French, Daniel Chester (1850- ), American sculptor, was born at Exeter, New Hampshire, on the 20th of April 1850, the son of Henry Flagg French, a lawyer, who for a time was assistant-secretary of the United States treasury. After a year at the Massachusetts Institute of Technology, French spent a month in the studio of John Q. A. Ward, then began to work on commissions, and at the age of twenty-three received from the town of Concord, Massachusetts, an order for his well-known statue “The Minute Man,” which was unveiled (April 19, 1875) on the centenary of the battle of Concord. Previously French had gone to Florence, Italy, where he spent a year with Thomas Ball. French’s best-known work is “Death Staying the Hand of the Sculptor,” a memorial for the tomb of the sculptor Martin Milmore, in the Forest Hills cemetery, Boston; this received a medal of honour at Paris, in 1900. Among his other works are: a monument to John Boyle O’Reilly, Boston; “Gen. Cass,” National Hall of Statuary, Washington; “Dr Gallaudet and his First Deaf-Mute Pupil,” Washington; the colossal “Statue of the Republic,” for the Columbian Exposition at Chicago; statues of Rufus Choate (Boston), John Harvard (Cambridge, Mass.), and Thomas Starr King (San Francisco, California), a memorial to the architect Richard M. Hunt, in Fifth Avenue, opposite the Lenox library, New York, and a large “Alma Mater,” near the approach to Columbia University, New York. In collaboration with Edward C. Potter he modelled the “Washington,” presented to France by the Daughters of the American Revolution; the “General Grant” in Fairmount Park, Philadelphia, and the “General Joseph Hooker” in Boston. French became a member of the National Academy of Design (1901), the National Sculpture Society, the Architectural League, and the Accademia di San Luca, of Rome.