Virginia K. Heath (born 1959) is a UK-based New Zealand film director and academic; she is a professor of film at Sheffield Hallam University.[1][2] In 2002 she won the John O'Shea Film Award for the best New Zealand short film by a New Zealand director residing abroad.[3]
Heath was born in Havelock North, in the North Island of New Zealand. She studied film at Saint Martin's School of Art in London, England, in 1985 and 1986.[4] She began her film career directing a series of international arts documentaries for the Channel 4 Television series ‘Rear Window’.[2]
Heath was commissioned by the United Kingdom Human Trafficking Centre to create a film to highlight the issue of human trafficking. She carried out interviews with exploited girls and women, and frontline agency workers, and created the film My Dangerous Loverboy. A website and social media channels were later added to aid increased engagement with the film, and the overall project won a cross media award from the National Film Board of Canada and was nominated for a Royal Television Society Award. The film is extensively used in schools and youth centres, and with frontline agency workers across the United Kingdom.[5]
Heath was also commissioned by Creative Scotland and the BBC to create a film for the Glasgow 2014 Commonwealth Games. The resulting film, From Scotland with Love, combined film with live music created by King Creosote and was nominated for a BAFTA Scotland award.[2]
Year | Title | Role | Nominations and awards | Notes |
---|---|---|---|---|
2019 | Three Chords and the Truth | Director | [2][6] | |
2018 | Lift Share | Director | Winner, Best Sound Design, Underwire Film Festival, 2018 | [2][7][8] |
2016 | We Are All Migrants | [2] | ||
2014 | A Century in Film: from Scotland with Love | Director | Nominated for Best Feature Documentary, BAFTA Scotland, 2014 | [9] |
2009 | My Dangerous Loverboy | Director
Writer |
Winner, National Film Board of Canada Cross Media Challenge Award, 2008 | [5][10] |
2008 | Little Lost David: Devil Don't Mind | Director
Writer |
[11] | |
2005 | Point Annihilation | Director
Co-screenwriter |
[12] | |
2001 | Relativity | Director
Screenplay |
Winner, Best Short Film, Berlin International Film Festival, 2002
Winner, John O'Shea Film Award at New Zealand Drifting Clouds Film Festival, 2002 Nominated for European Film Academy Awards, 2002 |
[3][13] |
1998 | Deep Freeze | Director
Screenplay |
[14] | |
1997 | Songs from the Golden City | Director | [15] | |
1993 | Getting to the Point | Editor | [16] | |
1992 | Carlo Levi Stopped Here | Director | [17] | |
Looking Both Ways: Berlin-istanbul | [18] | |||
1991 | The Crusade through Arab Eyes | Editor | [19] | |
1989 | Diamonds in Brown Paper | Editor | [20] | |
1988 | Perfect Image? | Editor | [21] | |
Hell to Pay | [22] | |||
1986 | The Passion of Remembrance | [23] | ||
1985 | Pandora's Box | Director
Screenplay Editor |
[24] | |
1984 | Deptford Wives | Director | [25] | |
On the Top | Director | [26] | ||
Photographic Exhibits | Editor | [27] | ||
Council Matters | Editor | [28] | ||
Lives of Artists Not Wives of Artists: Women's Art Practice since 1970 | Editor | [29] | ||
1983 | Talking History | Editor | [30] | |
1978 | Lorette | Editor
Dubbing |
[31] |