Laini (Sylvia) Abernathy | |||
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Nationality | American | ||
Citizenship | America | ||
Education | Illinois Institute of Technology | ||
Occupation | American artist and activist |
Laini (Sylvia) Abernathy was an American artist and activist. She studied at the Illinois Institute of Technology, located in the South Side of Chicago.[1] As a young artist, Abernathy was commissioned by Delmark Records to design album covers for jazz records, producing at least four album covers in the late 1960s.[2] She designed the cover for saxophonist Roscoe Mitchell's first album Sound in 1966. She was an important figure in Chicago’s Black Arts Movement, often working in collaboration with her husband, the photographer Fundi (Billy) Abernathy.[3] In 1967, she joined the Organization of Black American Culture (OBAC) and designed the layout of the Wall of Respect, a street mural that featured African American leaders.[4] Abernathy's design featured sections that were each designed to be filled by an artist or group of artists.[5] After changing her name to Laini, she designed the 1970 experimental photobook “In Our Terribleness (Some Elements and Meaning in Black Style)” featuring poetry by Amiri Baraka and images by Fundi.[6]
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