Witchcraft | |
---|---|
Production companies | |
Distributed by | Simitar Entertainment |
Release date | 1988–2016 |
Running time | 1,415 minutes (16 films) |
Countries | United States United Kingdom |
Language | English |
Witchcraft is a horror film series, that as of March 2018, has 16 direct to video installments, making it one of the horror genre's longest-running interconnected series.[1][2] It began in 1988, and most films focus, at least partially, on the character of William Spanner, who is a powerful warlock who fights for good despite having an evil lineage.
The series begins when Grace Churchill discovers her husband and mother-in-law's plan to use her newborn child, William, as a means to bring about the end of the world. The husband and mother-in-law are evil witches, who worship Satan. While Grace prevents this from happening, it is thought that only William and his mother survives the first film. In the second movie, 18 year old William, unaware of his heritage, and having been adopted by the Adams family, finds that his next door neighbor, the witch who survived from the first film, attempts to seduce him to use his powers for darkness. The Adams are white witches who had rejected the evil of the coven from the first film and stole William away.
William (with Spanner as his last name) resists the temptation, and in between the second and third movie, becomes a lawyer, getting a job in the district attorney's office. After being fired from the district attorney's office (a move which later movies reveal was caused by his black magic roots being discovered) he opens his own law office. Spanner resists his heritage, preferring a normal life, but events conspire to force him to use his powers, often with the fate of the world at stake. Spanner later becomes more comfortable with his powers and his role in protecting the world against the dark powers. Beginning in Witchcraft VI, Spanner often serves as an unofficial consultant for the Los Angeles Police Department, usually working with Detective Lutz and/or Garner.
While Spanner is the main character of the series, he is not in movies 8 and 10, and is only an infant in the first film. He dies at the end of the seventh movie, and remains dead during the eighth movie, but is resurrected in the ninth movie. He does not appear during the tenth movie, which is set in London, England and follows Lt. Lutz as she assist Interpol with a case, although he is referenced.
Keli is Spanner's Girlfriend in many of the movies, and they are engaged sometime between the tenth and the eleventh movie, but she disappears and is not referred to after the 11th movie.
The 14th–16th movies form a connected trilogy. The 16th film takes place in the "real" world, pokes fun of the film series recasting of the leads and the low budget nature of the series, using the actors from the 14th and 15th movie. The 16th movie explains that the entire series, and its oft recasting of the leads, is part of a careful plot by Satan to control the world.
Year | Film | Budget | Runtime |
---|---|---|---|
1988 | Witchcraft | N/A | 86 minutes |
1990 | Witchcraft II: The Temptress | $80,000 | 88 minutes |
1991 | Witchcraft III: The Kiss of Death | N/A | 85 minutes |
1992 | Witchcraft IV: The Virgin Heart | 95 minutes | |
1993 | Witchcraft V: Dance with the Devil | $50,000 | |
1994 | Witchcraft VI: The Devil's Mistress | N/A | 88 minutes |
1995 | Witchcraft VII: Judgement Hour | 90 minutes | |
1996 | Witchcraft VIII: Salem's Ghost | $48,000 | |
1997 | Witchcraft IX: Bitter Flesh | N/A | 92 minutes |
1998 | Witchcraft X: Mistress of the Craft | $16,300 | 90 minutes |
2000 | Witchcraft XI: Sisters in Blood | $40,000 | 95 minutes |
2002 | Witchcraft XII: In the Lair of the Serpent | N/A | 88 minutes |
2008 | Witchcraft XIII: Blood of the Chosen | 89 minutes | |
2016 | Witchcraft XIV: Angel of Death | $25,000 | 81 minutes |
Witchcraft XV: Blood Rose | |||
Witchcraft XVI: Hollywood Coven | 82 minutes |
List indicator(s)
