Alshech (Arab. "The Elder"?), Moses:

By: Michael Friedländer

Rabbi in Safed, Palestine, in the second half of the sixteenth century, and son of Ḥayyim Alshech. He was a disciple of R. Joseph Caro, author of the "ShulḦan 'Aruk"; and his own disciples included the cabalist R. Ḥayyim Vidal. Although Alshech belonged to the circle of the cabalists who lived at Safed, his works very rarely betray any traces of the Cabala. He is celebrated as a teacher, preacher, and casuist.

Little is known of his life. In his works he avoids mention of himself, telling only of his course of study; thus in the preface to his commentary on the Pentateuch he says:

These lectures were afterward published as "Commentaries" (perushim) on the books of the Holy Scriptures, and Alshech gives a remarkable reason for their publication. He says: "Many of those who had listened to my lectures repeated them partly or wholly in their own names. These offenses will be prevented by the publication of my own work." These lectures, though somewhat lengthy for our taste, were not tedious to his audience. The author repeatedly declares that in their printed form (as "Commentaries") he greatly curtailed them by omitting everything which was not absolutely necessary, or which he had already mentioned in another place.

Like Abravanel and some other commentators, Alshech headed each section of his comments with a number of questions which he anticipated on the part of the reader; he then proceeded to give a summary of his view, and concluded with answering all the questions seriatim. His Commentaries abound in references to Talmud, Midrash, and Zohar, but contain scanty references to other commentaries, such as the works of Abravanel, R. Levi b. Gerson, or Maimonides. His explanations are all of a homiletical character; his sole object being to find in each sentence or in each word of the Scriptures a moral lesson, a support for trust in God, encouragement to patient endurance, and a proof of the vanity of all earthly goods as compared with the everlasting bliss to be acquired in the future life. He frequently and earnestly appeals to his brethren, exhorting them to repent, and to abandon, or at least restrict, the pursuit of all worldly pleasures, and thus accelerate the approach of the Messianic era. Alshech possessed an easy and fluent style; his expositions are mostly of an allegorical character, but very rarely approach mysticism. In his commentary on the Song of Solomon, he calls peshaṭ (literal explanation) and sod (mystical interpretation) the two opposite extremes, while he declares his own method of introducing allegorical exposition to be the safe mean between these extremes.

Alshech wrote the following commentaries, most of which have appeared in several editions:

• 1. "Torat Mosheh" (Commentary on the Pentateuch), first ed. Belvedere near Constantinople, about 1593. Complete, with Indexes, Venice, 1601.
• 2. An abstract of this commentary was prepared by Jos. b. Aryeh Loeb, and has appeared in various forms (Ḳiẓẓur Alshech 'al ha-Torah), Amsterdam, 1748.
• 3. "Marot ha-Ẓobeot" (Collected Visions), on the prophets and their prophecies, Venice, 1803-7.
• 4. Extracts from this commentary are included in "MinḦah Ḳeṭannah," a commentary on the earlier prophets; published in the Biblia Rabbinica (Ḳohelet Mosheh), Amsterdam, 1724.
• 5. "Romemot El" (Praises of God), on the book of Psalms, Venice, 1605.
• 6. "Rab Peninim" (Multitude of Pearls), on Proverbs, Venice, 1601.
• 7. "Ḥelḳat MeḦoḳeḳ" (The Lawgiver's Portion), on Job, Venice, 1603.
• 8. "Shoshanat ha-'Amaḳim" (Lily of the Valleys), on the Song of Solomon. This commentary was the first to appear in print, and was edited by Alshech himself in 1591. According to this commentary, the Song is an allegory, and represents a dialogue between God and exiled Israel on the latter's mission.
• 9. "'Ene Mosheh" (Eyes of Moses), on Ruth. Alshech says of the book of Ruth, "Surely from it we might take a lesson how to serve God"; and illustrates this statement throughout his commentary, Venice, 1601.
• 10. "Debarim NiḦumim" (Comforting Words), on the "Lamentations of Jeremiah." The title is not merely a euphemism for Lamentations; the author repeatedly attempts to show that there is no cause for despair, God being with Israel, and though the Temple is destroyed the Shekinah has not departed from the Western Wall, Venice, 1601.
• 11. "Debarim Ṭobim" (Good Words), on Ecclesiastes. Alshech calls Ecclesfastes, on account of its deep thoughts, "Waters without end" (oceans). He endeavors in the commentary to illustrate, as the central idea of the book, the dictum, "All is vain, except the fear of the Lord, which is the essential condition of man's real existence," Venice, 1601.
• 12. "Massat Mosheh" (Moses' Gift), on the book of Esther, presented by the author to his brethren as a Purim gift, Venice, 1601.
• 13. The commentaries of Alshech on these last-named five books ("megillot" or rolls) appeared in an abridged form, edited by Eleazer b. Hananiah Tarnigrad, Amsterdam, 1697.
• 14. "Ḥabaẓelet ha-Sharon" (The Rose of Sharon), on the book of Daniel, Safed, 1563, and Venice, 1592.
• 15. A commentary on the "Hafṭarot" called "Liḳḳute Man" (Gatherings of Manna), was compiled chiefly from "Marot ha-Ẓobeot," by E. M. Markbreit, Amsterdam, 1704.
• 16. "Yarim Mosheh" is the title of a commentary on Abot, gathered from the works of Alshech by Joseph B. M. Schlenker, Fürth, 1764.
• 17. A commentary of Alshech on the Haggadah (Home Service for the two nights of Passover) appears in the edition of the Haggadah called "Bet Ḥorim" (House of Free Men). The commentary is full of interesting remarks and earnest exhortations (Metz, 1767). Even in the introduction the laws for Passover and the order for the evening are treated allegorically, and made the vehicle for religious meditation. It is, however, not likely that Alshech wrote these notes for the Haggadah. They were probably gathered from his works long after his death, as otherwise the Haggadah would have been published with his commentary much earlier.
• 18. "Responsa"; as casuist he was frequently consulted by other rabbis, and his decisions were collected in a volume of responsa (Venice, 1605; Berlin, 1766). His contemporaries frequently quote his opinions. During his lifetime Azariah de Rossi produced his "Meor 'Enayim" (Light for the Eyes), in which the author rejected some beliefs generally received as traditional; Alshech, at the request of his teacher, R. Joseph Caro, wrote a declaration against the "Meor 'Enayim" as being contrary and dangerous to the Jewish religion (Kerem Ḥemed, v. 141).
• 19. Alshech wrote also a poem, "Dirge on the Exile of Israel," in a very simple style in ten rimed verses. It has been introduced into various earlier morning rituals, such as "Ayelet ha-ShaḦar" (The Morning Dawn). It is also contained in the collection of prayers and hymns called "Sha'are Zion" (The Gates of Zion).