's who in the genre", with an "impressive array of metal, hard rock, industrial, and otherwise gothic-themed tracks".^[12] Aicher noted that since "a majority of the selections [are] written, produced, or featuring Lohner, the album retains a sense of cohesion throughout, making it much more a complete product than has generally been the case with similarly-themed products."^[12] In particular, Aicher praised the rearrangement of David Bowie's "Bring Me the Disco King" (previously released in its original form on his studio album Reality earlier that month) as the soundtrack's strongest piece. This version of the song, which features Maynard James Keenan (from Tool and A Perfect Circle) and guitarist John Frusciante (of the Red Hot Chili Peppers), was praised by Aicher as "Dark, brooding, sad, and twitchy".^[12]

Track listing

The film grossed $51,970,690 in the US and $95,708,457 worldwide.^[3]

Underworld has a 31% overall approval rating on film-critics' aggregate site Rotten Tomatoes based on 162 reviews, with an average rating of 4.8/10. The site's consensus reads The site's consensus reads, "Though stylish to look at, Underworld is tedious and derivative."^[13] Metacritic, which uses a weighted average, assigned the film a score of 42 out of 100, based on 34 critics, indicating "mixed or average" reviews.^[14] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale.^[15]

Roger Ebert said, "This is a movie so paltry in its characters and shallow in its story that the war seems to exist primarily to provide graphic visuals"^[16] However, some critics were more favorable: the New York Daily News praised it as being "stylish and cruel, and mightily entertaining for certain covens out there".^[17]

Salon reviewer Andrew O'Hehir gave a mixed review, stating, "by any reasonable standard, this dark vampire epic — all massive overacting, cologne-commercial design and sexy cat suits — sucks," but that "at least it gives a crap", conceding that despite the movie's flaws, the complex vampire-werewolf mythology backstory "has been meticulously worked out".^[18]

Underworld was released on DVD and VHS on January 6, 2004 by Columbia TriStar Home Entertainment.^[21]

A sequel, titled Underworld: Evolution, in which Marcus fully awakens, was released January 20, 2006. The prequel Underworld: Rise of the Lycans, which gives more detail about the creation of the Lycan species and Lucian's hatred, was released January 23, 2009. A second sequel, Underworld: Awakening, was released on January 20, 2012, and a third sequel, Underworld: Blood Wars, was released on January 6, 2017.^[22]

• Vampire film

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• Official website
• Underworld at IMDb
• Underworld title listing at the Internet Speculative Fiction Database
• Underworld at AllMovie
• Underworld at Rotten Tomatoes