Werner Klotz was born 1956 in Bonn, Germany. In 1974 he moved to West Berlin.
He worked first as a painter then as a sculptor and installation artist. His work relies on natural contexts.
In 1981 he cofounded the artist group Material&Wirkung e.V., Berlin (Material&Effect), they organized art projects in public context and early installation art till 1985.
In 1982 he began a complex body of work with live Roman Snails (Helix Pomatia L.) in conserving their trails in time, space and movement-based art works as well as performances and interventions.
In 1990 he moved to San Francisco. His work at this time included the development and fabrication of functional optical instruments and installations. These Perception Instruments are the foundation of this public art works leading to the present day.
His current artworks make use of site-specific and interactive contexts that rely on viewer participation to emphasize themes and ideas unique to each project. Using a variety of materials and strategies including light, sound, video and mechanics.
Realized projects include Le Milieu du Monde,[1] a permanent multimedia installation onboard the Bridge deck of three new Staten Island Ferries in New York City and Anemone,[2] an interactive kinetic installation permanently on view at the San Francisco International Airport. Flying Sails,[3] two kinetic light sculptures at Seattle's SeaTac airport's light rail station are activated by the air pressure of passing trains.
From 2014-18 he realized three large scale kinetic light art works for the new sculpture park Dosse Park in Wittstock, Germany.
In 2020 Werner Klotz created the 13 channel video sculpture Candelabro[4] commemorating the Portuguese Diplomat Aristides de Sousa Mendes who saved more than 30,000 people from the Holocaust.
This artwork was commissioned by the New York Sousa Mendes Foundation.
In April 2021 Werner Klotz, in collaboration with artist Jim Campbell, installed the artwork Silent Stream for the Union Square Station of the Central Subway in San Francisco. Silent Stream[5] consists of more than 10,000 unique reflective discs of different sizes and is around one hundred and fifty meters long. This permanent artwork is open to the public as of January 2023.
Werner Klotz is the recipient of the New York City Art Commission award for excellence in Public Art and the Marler Medien Kunst Preis- Raum-Medien - Germany's most respected Media Art Award.[citation needed]
Beside his sculptural art works Werner Klotz created a two-dimensional body of work with printed digital files based on compositions of video imagery stills from water surfaces filmed in Californian waterfalls. Together with his daughter Nanette (* 2004 in Vancouver) he discovered and researched a section of a creek in the wilderness north of Vancouver, BC and is still working on photographic compositions of water, current, light and mineral structures directly in this stream.
2014–17 Mitte der Welt (Middle of the World), permanent kinetic outdoor sculpture, Sonnenfänger (Sun Catcher), light sculpture and Wolkenhaus (House of Clouds), Kunsthaus Dosse Park, Wittstock
2023 Silent Stream, Union/Market Central Subway Station, San Francisco, with artist Jim Campbell, San Francisco Art Commission[5]
2011 Spiegelkabinett (House of Mirrors), Kindermuseum, Berlin
2006–09 Deutsche Telekom AG, Bonn, Commission and Prototypes for interactive bus stops, light sculptures and out of home furniture
2010 Flying Sails,[3] SEATAC Airport Light Rail Station, commissioned two kinetic light sculptures, Soundtransit Public Art Program, Seattle[11]
2004 Anemone,[2] San Francisco International Airport, interactive kinetic sculpture, San Francisco Art Commission, SFO airport collection
2002–06 Le Milieu du Monde,[1] Staten Island Ferries, Commission for a GPS steered Light-, Video- and Audio, Installation on all three bridge decks on each ferry, Department of Culture and Department of Transportation, New York City, USA
Block, René and Angelika Stepken, Medienkunst aus Berlin, catalogue essay, Berlin, 1997
Happel, Reinhold and others, Werner Klotz, solo exhibition catalogue, Kunstverein Braunschweig, 1996[26]
Fehr, Michael, Werner Klotz – Perception Instruments, solo catalogue, Karl Ernst Osthaus Museum, 1996
Daniels, Dieter, Minima Media, catalogue essay, Medienbiennale, Leipzig, Germany, 1994[27]
Schultz, Bernd, René Pritikin and others, Werner Klotz, solo exhibition-catalogue, Stadtgalerie, Saarbruecken, Germany and Center for the Arts, San Francisco, 1994[28]
Haerdter, Michael, Werner Klotz – The Boreas Project, Kuenstlerhaus,-Bethanien, Berlin, 1992[29]