From Wikipedia - Reading time: 5 min
| Xuc | |
|---|---|
| Stylistic origins | Indigenous music of El Salvador, African music, Spanish music, Music of Cuba |
| Cultural origins | 1940s, Cojutepeque, El Salvador |
| Typical instruments | |
Folkloric Ballet of El Salvador during a presentation in 2007 | |
| Genre | Folk dance |
|---|---|
| Time signature | 2 4 |
Xuc (Spanish: [suk]), also known as Salvadoran folk music, is a musical genre and later a typical dance of El Salvador, which was created and popularized by Francisco "Paquito" Palaviccini in Cojutepeque, located in the department of Cuscatlán in 1942.[1]
In June 2019, a request to declare xuc as a Cultural Heritage of El Salvador was submitted to the Legislative Assembly of El Salvador, which is still in process.[2]
The name "xuc", originates from a Salvadoran instrument called juco or juque,[3] a typical wind instrument, which sounds "xuc, xuc" when played. Usually xuc is composed in 2
4 time.[3]
This rhythm was born with the famous 1942 Salvadoran song "Adentro Cojutepeque" and was composed in honor of the sugar cane festivals.[1] The representative album of this genre is El Xuc, published in 1962 by Orquesta Internacional Polío under the direction of Palaviccini.[4]
Some of the most emblematic songs of this rhythm are: "El Carnaval de San Miguel", "El Xuc", "Santa Ana", "El Cocotero", "El Torito", "El Candelareño", "El Cuarto Carnaval de San Miguel", "Vamos Usulután", and "Ensalada a la Palaviccini".[4]
In 1958,[5] sixteen years after the creation of xuc, the first choreography was created, which is composed of a dynamic dance, essentially described in the following steps:
The choreography was staged by a dancer belonging to the Salvadoran dance group Morena Celarie and was done within the framework of the patron saint festivities at the famous San Miguel Carnival.