German engraver and photographer; born at Frankfort-on-the-Main Oct. 18, 1815; died there Sept. 6, 1875. Early evincing a love for art and unable to afford an academic education, he entered an engraving and lithographic establishment as an apprentice, endeavoring especially to perfect himself in the artistic side of his work. In 1833 he left Frankfort and went to Hersfeld, Darmstadt, and Bonn. His portrait-engraving of Pope Pius IX. and his views of Caub, Bornhofen, and the Maxburg belong to this period. He also turned his attention to photography, then in its infancy, and was one of the first to establish a studio at Frankfort-on-the-Main. He made his reputation as photographer by the work "Der Dom zu Mainz und Seine Denkmäler in 36 Originalphoto-graphien," to which Lübke refers several times in his "History of Art." Emden was the first to compose artistic photographic groups ("Die Rastatter Dragoner," "Die Saarbrücker Ulanen," etc.), and was also among the first to utilize photography for the study of natural science.
Categories: [Jewish encyclopedia 1906]