Historiography

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Historiography is writing about rather than of history. Historiography is a meta-level analysis of descriptions of the past. The analysis usually focuses on the narrative, interpretations, worldview, use of evidence, or method of presentation of other historians. The term can also be used of a body of historical writing, for example "medieval historiography.” Historiographies can be described as falling into one of three categories:

  1. approaches that understand history as random; hence, there is no purpose behind history—although the human race can take control of history to ensure a better future.
  2. understandings of history that regards history either as a product of human evolution or of dialectical processes.
  3. an understanding of history that accepts the reality of a divine power in whose hands human destiny and therefore the historical process itself finally resides. This view is usually associated with religious convictions. This approach tends to regard history from a purely secular perspective as inadequate, since historians who fail to recognize the reality of divine intervention cannot render a true account of history. For example, a secular account of history would not explain someone's victory in terms of God aiding them or the victory of an evil person in terms of a satanic attempt to disrupt God's purposes. For their part, secular historians regard such an approach as unscientific, arguing that it rests on subjective judgments not on empirically provable facts.

It can be argued that all approaches read meaning and purpose into, rather than derive meaning and purpose from, historical data. Nonetheless, people of religious faith will claim the right to argue in favor of their analysis of history in the hope that a better world will emerge as people are encouraged to take responsibility under God for the correct ordering of human life, society and the world. The best historiography is one that engages critically with other understandings of history. It is also open to positive aspects of other approaches, although it will identify what from its perspective are their shortcomings and inadequacies.

Defining historiography

Conal Furay and Michael J. Salevouris (1988) define "historiography" as "the study of the way history has been and is written—the history of historical writing…. When you study 'historiography' you do not study the events of the past directly, but the changing interpretations of those events in the works of individual historians" (223).

Although questions of method have always concerned historians, the modern study of historiography can be said to have its beginnings with Edward Hallett Carr's 1961 work What is History? (ISBN 0333977017) and his challenge to the traditional belief that the study of the methods of historical research]] and writing were unimportant. His work remains in print to this day, and is common to many postgraduate programs of study in both the United States and in Great Britain.

Much critical historiography in the 1960s focused, for example, on the exclusion of the roles of women, minorities, and labor from written histories of the United States. According to these historiographers, because historians in the 1930s and 1940s were themselves products of their times; their models of who was "important" to history reflected the cultural attitudes of that period (e.g., a bias towards well-connected white males). Many historians from that point onward devoted themselves to what they saw as more accurate representations of the past, casting a light on those who had been previously disregarded as non-noteworthy.

The study of historiography demands a critical approach that goes beyond the mere examination of historical fact. Historiographical studies consider the source, often by researching the author, his or her position in society, and the type of history being written at the time. Historiography that is considered controversial or extreme is often pejoratively labeled as historical revisionism.

An example

A primary source is an artifact of a particular point in time. In the 1850s, for example, many slave owners in the United States kept diaries and journals about their day-to-day activity. The historian Kenneth Stampp looked at these documents for information about the life of a slave owner in the 1850s, and also derived information from them on the life of the slaves on the plantation. He used the documents as primary sources. The book he created, The Peculiar Institution: Slavery in the Ante-Bellum South, is a secondary source, a work produced through the analysis of primary sources. If another historian argues that Stampp's history ignores the economic history of slavery, or that Stampp's work overly emphasizes one aspect of slave life, then this historian is using Stampp's book—originally produced as a secondary source—as a primary source, or an artifact of study. This new work that criticizes a secondary source, is a work of historiography.

Basic issues studied in historiography

Some of the basic questions considered in historiography are:

Some recent controversies

The use of particular styles of historiography has a great impact on the conclusions of historians and much controversial history stems from this problem. In recent American history writing, some controversies based on disputed historiography include:

Such debate is also referred to as culture or as identity politics. A feminist account of Islamic history, for example, sees much of Islam as a deviation from its original ideal; for example, see Leila Ahmed's Women and Gender in Islam (1993). The original spirit and intent of Islam was egalitarian but men were not prepared to allow women equal rights so manipulated the tradition in their own favor. Accounts that rewrite history, such as those that deny that the Holocaust took place, are also called revisionist. The re-writing of history from any ideological perspective is also revisionist or deconstructionist, for example, deconstructing colonial assumptions from Indian or African history (see Saunders 1989).

In 1989, after the collapse of the Berlin Wall, Francis Fukuyama wrote an article in the National Interest called "The End of History." He meant that a consensus had emerged in the world community that liberal democracy was the legitimate and final form of government. In his view, the ideal of democracy could not be improved on. Thus, humanity's ideological evolution had reached its end point and in that sense, history also ended. He was misunderstood to mean that history as a continuation of events had ended, and, as events continued to occur, he was said to be wrong.

Insider-Outsider problem

Critics of the way Western scholars have constructed histories or anthropological accounts of non-Western societies highlights the relationship between such scholarship and colonial attitudes of superiority. Such criticism includes novels written by outsiders about other people's cultures and societies. Much of this was explored in the work of Edward Said (1978, 1994). Within anthropology, for example, there has been talk of an epistemological hypochondria' concerning, as Clifford Geertz put it, “…how one can know that anything one says about other life forms is as a matter of fact so” (1988, 71).

