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Vlada Petrić |
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Born | Vladimir “Vlada” Petrić (1928-03-11)March 11, 1928 |
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Died | November 13, 2019(2019-11-13) (aged 91) |
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Nationality | American |
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Citizenship | United States |
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Education | PhD in film studies |
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Alma mater | University of Belgrade |
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Occupation | - Professor
- Author
- Playwright
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Known for | He is the first recipient of a PhD in film studies in the United States |
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Spouse(s) | Dara Čalenić |
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Vladimir “Vlada” Petrić (11 March 1928 - November 13, 2019) was a film studies professor at Harvard University, an author, playwright, and co-founder of the Harvard Film Archive.[1][2][3]
Selected artistic achievements[edit]
Theater[edit]
- The Theater of Joakim Vujić (Театар Јоакима Вујића)
- The Word of Light (Слово светлости)
- Priest Ćira and Priest Spiro (Поп Ћира и поп Спира)
- For Lucretia (За Лукрецију)
- The Personage (Персона), etc.
Television[edit]
- Monsieur Joseph (Мсје Жозеф)
- Mica and Mikica (Мица и Микица)
- Laža i Paralaža (Лажа и Паралажа)
- Together on the Railroad (Двоје на прузи)
- Going for the First Time with Father to Matins (Први пут са оцем на јутрење)
- The People Will Recompense It All (Све ће то народ позлатити)
- The German Girl (Швабица), etc.
- The Cage (Кавез)[4]
- The Fatal Thirst (Кобна жеђ)[4];
- The Miracle Worker of the Stage (Чудотворка позорнице)
- Merci(less) Angel [(Не)милосрдни анђео]; Symphony of Hands (Симфонија руку)[4]
- The Language of Silent Films
- Wall of Memories
- Emily Dickinson: 3B
Books and studies[edit]
- The Magical Screen (Чаробни екран, 1962)
- Shakespeare in Film (Шекспир на филму, 1963)
- Introduction to Film (Увођење у филм, 1968)[4]
- The Development of Film Genres (Развој филмских врста и жанрова, 1969)
- Television – The Eighth Force (Телевизија – осма сила, 1970)[4]
- Griffith’s Masterpiece: A Corner in Wheat (1976)[4]
- Film and Dreams: An Approach to Bergman (1981)[4]
- Dreyer’s Concept of Cinematic Abstraction (1975)
- Film Scholarship and Impressionistic Film Criticism (1976)
- The Vorkapich Effect (1978)
- Dziga Vertov as Theorist (1979)
- Bergman and Dreams (1981)
- The Avenging Conscience: An Early Dream Film (1972)
- How Bergman Conveys Nightmares in a Cinematic Way (1973)
- A Page of Madness: A Structural Analysis of the Japanese Film (1984)
- Tarkovsky’s Oneiric Visions (1990)
- Ideology and Cinema (1995)
- Function of Form in Fellini’s Eight and a Half (1996)
References[edit]
External Links[edit]
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