Character | Film | |||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Witchcraft | The Temptress | The Kiss of Death | The Virgin Heart | Dance with the Devil | The Devil's Mistress | Judgement Hour | Salem's Ghost | Bitter Flesh | Mistress of the Craft | Sisters in Blood | In the Lair of the Serpent | Blood of the Chosen | Angel of Death | Blood Rose | Hollywood Coven | |
1988 | 1990 | 1991 | 1992 | 1993 | 1994 | 1995 | 1996 | 1997 | 1998 | 2000 | 2002 | 2008 | 2016 | |||
William Spanner | Ross Newton | Charles Solomon Jr. | Marklen Kennedy | Jerry Spicer | David Bynres | David Bynres | James Servais | Chip James | Tim Wrobel | H. Ryan Cleary | ||||||
Keli Jordan | Carolyn Taye-Loren | Debra Beatty | April Breneman | Kourtine Ballentine | Wendy Blair | |||||||||||
Detective Garner | Enrique Galante | John Cragen | Mikul Roberts | Mikul Roberts | Leroy Castanon | |||||||||||
Detective Lutz | John E. Holiday | Alisa Christensen | Stephanie Beaton | Berna Roberts | ||||||||||||
Rose | Molly Daughtery | |||||||||||||||
Sharon | Noël VanBrocklin | |||||||||||||||
Tara | Zamra Dollskin |
Film | Director | Writer(s) | Producer(s) |
---|---|---|---|
Witchcraft | Rob Spera | Jody Savin | Jerry Feifer and Yoram Barzilai |
The Temptress | Mark Woods | Jim Hanson and Sal Manna | Jerry Feifer, Megan Barnett and Renza Mizbani |
The Kiss of Death | Rachel Feldman | Jerry Daly | Jerry Feifer and Holly MacConkey |
The Virgin Heart | James Merendino | James Merendino and Micahel Paul Girard | |
Dance with the Devil | Talun Hsu | James Merendino and Steve Tymon | Jerry Feifer and Michael Feifer |
The Devil's Mistress | Julie Davis | Julie Davis and Peter Fleming | |
Judgement Hour | Michael Paul Girard | Jerry Feifer and Peter Fleming | |
Salem's Ghost | Joseph John Barmettler | ||
Bitter Flesh | Michael Paul Girard | Stephen Downing | |
Mistress of the Craft | Elisar Cabrera | Jerry Feifer, Elisar Cabrera, Frank Scantori and Jon Blay | |
Sisters in Blood | Ron Ford | Jerry Feifer, Paula Pointer-Ford and David S. Sterling | |
In the Lair of the Serpent | Brad Sykes | Jerry Feifer, David S. Sterling and Bryan Stoughton | |
Blood of the Chosen | Mel House | Jeffrey Wolinski and Michael Wolinski | Jerry Feifer and Shaun Fox |
Angel of Death | David Palmieri | Keith Parker | Jerry Feifer, David Palmieri, Cindy Sanabria and David S. Sterling |
Blood Rose | Sean Abby | ||
Hollywood Coven |
All movies have been produced by Vista Street Entertainment. Troma Studios released films 1–9.[3] The series maintains an official YouTube channel with behind the scenes information [4] and a Facebook page.[5]
Despite its longevity, the series is not well regarded, and the AV Club notes that the series "Witchcraft continually relies on the same stock story lines, most often involving a good warlock struggling against trashy temptresses sent by evil warlocks to seduce him to the dark side."[2] Crave's series project states the series is "trashy .... straight-to-video schlock " and finds little use for the series other than as "notorious video store staples".[6] "The first four movies had the pretense of a supernatural plot and an interconnected mythology, but after that, the series began to slump (or improve, depending on your point of view) in to blatant softcore pornography.
In Creature Feature, a review of the first six movies found much of the same, with the third movie being the best of the first six.[7]
TV Guide states "It's hard to fathom why this cheap-looking, uninspired series has run so long. Perhaps video store buyers and their customers figure that any series with this many installments has to have something going for it. But they'd be wrong."[8] In many of the movies in the series the acting is quite poor by reasonable standards, with the actors sometimes even stumbling over their lines. The sex scenes are often unrealistic and extremely - laughably - fake looking (intercourse movements will be taking place in scenes but in numerous shots you can plainly see the male actor wearing underwear and his genitals well over a foot away from those of the female).
Video Reviewer 22 Shots found that the first 4 movies has a small amount of low budget, cheesy charm, the rest of the series " went more exploitative and sleazy" and were only recommended for fans of ultra-low budget films.[9]