"Who Are You" | ||||
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Single by the Who | ||||
from the album Who Are You | ||||
A-side | "Had Enough"[1] | |||
Released |
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Recorded | 4 October 1977 | |||
Genre | ||||
Length |
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Label | Polydor 2121 361 (UK) MCA (US) | |||
Songwriter(s) | Pete Townshend | |||
Producer(s) | ||||
The Who singles chronology | ||||
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Who Are You track listing | ||||
9 tracks
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Music video | ||||
"Who Are You" (Promo Video) on YouTube |
"Who Are You" is the title track on the Who's 1978 album, Who Are You, the last album released by the group before Keith Moon's death in September 1978. It was written by Pete Townshend and released as a double-A-sided single with the John Entwistle composition "Had Enough", also featured on the album. The song was one of the band's biggest hits in North America, peaking at number 7 in Canada and at number 14 in the United States, and has become one of the band's signature tunes at their live shows. The piano on the track is played by Rod Argent.
The lyrics of "Who Are You" were inspired by an incident Townshend experienced. After going out drinking with Steve Jones and Paul Cook of the Sex Pistols, Townshend was found in a "Soho doorway" by a policeman, who recognized him and said he would let him go if he could safely walk away.[3]
"Who Are You" was written about meeting Steve Jones and Paul Cook of the Sex Pistols after an awful 13-hour encounter with Allen Klein who, in my personal opinion, is the awesome rock leech-godfather. In one sense the song is more about the demands of new friendship than blood-letting challenge. Roger's aggressive reading of my nihilistic lyric redirected its function by the simple act of singing "Who the fuck are you..." when I had written "Who, who, who are you..." Steve and Paul became real 'mates' of mine in the English sense. We socialized a few times. Got drunk (well, I did) and I have to say to their credit, for a couple of figurehead anarchists, they seemed sincerely concerned about my decaying condition at the time.
— Pete Townshend[4]
However, as explained by Townshend in his autobiography Who I Am, the last verse is about an early incident, that happened on the last North American leg of the 1971 tour: the day before the first concert in Charlotte, North Carolina, Townshend took the opportunity to visit the Meher Spiritual Center—a retreat owned by his guru Meher Baba—in nearby Myrtle Beach.[5]
"Who Are You" was released as a double-A side with the John Entwistle song, "Had Enough," but "Who Are You" was the more popular song, reaching the Top 20 in both the United States and UK. The song has since been featured on multiple compilation albums. The single mix contains an alternate acoustic guitar solo to the album mix.
The album version includes a third verse compared to the much shorter single. Additionally, a "lost verse" mix of the song was released on the 1996 reissue of Who Are You, with a completely different second verse: "I used to check my reflection / Jumping with my cheap guitar / I must have lost my direction, 'cause I ended up a superstar / One-nighters in the boardroom / Petrify the human brain / You can learn from my mistakes, but you're posing in the glass again."
The song is unusual in that it contains two instances of the word "fuck"—at 2:16 and 5:40 (at 2:14 and 4:27 in the single edit version)—yet has been played frequently in its entirety on rock radio stations (as compared to an edited form replacing it with "hell"). The expletives, while not clearly enunciated and slightly obscured by Moon's drum fills, are nevertheless quite audible. This led to some controversy when ABC's unedited broadcast of The Who's Live 8 performance retained them.[6] The American single edit changes this to "Who the hell are you?" and can be heard at 1:55. Other versions replaced the phrase with just one of the main choruses, "Tell me, who are you" and "I really want to know."
Cash Box said that it "has a gentle, jumpy chorus riding atop driving guitar chording by Townshend" and that "Daltrey's lead vocals are gritty and inquiring."[7] Record World said that "The instrumentation is powerful in contrast to the flowing vocal hook."[8]
A promotional video was filmed on 9 May 1978 for The Kids Are Alright documentary; originally, the intent was to have The Who simply mime to the single version's backing track with Roger Daltrey adding live vocals, but the decision was made to also re-record the guitars, backing vocals, drums, and piano. Only John Entwistle's bass and the synthesizer backing remained intact from the original version.[citation needed]
This song was first performed live at the Gaumont State Cinema in Kilburn on 15 December 1977, albeit without synthesizers and only a portion of the lyrics. This can be seen in the DVD At Kilburn 1977 + Live at the Coliseum. Despite that being the first performance, this song had its roots in jams in the band's 1976 concerts, most notably at Maple Leaf Gardens in Toronto on 21 October 1976, drummer Keith Moon's last North American appearance with The Who, where the band played a very early version of the song with Townshend on vocals.
The first live performance with synthesizers (using a backing tape of the same synthesizer track found on the studio version of the song) was at the Rainbow Theatre in London on 2 May 1979, which was also Kenney Jones's first live show with the band. Since that time it has remained a staple of their live shows. The Who opened their segment of The Concert for New York City on 20 October 2001 with the song and performed a medley featuring the song in Super Bowl XLIV. They also used the song to begin their set at 12-12-12: The Concert for Sandy Relief on 12 December 2012.[9] In later performances, Roger Daltrey also plays acoustic rhythm guitar.
Chart (1978) | Peak position |
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Canada Top Singles (RPM) | 7 |
Netherlands (Single Top 100)[10] | 44 |
New Zealand (Recorded Music NZ)[11] | 23 |
UK Singles (OCC)[12] | 18 |
US Billboard Hot 100[13] | 14 |
Region | Certification | Certified units/sales |
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United Kingdom (BPI)[14] | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
There's even a mash-up put together when it comes to the episode's opening theme, combining CSI's "Who Are You?" together with it, bizarrely.
But the Who still had the stadium shouting along on choruses Townshend wrote decades ago: "Who are you" and "We don't get fooled again!"
In the first chunk, Louie does some extended air-drumming to the car radio playing The Who's "Who Are You?"