AACTA Awards | |
2014 AACTA Awards red carpet |
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Awarded for | "To recognise and honour outstanding achievement in the Australian film and television industry."[1] |
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Country | Australia |
Presented by | Australian Academy of Cinema and Television Arts (AACTA) |
Website | www.aacta.org |
Television/radio coverage | |
Network | ABC (1977, 1980–83, 1986–87, 1989–90, 1993, 1995, 1997, 2003–04) SBS (1998–2000) Seven Network (1978, 2001, 2016–2020) Nine Network (1976, 2005–12) Ovation (2004) Network Ten (1985, 2002, 2013–15, 2021–) Arena (2013–present) |
The Australian Academy of Cinema and Television Arts Awards, known as the AACTA Awards, are presented annually by the Australian Academy of Cinema and Television Arts (AACTA). The awards recognize excellence in the film and television industries, both locally and internationally, including the producers, directors, actors, writers, and cinematographers. The AACTA International Awards, inaugurated in 2012, are presented every January in Los Angeles.
The awards, previously called Australian Film Institute Awards or AFI Awards, began in 1958, expanding in 1986 to cover television as well as film. The AACTA Awards were instituted in 2011. This is the most prestigious awards ceremony for the Australian film and television industry. They are generally considered to be the Australian counterpart of the Academy Awards for the U.S. and the BAFTA Awards for the U.K., recognizing and thus encouraging the highest levels of performance from Australians involved in these entertainment industries which serve the public in significant ways.
The awards were presented annually by the Australian Film Institute (AFI) as the Australian Film Institute Awards (more commonly known as the AFI Awards), "to recognise and honour outstanding achievement in the Australian film and television industry."[1] They were instituted in 1958, "as a way to improve the impoverished state of Australian cinema," and was part of the Melbourne International Film Festival (known then as the Melbourne Film Festival) until 1972. These AFI Awards initially consisted of four categories: Documentary, Educational, Advertising, and Open, with a special category for Experimental Film, and in 1959 the awards were further expanded to include Public Relations and Teaching.[2]
Between 1958 and 1980, submitted films were presented with a gold, silver or bronze prize, and in some circumstances, a Grand Prix award, which was the highest honor a film could receive.[3] Additionally, films were also presented with a gold or silver medallion for technical achievements, and films which did not receive a prize were given a certificate of honorable mention.[4] From the awards inception to 1968, documentary and educational films were the only films submitted for awards due to few feature films produced in Australia, but in 1969, Jack and Jill: A Postscript became the first feature film to receive an award from the AFI, with a silver prize in the "Open" category, and is considered a winner in the Best Film category of the current awards.[3] The Longford award for Lifetime Achievement had been inaugurated in 1968, awarded again in 1970, then from 1976 was awarded every year.[5]
Up until 1970, prizes were handed out in recognition of the film and production, rather than achievements of individual filmmakers and crafts people. However, from 1971 special achievement awards were introduced to recognize actors, directors, screenwriters, musicians, editors, and cinematographers in feature films, and from 1975, an additional cash prize was given per achievement. In 1977 feature film categories became competitive, while non-feature films continued to be awarded the gold, silver, and bronze prizes until 1981, when they also became competitive.[3]
In 1976 the awards were broadcast live on television for the first time on the Nine Network at the Hilton Hotel in Melbourne.[3] A Hollywood-style national televised presentation began in 1977 when the Australian Broadcasting Corporation hosted the presentation in Sydney’s Regent Theatre.[5] In 1986 television categories were introduced, presenting awards for mini-series and telefeatures before expanding to dramas, comedies, and documentaries in the 1990s.[3]
In June 2011, the AFI announced major changes involving the transition to an "Australian Academy" with the goal of providing greater engagement within the industry. The changes included moving the awards presentations from December to late January close to Australia Day, the official national day of Australia, to allow more projects from the calendar year to be included and to bring the awards in line with the international events such as the Academy Awards, Golden Globes, and BAFTA Awards. AFI patron Dr. George Miller said of the proposed changes: “The 21st century offers immense opportunities and the AFI’s proposed development of an Australian Academy cleverly adapts successful elements of the world’s leading screen organizations to local traditions.”[6]
The name of the new Academy was revealed on August 18, 2011 as the Australian Academy of Cinema and Television Arts (AACTA), with the awards renamed to the AACTA Awards. It was also announced that the location of the awards ceremony would move from Melbourne to the Sydney Opera House in Sydney.[7] Multi-awarded actor Geoffrey Rush, named as AACTA’s Founding President, had this to say:
I am honoured to represent our industry as President of the newly-formed Australian Academy. Over half a century ago the AFI was founded and since that time our film and television industries have developed beyond our wildest imaginings. Through the timely creation of AACTA we have a unique opportunity to galvanise the craft and talent this country endlessly produces.[8]
The first award to be handed out since the Academy's inception was the Longford Lyell Award, which was presented to Don McAlpine for his contribution to cinematography, at the inaugural awards luncheon.[9]
The AACTA International Awards, inaugurated on January 27 2012, are presented every January in Los Angeles. They honor the best achievements in screen excellence from around the world in seven film categories (Best Film, Best Direction in Film, Best Screenplay in Film, Best Lead Actor in Film, Best Lead Actress in Film, Best Supporting Actor in Film, Best Supporting Actress in Film), and four Series categories (Best Drama Series, Best Comedy Series, Best Actress in a Series, and Best Actor in a Series).[10]
The awards were first presented in 1958 during the Melbourne Film Festival at Melbourne University's Union Theatre.[3] The awards were presented in Melbournefor the first decade, but with the inauguration of the AACTA Awards the ceremony moved to Sydney.[3] Awards are handed out over two separate events; the AACTA Awards Luncheon, a black tie event where accolades are given for achievements in non-feature and short films, film production (with the exception of the Best Film, Direction and Screenplay awards), non-drama related television programs and the Longford Lyell Award; the AACTA Awards Ceremony presents the awards in all other categories at a larger venue and is broadcast on television.[11]
Awards were originally presented at the end of each calendar year (November or December) to celebrate film achievements of the corresponding year but beginning in 2012, the awards date was changed to January to celebrate films from the previous year.[6]
Throughout the history of the awards there have been several differently designed awards given to winners. Most notable ones given are: the "Kodak film award," a gold, silver, or bronze medal, which was handed out from 1958 to 1975; the Grand Prix award which was a "bronze leaf shaped award mounted on a square wooden base," also presented between 1958 and 1975; a statuette, made of acrylic on a silver metal base, handed out from 1979 to 2010; and a gold statuette, based on the Southern Cross constellation, which has been in use since 2012.
