There is a wide range of ways in which people have represented World War II in popular culture. Many works were created during the years of conflict and many more have arisen from that period of world history.
Some well-known examples of books about the war, like Nobel laureate Kenzaburō Ōe's Okinawa Notes, could only have been crafted in retrospect.[1]
Social historians regard the works of popular culture from the World War II era as documents that mirror and define crucial issues and concerns during that time. Individual combatants and those on the home fronts during World War II experienced the war through newspaper reports, radio broadcasts, films, stage plays, books and popular music—all become noteworthy aspects of understanding the period and its impact on what happened afterward.[2]
World War II has provided material for many films, television programmes and books, beginning during the war. The film aspect had reached its peak by the 1960s, with films such as The Longest Day (which had been adapted from a book), The Great Escape, Patton and Battle of Britain. In the United Kingdom the actor Sir John Mills became particularly associated with war dramas, such as The Colditz Story (1954), Above Us the Waves (1955) and Ice Cold in Alex (1958), and was seen as the personification of Britain at war, conveying heroism and humility.
Many television comedy sitcoms have used the war as a setting, e.g. Hogan's Heroes from America, which follows the actions of a group of Allied POWs involved in covert activities. Three British sitcoms from David Croft are Dad's Army which satirizes the British Home Guard, an anti-invasion force of men who are mostly too old to join the forces; It Ain't Half Hot Mum about a Forces Concert Party entertaining troops in India and Burma, and 'Allo 'Allo! which finds humour in the French Resistance. In "The Germans" episode of Fawlty Towers, Basil Fawlty (John Cleese) repeatedly insists his staff be polite to their German guests ("don't mention the War!") which he signally fails to demonstrate himself. In 2009, an anime adaptation of the webcomic Hetalia: Axis Powers was released and parodies the characters as countries and their transactions in the war through social adult issues.
Due to the still sensitive subject between China, Japan and Korea, the War in the Pacific and the Second Sino-Japanese War is hardly made into any historical war films intended for entertainment use in these countries. However, reference about the ongoing war as a background setting is heavily used as a setpiece to drive the storyline on. For example, Hong Kong martial arts films have used the "cartoon villain" portrayal of Japanese soldiers or generals being defeated by the Chinese lead character in an attempt to stop the Japanese from using biological weapons or stealing Chinese treasures (films like Fist of Fury, Millionaire's Express and Fist of Legend). Some films that depict Japanese war crimes were also made, such as the controversial exploitation film Men Behind the Sun.
More serious documentary style films have also been made such as the German made documentary Nanking. However the depiction of the Defense of Sihang Warehouse was made in 1938, one year after the actual Battle of Shanghai, probably one of the earliest Sino-Japanese war film intended for entertainment and moral boosting propaganda. Also recently, to celebrate the Chinese Red Army first victory (out of two major battles the Communists actually fought) over the Japanese, a heavy-handed propaganda film that depict the Battle of Pingxingguan was made in 2005 to commemorate the 60th anniversary. However it was heavily criticised by the government of Taiwan, accusing the PRC government for hiding the truth by discrediting the Nationalist Revolutionary Army who took the brunt of the battles as it was they who did most of the fighting against the invaders in more than twenty battles. Actually, the PRC has made several films focusing on battles fought by Nationalist soldiers, such as the Battle of Taierzhuang and Battle of Kunlun Pass.
Traditional board wargaming has replicated World War II from the tactical to the grand strategic levels. Axis & Allies and other such games continue to be popular. Avalon Hill and other wargame companies produced such complex games as Squad Leader and PanzerBlitz in the 1970s. Other popular World War II games still in production include Australian Design Group's World in Flames and Decision Games reproductions of SPI World War II games.
World War II has also been replicated through miniatures tabletop wargaming. Games like Flames of War, Command Decision, Spearhead, BlitzkriegCommander and others have become popular among historical miniature wargamers. A novelty is the upcoming of free internet based wargames in high quality such as Final Round.
The Soviet Union incurred the heaviest casualties in World War II, and its history gave rise to an impressive number of films, poetry and prose, both in Russian and in many other languages of the country. The cultural homage to the Soviet soldiers and victims of World War II has been brought for decades; films about the war are shot in modern-day Russia up to present day.
A few pinnacles of the Soviet cinema dedicated to World War Two include:
The Cranes Are Flying by Mikhail Kalatozov, Ivan's Childhood by Andrei Tarkovsky and The Alive and the Dead by Aleksandr Stolper. Elem Klimov's Come and See is widely considered to be one of the greatest war movies ever made.
In 1970, Ōe wrote in Okinawa Notes that members of the Japanese military had coerced masses of Okinawan civilians into committing suicide during the Allied invasion of the island in 1945. In 2005, two retired Japanese military officers sued Ōe for libel; and in 2008, the Osaka District Court dismissed the case because, as the judge explained, "The military was deeply involved in the mass suicides". Ōe commented succinctly by saying, "The judge accurately read my writing."[1]
Roy, Pinaki (2006) "The Stomach of a War: Perceiving Second World War through Keith Douglas's Poems". The Atlantic Critical Review Quarterly (ISSN0972-6373; ISBN81-269-0747-9) 5(4), October–December 2006: 1–13.
Roy, Pinaki (2010). The Scarlet Critique. New Delhi:Sarup Book Publishers. ISBN978-81-7625-991-0
Roy, Pinaki (2011). "Here're the War poets: Keith Douglas and Other English Versifiers of the Second World War". The Atlantic Literary Review Quarterly (ISSN0972-3269, ISBN978-81-269-1674-0)12 (4), October–December 2011: 23–36.
Roy, Pinaki (2013). "Love in Times of War: Amorous English Poems of the Second World War". The Visva-Bharati Quarterly (ISSN0972-043X) 21 (3 & 4) and 22 (1 & 2), October 2012 – September 2013: 142–55.
Roy, Pinaki (2014). "Muses at Arms: Reading Select Second World War Poems by Keith Douglas and Alun Lewis". Modernism vis-à-vis Postmodernism: A Sojourn. Ed. Dasgupta, A. Howrah: Imprint, 2014. pp. 148–56.
Roy, Pinaki (2020). "The History of War-plays: A Brief International Exploration". Theatre International (ISSN 2278-2036), XII (January 2020): 90–99.
Wood, Edward W. (2007). Worshipping the Myths of World War II: Reflections on America's Dedication to War. Potomac Books. ISBN978-1-59797-163-8.