The Nigerian novelist Chinua Achebe, referring to Joseph Conrad's classic novel Heart of Darkness (1899), described it as reducing “Africa to the role of props for the breakup of one petty European mind” which raises “the question is whether a novel which celebrates this dehumanization, which depersonalizes a portion of the human race, can be called a great work of art” (1988: 257; 1977: 782f; "An Image of Africa." from The Massachusetts Review 18(4) (Winter 1977): 782-794). In reaction to this problem, one response is to say that people should only write about themselves; that is, they should write "their own histories.” This has been called nativism. The problem with this is that it is extremely pessimistic about people's ability to understand other societies, or to develop genuine cross-cultural understanding. Another response is to say that any history or account of another society written by an outsider should be subject to insiders' approval. Another response is to say that accounts are best written collaboratively, by insiders and outsiders together. This recognizes that insiders have unique insight into their own cultures but that outsiders sometimes shed light on aspects of a culture or tradition that insiders take for granted.

Loewen (1996) questions what he calls the "heroization" process by which history and the contemporary media elevate some people above others. For example, “…whose rise to prominence provides more drama—Blackwell’s or George Bush's (the latter born with a silver-senate seat in his mouth?” (19); or "who deserves more space, Frank Lloyd Wright, inventor of “the carport” or Chester A. Arthur, who “signed the first civil service act.”

Heroization can distort the lives of people so that we “cannot think straight about them” (20). The fact, for example, that Helen Keller was a radical socialist, which “stemmed from her experience as a disabled person” (21) is left out of accounts of her famous struggle to overcome her handicap. Commenting on the statue of George Washington in the Smithsonian, Loewen remarks on how history textbooks portray every American hero as “ten feet tall, blemish-free with the body of a Greek God” (32). He suggests that other historical figures than those usually considered to be heroes may be better role models for moral and ethical conduct. “If text book authors,” he says, “feel compelled to give moral instruction, the way origin myths have always done, they could accomplish this aim by allowing students to learn both the good and the bad.” Loewen is referring here to the Pilgrim fathers and mothers, the American tale of origins, which involved conflict, “grave-robbing, Indian enslavement, the plague and so on” (96) as well as cooperation in the form of the first Thanksgiving shared with the American Indians (97).

Fiction as History

Although the accuracy of historical fiction, especially when the subject is someone else's history (not the author's), is open to challenge; nonetheless historical fiction can help to overcome some of the problems involved in attempting to re-construct not so much the events of history but the personal motives and worldviews of its actors. It has been suggested in this regard that novelists do what anthropologists and historians think they do—that is, render an account of what people did and thought. Use of imagination can help explore people's self-understanding and motivation, which contributes to historical knowledge. Clifford Geertz (1973) commented that ethnographical accounts—and this also applies to history—are “fictions in the sense that they are ‘something made,’ ‘something fashioned’ - the original meaning of ‘fictio’ - not that they are false” (15).

Foundation of important historical Journals (Selection)

Styles of Historiography

Historiography from a Faith Perspective

Historiography from the perspective of belief in a divine mover behind or within history may be accused of imposing subjective belief onto empirical data, as noted above. On the other hand, such an approach has much in common with many of the historiographies listed above. Like 'Big History,' it is interested in identifying 'big themes' in order to understand whether the trend at a given period was away from, or towards, the End that God has planned for history. Recognizing that self-interest and group-interest often manipulate historical data to render a story that promotes their interests over and against others, a providential view of history shares with post-modernism and deconstruction the view that historical accounts must be interrogated to uncover bias and hidden agendas.

With the Annales School of history, such an approach is also interested in what life was like for the many not just for the few. With Marxist historiography (a secular "faith perspective"), it accepts that the powerful often oppress the powerless, so it does not always regard the victors of history as 'right' and the losers as 'wrong', believing that forces of evil can delay the progress of the good. Some Christian historiographies see the inexorable hand of God overriding human action, but others posit that history may regress as well as progress, depending upon human co-operation with the divine.

Historians who bring a faith perspective to their study of history do not understand the exercise as neutral, value-free reconstruction of facts but as a means to learn lessons from history. For example, when individual and social life was God-centered, selfless and moral, history moves towards fulfillment, when life was self-centered and God-less, history regresses. When the external (material, worldly) aspects of life dominated the internal, spiritual aspects, humanity worked against God. When these two aspects of life were harmonized, humanity aids God. When divisions of race or religion divide person from person, humanity regresses. When people realize their common humanity and recognize that there are multiple ways of knowing God, humanity progresses. When male and female compete, humanity regresses; but when both the masculine and the feminine are valued, humanity progresses.

References
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Literature

Philosophy of history:

Broad histories of historical writing:

Regional or thematic:

Teaching History

Journals

External links

All links retrieved January 10, 2018.

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