A medal was used between 1958 and 1975 as a gold, silver or bronze prize and depicted "three leaping jesters." Around the left side, there is a film strip with a leaping jester in each frame. Around the right side is embossed with "THE KODAK FILM AWARD."[12] The medal, which was designed by Andor Mészáros, represents two elements of film-making: the leaping jesters represent what the audience sees on screen, and the roll of film on the right symbolize the individual frames which capture the motion depicted. It was designed in Melbourne, Victoria and minted by John Pinchas in London, in 1958.[13]
The statuette used between 1979 and 2010 is made of "four clear acrylic rectangular prisms on a silver metal base, green felt on bottom"; a plaque, which is attached to the base, has the "afi" insignia, with the words "Australian Film Institute" beneath it; a description of the award category, the recipient of the award, and the film title cascade below each other. The statuette stands at 295mm in height, 70mm in width and 70mm in depth.[14]
When the Australian Film Institute launched the Australian Academy of Cinema and Television Arts, it set out to create a new gold cast statuette. The statuette, first handed out in 2012 for the inaugural AACTA Awards, had to "reflect the prestige and heritage of the Awards[...] but which was above all distinctly Australian," while incorporating the Southern Cross constellation and the human spirit.[15] After receiving submissions from Australian artists, with their interpretations of the design brief, a statuette designed by sculptor Ron Gomboc became the winning design. The statuette, which has a 22 karat gold body, whose human form takes on the shape of the Southern Cross, on a tiger iron gemstone base, was designed over three months at Gomboc's home in Western Australia, before it was presented to the AFI board in June 2011.[15][8]
Gomboc worked with stone artist, Richard Williamson, who cut and polished each individual gemstone base for the statuette, with each base representing "[...] the unique talent and contribution to the industry of every AACTA Award recipient."[15] It was well received in the media, with Garry Maddox from the Sydney Morning Herald comparing it to the previous statuette, stating that it, "looks less like a lethal doorstop and more like a stylised Oscar, possibly Oscar's flamboyant brother waving 'hi'."[16]
The AACTA Award statuette remains the property of the Australian Film Institute, and is to remain with the winner and their heirs and descendants. It cannot be sold to a third party and if it were to part from the winner or their heir and descendants, the Academy reserves the right to repurchase it for one dollar. The award may, however, have its ownership transferred to a museum, gallery or other not-for-profit institution, at the AFI's discretion.[1]
To be eligible for nomination, a production must contain “significant Australian content” have at least 51 percent financing from Australian investors, be an official co-production or have been produced under the creative control of Australians. A production cannot have been previously submitted for consideration. Entries must be completed via the AACTA Awards Online entry portal. The submission of a production must be accompanied by an entry fee in Australian dollars. The fees payable in relation to each Award Category are stated on the AACTA Website. Detailed rules for submission are contained in the AACTA Awards Rule Book.[1]
At the time of the awards inception, a jury of five judges, composed of film critics and filmmakers, determined the winner of a production.[3] In 1976, the jury system was replaced by a peer voting process for feature films which would allow public members the right to vote, but only in the Best Film category.[3] The nominees and winners were later peer-voted by a jury which was made up of representatives from all industry crafts, including members of guilds, who have a "professional membership" with the AFI.[5]
When the AFI announced the launch of the Australian Academy of Cinema and Television Arts, it introduced a two step voting process: Round one viewing and voting determine the year's AACTA Award Nominees; Round two viewing and voting determines the year's AACTA Award Winners.AACTA members are drawn from every sector of the screen entertainment industry including Free-To-Air Television, Streaming/SVOD/Subscription Television, Online/Digital, and Film and Documentary. All AACTA members vote on the nominees and winners across all major Award categories. The determination of Technical Craft nominees and winners across TV, Film, and Documentary is limited to Professional members with relevant craft accreditation.[17]
There have been controversial decisions of the Australian Film Institute Awards that have led to claims that it has broken its own rules by including an unscreened mini series in the 2005 awards judging:
The controversy is a blow for the institute, which after years of criticism this year revamped its awards in an effort to restore credibility. ... Producer John Edwards, who collected seven nominations for Foxtel's Love My Way, did not enter a second drama series, The Surgeon, because it missed the screening deadline. "If I'd known it was this flexible, of course I would have entered it," Edwards said. "Awards are useless if they break their own rules."[18]
There has also been controversy over both the exclusion and inclusion of films that are technically Australian productions, but are made overseas, with foreign funding and/or foreign talent.
Feature film
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Television
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Other awards
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International film awards
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Special awards
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Retired awards
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Television Awards Notes:[21]
All links retrieved September 5, 2022.
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