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“”There is perhaps no phenomenon which contains so much destructive feeling as 'moral indignation', which permits envy or hate to be acted out under the guise of virtue.
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| —Erich Fromm[1]:235 |
A moral panic is a public panic over an issue popularly deemed to be a threat to, or shocking to, the sensibilities of "proper" society. This is often fanned by sensationalist selective reporting in the media and exaggerated accounts offered by moral entrepreneurs
— a category that includes politicians on the make and activists
in search of a cause. Moral panics can result in what is a real phenomenon being blown way out of proportion, or in what is not a real phenomenon in the first place being widely believed to be real. Moral panics often feature a caricatured or stereotypical "folk devil" on which the anxieties of the community focus, as described by sociologist Stanley Cohen, who coined the term in his study Folk Devils and Moral Panics, which examined media coverage of the mods and rocker
riots in the 1960s.[2][3]
Where the moral panic fingers a group whose members are conscious of their subordination, the denounced behavior may become "a symbol of opposition and rebellion".[4]:216
The term 'moral panic' originated in philosopher Marshall McLuhan's
1964 book Understanding Media, which analyzed modern participatory media (which was then radio and television) vs. traditional, written media.[5] While Understanding Media was praised by postmodernists,[6] McLuhan himself was not especially associated with postmodernism. Moral panic theory, however, was subsequently developed by postmodernist philosophers via deconstruction.[7]:5[8]:1
In short, the creation of false memories of trauma.
In short, the spreading of fear.
Folk devils are the personification of the evils identified in moral panics. Typically caricatured or stereotypical members of marginalized ethnic groups, they are the scapegoats for the anxieties of the community.[3]
For example, Chinese male immigrants were the focus of a moral panic (the Yellow Peril) over opium, infectious disease, prostitution, and homosexuality in the 19th century in the United States, the United Kingdom, Canada, Australia, and New Zealand.[9] This served as the model for subsequent drug-focused moral panics.
In the 1990s, the neo-fascist British National Party constructed a folk devil in the form of supposedly work-shy fake asylum seekers from the Balkans and Africa who would overwhelm an already heavily burdened welfare system in the UK.[10]
Other examples include:
"Culture of fear" is a term used by a number of writers and commentators to describe a culture in which fear is a driving factor in social and political discourse. Much of the time, such fear has been blown out of proportion by the media, the state, or some other body with an interest in seeing people afraid.[11][12]
Conspiracy theorists will claim that the "culture of fear" is used to make people believe that they need the government to protect them from these threats (whether they're existent or not). A fictional example can be found in the film V For Vendetta, in which the dictatorial Chancellor orders that the news be saturated with scare stories to remind the people "why they need us." A real-life example of such a conspiracy theory is the fears that George W. Bush would use the threat of terrorist attacks to nullify the US Constitution, cancel elections, and bring in a dictatorship. When Bush left office having done nothing of the sort,[note 1] left-wingers abandoned this preposterous notion, and right-wingers proceeded to say the exact same thing about Barack Obama.
One problem directly leading to a "culture of fear", and ironically stemming from the fear, is the mainstream media's use of sensationalism to sell their stories. Snow that has fallen for 2 days is not merely a "snowfall" but a "blizzard".[note 2] Then, taglines, hyper-art and ominous music accompany minor events as they become full-blown historical events: "The Blizzard of 2008". "Firestorm of July". "Horror of Christmas Shopping hell, 2009". Each outlet competes with each other using known marketing techniques to make today's molehill into the news cycle's mountain.
Examples of this culture may include:
The trouble with all of the above is that it is very difficult to judge which (if any) fear is justified. If it all comes to nothing, then was the hype and fear [un]justified, or was the hype, fear, and precautions taken the reason that it came to nothing?
Categories: [Moral panics] [Media hysteria] [Postmodernism] [Propaganda] [Sociology]