Guy Of Warwick, English hero of romance. Guy, son of Siward or Seguard of Wallingford, by his prowess in foreign wars wins in marriage Félice (the Phyllis of the well-known ballad), daughter and heiress of Roalt, earl of Warwick. Soon after his marriage he is seized with remorse for the violence of his past life, and, by way of penance, leaves his wife and fortune to make a pilgrimage to the Holy Land. After years of absence he returns in time to deliver Winchester for King Æthelstan from the invading northern kings, Anelaph (Anlaf or Olaf) and Gonelaph, by slaying in single fight their champion the giant Colbrand. Local tradition fixes the duel at Hyde Mead near Winchester. Making his way to Warwick he becomes one of his wife’s bedesmen, and presently retires to a hermitage in Arden, only revealing his identity at the approach of death. The versions of the Middle English romance of Guy which we possess are adaptations from the French, and are cast in the form of a roman d’aventures, opening with a long recital of Guy’s wars in Lombardy, Germany and Constantinople, and embellished with fights with dragons and surprising feats of arms. The kernel of the tradition evidently lies in the fight with Colbrand, which represents, or at least is symbolic1 of an historical fact. The religious side of the legend finds parallels in the stories of St Eustachius and St Alexius,2 and makes it probable that the Guy-legend, as we have it, has passed through monastic hands. Tradition seems to be at fault in putting Guy’s adventures under Æthelstan. The Anlaf of the story is probably Olaf Tryggvason, who, with Sweyn of Denmark, harried the southern counties of England in 993 and pitched his winter quarters in Southampton. Winchester was saved, however, not by the valour of an English champion, but by the payment of money. This Olaf was not unnaturally confused with Anlaf Cuaran or Havelok (i.e.).
The name Guy (perhaps a Norman form of A. S. wig = war) may be fairly connected with the family of Wigod, lord of Wallingford under Edward the Confessor, and a Filicia, who belongs to the 12th century and was perhaps the Norman poet’s patroness, occurs in the pedigree of the Ardens, descended from Thurkill of Warwick and his son Siward. Guy’s Cliffe, near Warwick, where in the 14th century Richard de Beauchamp, earl of Warwick, erected a chantry, with a statue of the hero, does not correspond with the site of the hermitage as described in the romance. The bulk of the legend is obviously fiction, even though it may be vaguely connected with the family history of the Ardens and the Wallingford family, but it was accepted as authentic fact in the chronicle of Pierre de Langtoft (Peter of Langtoft) written at the end of the 13th century. The adventures of Reynbrun, son of Guy, and his tutor Heraud of Arden, who had also educated Guy, have much in common with his father’s history, and form an interpolation sometimes treated as a separate romance. There is a certain connexion between Guy and Count Guido of Tours (fl. 800), and Alcuin’s advice to the count is transferred to the English hero in the Speculum Gy of Warewyke (c. 1327), edited for the Early English Text Society by G. L. Morrill, 1898.
The French romance (Brit. Mus. Harl. MS. 3775) has not been printed, but is described by Émile Littré in Hist. litt. de la France (xxii., 841-851, 1852). A French prose version was printed in Paris, 1525, and subsequently (see G. Brunet, Manuel du libraire, s.v. “Guy de Warvich”); the English metrical romance exists in four versions, dating from the early 14th century; the text was edited by J. Zupitza (1875-1876) for the E.E.T.S. from Cambridge University Lib. Paper MS. Ff. 2, 38, and again (3 pts. 1883-1891, extra series, Nos. 42, 49, 59), from the Auchinleck and Caius College MSS. The popularity of the legend is shown by the numerous versions in English: Guy of Warwick, translated from the Latin of Girardus Cornubiensis (fl. 1350) into English verse by John Lydgate between 1442 and 1468; Guy of Warwick, a poem (written in 1617 and licensed, but not printed) by John Lane, the MS. of which (Brit. Mus.) contains a sonnet by John Milton, father of the poet; The Famous Historie of Guy, Earl of Warwick (c. 1607), by Samuel Rowlands; The Booke of the Moste Victoryous Prince Guy of Warwicke (William Copland, no date); other editions by J. Cawood and C. Bates; chapbooks and ballads of the 17th and 18th centuries: The Tragical History, Admirable Achievements and Curious Events of Guy, Earl of Warwick, a tragedy (1661) which may possibly be identical with a play on the subject Written by John Day and Thomas Dekker, and entered at Stationers’ Hall on the 15th of January 1618/19; three verse fragments are printed by Hales and Furnivall in their edition of the Percy Folio MS. vol. ii.; an early French MS. is described by J. A. Herbert (An Early MS. of Gui de Warwick, London, 1905).
See also M. Weyrauch Die mittelengl. Fassungen der Sage von Guy (2 pts., Breslau, 1899 and 1901); J. Zupitza in Silzungsber. d. phil.-hist. Kl. d. kgl. Akad. d. Wiss. (vol. lxxiv., Vienna, 1874), and Zur Literaturgeschichte des Guy von Warwick (Vienna, 1873); a learned discussion of the whole subject by H. L. Ward, Catalogue of Romances (i. 471-501, 1883); and an article by S. L. Lee in the Dictionary of National Biography.
1 Some writers have supposed that the fight with Colbrand symbolizes the victory of Brunanburh. Anelaph and Gonelaph would then represent the cousins Anlaf Sihtricson and Anlaf Godfreyson (see Havelok).
2 See the English legends in C. Horstmann, Altenglische Legenden, Neue Folge (Heilbronn, 1881).